15 One of them, when he saw he was healed, came back, praising God in a loud voice.
16 He threw himself at Jesus’ feet and thanked him—and he was a Samaritan.
The four figures in the Vignette are intended to represent the chief protestant reformers; Luther in the centre, Cranmer on his right hand, Knox on his left, and Calvin on his extreme right; each holding in his hand a manuscript or printed copy of the Word of God.
the Rock on which they are standing, is intended to denote the Truth of the doctrine of the Divine Oracle, on which, as on an immutable Rock, the Reformers rested all their claims, in labouring to restore pure Christianity.
Around the Rock of Truth, the waves of Error and Superstition are seen dashing.
The Egg of Creation, encompassed with the Agathodaimon, or Good Genius
Sculptures and medals abound in the East, containing hieroglyphic symbols of the creation. The most remarkable, however, of these symbolic devices is that erected, and at this day to be seen, in one of the temples of Japan. The temple itself, in which this fine monument of Oriental genius is elevated, is called Daibod, and stands in Meaco, a great and flourishing city of Japan.
The principal image in this design displays itself in the form of a vast bull, the emblem of prolific heat and the generative energy by which creation was formed, butting with its horns against the egg, which floated on the waters of the abyss. The status of the bull itself is formed of massy gold, with a great knob on its back, and a golden collar about its neck, embossed with precious stones.
The convent is the name especially appropriate to the body of individuals who composed a religious community.
The whole convent was under the government of the abbot, who, however, was bound to govern according to the rule of the order. Sometimes he was elected by the convent; sometimes the king or some patron had a share in the election. Frequently there were estates attached to the office, distinct from those of the convent; sometimes the abbot had only an allowance out of the convent estates; but always he had great power over the property of the convent, and bad abbots are frequently accused of wasting the property of the house, and enriching their relatives and friends out of it.
The Carmelite Friars had their origin, as their name indicates, in the East. According to their own traditions, ever since the days of Elijah, whom they claim as their founder, the rocks of Carmel have been inhabited by a succession of hermits, who have lived after the pattern of the great prophet. Their institution as an order of friars, however, dates from the beginning of the thirteenth century, when Albert, Patriarch of Jerusalem, gave them a rule, founded upon, but more severe than, that of St. Basil; and gave them a habit of white and red stripes, which, according to tradition, was the fashion of the wonder-working mantle of their prophet-founder.
The word clericus—clerk—was one of very wide and rather vague significance, and included not only the various grades of clerks in orders, of whom we have spoken, but also all men who followed any kind of occupation which involved the use of reading and writing; finally, every man who could read might claim the “benefit of clergy,” i.e., the legal immunities of a clerk.
Dominic gave to his order the name of Preaching Friars; more commonly they were styled Dominicans, or, from the colour of their habits, Black Friars—their habit consisting of a white tunic, fastened with a white girdle, over that a white scapulary, and over all a black mantle and hood, and shoes; the lay brethren wore a black scapulary.
The Franciscans were styled by their founder Fratri Minori—lesser brothers, Friars Minors; they were more usually called Grey Friars, from the colour of their habits, or Cordeliers, from the knotted cord which formed their characteristic girdle. Their habit was originally a grey tunic with long loose sleeves (but not quite so loose as those of the Benedictines), a knotted cord for a girdle, and a black hood; the feet always bare, or only protected by sandals.
The picture represents a priest confessing a lady in a church. The characters in the scene are allegorical; the priest is Genius, and the lady is Dame Nature; but it is not the less an accurate picture of a confessional scene of the latter part of the fourteenth century.
The Cellarer was in fact the steward of the house; his modern representative is the bursar of a college. He had the care of everything relating to the provision of the food and vessels of the convent. He was exempt from the observance of some of the services in church; he had the use of horses and servants for the fulfilment of his duties, and sometimes he appears to have had separate apartments. The cellarer, as we have said, wore no distinctive dress or badge; but in the Catalogus Benefactorum of St. Alban’s there occurs a portrait of one “Adam Cellarius,” who for his distinguished merit had been buried among the abbots in the chapter-house, and had his name and effigy recorded in the Catalogus; he is holding two keys in one hand and a purse in the other, the symbols of his office; and in his quaint features—so different from those of the dignified abbot whom we have given from the same book—the limner seems to have given us the type of a business-like and not ungenial cellarer.
Bedesmen - In time of Henry VII
The group represents the abbot and some of the monks, and behind them some of the bedesmen, each of whom has the royal badge—the rose and crown—on the shoulder of his habit, and holds in his hand his rosary, the symbol of his prayers.
The Nuns of Fontevraud was another female order of Augustinians, of which little is known. It was founded at Fontevraud in France, and three houses of the order were established in England in the time of Henry II.; they had monks and nuns within the same enclosure, and all subject to the rule of an abbess.
In the year 529 a.d., St. Benedict, an Italian of noble birth and great reputation, introduced into his new monastery on Monte Cassino—a hill between Rome and Naples—a new monastic rule. To the three vows of obedience, poverty, and chastity, which formed the foundation of most of the old rules, he added another, that of manual labour (for seven hours a day), not only for self-support, but also as a duty to God and man.
The Augustinians claim the great St. Augustine, Bishop of Hippo, as their founder, and relate that he established the monastic communities in Africa, and gave them a rule. That he did patronise monachism in Africa we gather from his writings, but it is not clear that he founded any distinct order; nor was any order called after his name until the middle of the ninth century.
In the year 1084 a.d., the Carthusian order was founded by St. Bruno, a monk of Cologne, at Chartreux, near Grenoble. This was the most severe of all the reformed Benedictine orders. To the strictest observance of the rule of Benedict they added almost perpetual silence; flesh was forbidden even to the sick; their food was confined to one meal of pulse, bread, and water, daily. It is remarkable that this the strictest of all monastic rules has, even to the present day, been but slightly modified; and that the monks have never been accused of personally deviating from it.
In 1098 a.d., arose the Cistercian order. It took the name from Citeaux (Latinised into Cistercium), the house in which the new order was founded by Robert de Thierry. Stephen Harding, an Englishman, the third abbot, brought the new order into some repute; but it is to the fame of St. Bernard, who joined it in 1113 a.d., that the speedy and widespread popularity of the new order is to be attributed. The order was introduced into England at Waverly, in Surrey, in 1128 a.d. The Cistercians professed to observe the rule of St. Benedict with rigid exactness, only that some of the hours which were devoted by the Benedictines to reading and study, the Cistercians devoted to manual labour.
The coronation procession of Charles V. of France, will help us to exhibit some of the orders of the clergy with their proper costume and symbols. First goes the aquabajalus, in alb, sprinkling holy water; then a cross-bearer in cassock and surplice; then two priests, in cassock, surplice, and cope; then follows a canon in his cap (biretta), with his furred amys over his arm.
The convents of friars were not independent bodies, like the Benedictine and Augustinian abbeys; each order was an organised body, governed by the general of the order, and under him, by provincial priors, priors of the convents, and their subordinate officials. