- Bible with Glasses
Picture of the Holy Bible and a pair of old spectacles - Ludwig van Beethoven
Ludwig van Beethoven - Joh. Sebastian Bach, Geo. Fred. Handel
- Joseph Haydn, Wolfgang A. Mozart
- Frederic Francois Chopin
- Franz Schubert, Felix Mendelssohn
- Franz Liszt
- Robert Schumann
- Two kittens playing
- Two kittens playing on a suitcase
- Two kittens play fighting
- Kitten
- Kitten with paw up
- Kitten with paw out
- Kitten thinking
- Kitten practicing a snarl
- Kitten looking down
- Kitten climbing
- Kitten laying down
- Kitten and dragonfly
- Cute Kitten
- Cat watching a bug
- Two kittens
- More Border than space
- Man divider
- Maiden with long hair divider
- Floral Divider
- F
- Divider
- Turkeys
- Black Cat Divider
- T
- Peacock Feather Divider
- P
- H
- Hunting Dog
- Dog
- Dog
- Dog burying its catch
- Dog
- Two dogs
- Travelling Post, 1825-35
- Royal Mail Coach
- The Machine, 1640-1700
The coaches that travelled between London and distant towns were similar in construction to the hackney coach, which plied for hire in the streets, but were built on a larger scale. They carried eight passengers inside, and behind, over the axle, was a great basket for baggage and outside passengers, who made themselves as comfortable as they might in the straw supplied. The “insides” were protected from rain and cold by leather curtains; neither passengers nor baggage were carried on the roof; and the coachman sat on a bar fixed between the two standard posts from which the body was hung in front, his feet being supported by a footboard on the perch. Mr. Thrupp states that in 1662 there were only six stage coaches in existence; which assertion does not agree with that of Chamberlayne, quoted on a previous page; the seventeenth century writer tells us that in his time—1649—stage coaches ran “from London to the principle towns in the country.” It seems, however, certain that the year 1662 saw a great increase in the number of “short stages”—that is to say, coaches running between London and towns twenty, thirty, forty miles distant. - Mr. Daniel Bourn’s Roller Wheel Waggon -1763
Bourn’s reference to the “narrow-wheel waggon” touches a matter which formed the subject of hot debate for generations. It was urged that the narrow wheels of waggons were largely the means of cutting up the roads, and no doubt these did contribute to the general condition of rut and ridge that characterised them. This view was adopted by Parliament, and to encourage the use of wide wheels a system of turnpike tolls was adopted which treated the wide tire far more leniently than the narrow; anything under 9 inches in width being considered narrow. Bourn was a warm advocate for wide wheels, and the book from which the above passage is taken describes an improved waggon invented by himself; the drawing is[80] from the inventor’s work. The wheels of this vehicle resemble small garden rollers; they are 2 feet high and 16 inches wide. Each is attached independently to the body of the waggon and the fore wheels being placed side by side in the centre, while the hind wheels are set wide apart, the waggon is practically designed to fulfil the functions of a road-roller. It does not appear that Bourn’s invention obtained any general acceptance, which is perhaps not very surprising. - Queen Elizabeth’s Travelling Coach
Queen Elizabeth travelled in a coach, either the one built by Walter Rippon or that brought by Boonen (who, by the way, was appointed her coachman), on some of her royal progresses through the kingdom. When she visited Warwick in 1572, at the request of the High Bailiff she “caused every part and side of the coach to be opened that all her subjects present might behold her, which most gladly they desired.” The vehicle which could thus be opened on “every part and side” is depicted incidentally in a work executed by Hoefnagel in 1582, which Markland believed to be probably the first engraved representation of an English coach. As will be seen from the reproduction here given, the body carried a roof or canopy on pillars, and the intervening spaces could be closed by means of curtains. - London Hackney Cab (Boulnois’ Patent)
- King George IV. in His Pony Phaeton
- Travelling Posting Carriage (2), 1750
- Travelling Posting Carriage (1), 1750
- Going to Bury Fair
From Engraving, A.D. 1750. - Flight of Princess Ermengarde
Carriage used about 1300-1350 in Flanders. Carriages were in use on the continent long before they were employed in England. In 1294, Philip the Fair of France issued an edict whose aim was the suppression of luxury; under this ordinance the wives of citizens were forbidden to use carriages, and the prohibition appears to have been rigorously enforced. They were used in Flanders during the first half of the fourteenth century; an ancient Flemish chronicle in the British Museum (Royal MSS. 16,[9] F. III.) contains a picture of the flight of Ermengarde, wife of Salvard, Lord of Rouissillon. - Coach of Queen Elizabeth’s Ladies
Showing near-side “Boot.” Coaches with "Boots" From Coach and Sedan, we obtain a quaint but fairly graphic description of the coach of this period:— “The coach was a thick, burly, square-set fellow in a doublet of black leather, brasse button’d down the breast, back, sleeves and wings, with monstrous wide boots, fringed at the top with a net fringe, and a round breech (after the old fashion) gilded, and on his back an atchievement of sundry coats [of arms], in their proper colours.” The “boots” were projections at the sides of the body between the front and back wheels, as shown in the drawing of the coach occupied by Queen Elizabeth’s ladies; and there is much evidence to support the opinion that these boots were not covered. - Horse Litter
Horse litters, carried between two horses, one in front and one behind, were used in early times by ladies of `rank`, by sick persons, and also on occasion to carry the dead. Similar vehicles of a lighter description, carried by men, were also in use. William of Malmesbury states that the body of William Rufus was brought from the spot where he was killed in the New Forest in a horse-litter (a.d. 1100). When King John fell ill at Swineshead Abbey, in 1216, he was carried in a horse-litter to Newark, where he died. For a man who was in good health to travel in such a conveyance was considered unbecoming and effeminate. In recording the death, in 1254, of Earl Ferrers, from injuries received in an accident to his conveyance, Matthew Paris deems it necessary to explain that the Earl suffered from gout, which compelled him to use a litter when moving from place to place. The accident was caused by the carelessness of the driver of the horses, who upset the conveyance while crossing a bridge. The illustration is copied from a drawing which occurs in a manuscript in the British Museum (Harl. 5256). - Hammock Waggon
Supposed to have been in use in England about A.D.. 1100-1200. Strutt states that the chariot of the Anglo-Saxons was used by distinguished persons for travel. If the illustrations from which he describes them give a fair idea of their proportions and general construction, they must have been singularly uncomfortable conveyances. The drawing is taken from an illuminated manuscript of the Book of Genesis in the Cotton Library (Claud. B. iv.), which Strutt refers to the ninth century, but which a later authority considers a production of the earlier part of the eleventh. The original drawing shows a figure in the hammock waggon, which figure represents Joseph on his way to meet Jacob on the latter’s arrival in Egypt; this figure has been erased in order to give a clear view of the conveyance, which no doubt correctly represents a travelling carriage of the artist’s own time, viz., a.d. 1100-1200. - Hackney Coaches in London, 1637
Excessive number of Coaches in London. The preamble of a patent granted Sir Saunders Duncombe in 1634 to let Sedan chairs refers to the fact that the streets of London and Westminster “are of late time so much encumbered and pestered with the unnecessary multitude of coaches therein used”; and in 1635 Charles I. issued a proclamation on the subject. This document states that the “general and promiscuous use” of hackney coaches in great numbers causes “disturbance” to the King and Queen personally, to the nobility and others of place and degree; “pesters” the streets, breaks up the pavements and cause increase in the prices of forage. For which reasons the use of hackney coaches in London and Westminster and the suburbs is forbidden altogether, unless the passenger is making a journey of at least three miles. Within the city limits only private coaches were allowed to ply, and the owner of a coach was required to keep four good horses or geldings for the king’s service. - General View of the Poughkeepsie Bridge
The new bridge at Poughkeepsie has three of these cantilevers, connected by two fixed spans, as shown in the illustration. The fixed spans have horizontal lower chords, and really extend beyond each pier and up the inclined portions, to where the bottom chord of the cantilever is horizontal. At these points the junctions between the spans are made, and arranged in such a way, by means of movable links, that expansion and contraction due to changes of temperature can take place. The fixed spans are 525 feet long. Their upper chord, where the tracks are placed, is 212 feet above water. These spans required stagings to build them upon. These stagings were 220 feet above water, and rested on piles, driven through 60 feet of water and 60 feet of mud, making the whole height of the temporary staging 332 feet, or within 30 feet of the height of Trinity Church steeple, in New York. The time occupied in building one of these stagings and then erecting the steel-work upon it was about four months. The cantilever spans were erected without any stagings at all below, and entirely from the two overhead travelling scaffolds, shown in the engraving. These scaffolds were moved out daily from the place of beginning over the piers, until they met in the centre. The workmen hoisted up the different pieces of steel from a barge in the river below and put them into place, using suspended planks to walk upon. The time saved by this method was so great that one of these spans of 548 feet long was erected in less than four weeks, or one-seventh of the time which would have been required if stagings had been used. - Erection of a Cantilever
The new bridge at Poughkeepsie has three of these cantilevers, connected by two fixed spans, as shown in the illustration. The fixed spans have horizontal lower chords, and really extend beyond each pier and up the inclined portions, to where the bottom chord of the cantilever is horizontal. At these points the junctions between the spans are made, and arranged in such a way, by means of movable links, that expansion and contraction due to changes of temperature can take place. The fixed spans are 525 feet long. Their upper chord, where the tracks are placed, is 212 feet above water. These spans required stagings to build them upon. These stagings were 220 feet above water, and rested on piles, driven through 60 feet of water and 60 feet of mud, making the whole height of the temporary staging 332 feet, or within 30 feet of the height of Trinity Church steeple, in New York. The[35] time occupied in building one of these stagings and then erecting the steel-work upon it was about four months. The cantilever spans were erected without any stagings at all below, and entirely from the two overhead travelling scaffolds, shown in the engraving. These scaffolds were moved out daily from the place of beginning over the piers, until they met in the centre. The workmen hoisted up the different pieces of steel from a barge in the river below and put them into place, using suspended planks to walk upon. The time saved by this method was so great that one of these spans of 548 feet long was erected in less than four weeks, or one-seventh of the time which would have been required if stagings had been used. - Pope's Cantilever in Process of Erection
The most notable invention of latter days in bridge construction is that of the cantilever bridge, which is a system devised to dispense with staging, or false works, where from the great depth, or the swift current, of the river, this would be difficult, or, as in the case of the Niagara River, impossible to make. The first design of which we have any record was that of a bridge planned by Thomas Pope, a ship carpenter of New York, who, in 1810, published a book giving his designs for an arched bridge of timber across the North River at Castle Point, of 2,400 feet span. Mr. Pope called this an arch, but his description clearly shows it to have been what we now call a cantilever. As was the fashion of the day, he indulged in a poetical description: "Like half a Rainbow rising on yon shore, While its twin partner spans the semi o'er, And makes a perfect whole that need not part Till time has furnish'd us a nobler art." Note : This bridge was never built - it would be impossible in wood. - View of Thomas Pope's Proposed Cantilever (1810)
The most notable invention of latter days in bridge construction is that of the cantilever bridge, which is a system devised to dispense with staging, or false works, where from the great depth, or the swift current, of the river, this would be difficult, or, as in the case of the Niagara River, impossible to make. The first design of which we have any record was that of a bridge planned by Thomas Pope, a ship carpenter of New York, who, in 1810, published a book giving his designs for an arched bridge of timber across the North River at Castle Point, of 2,400 feet span. Mr. Pope called this an arch, but his description clearly shows it to have been what we now call a cantilever. As was the fashion of the day, he indulged in a poetical description: "Like half a Rainbow rising on yon shore, While its twin partner spans the semi o'er, And makes a perfect whole that need not part Till time has furnish'd us a nobler art."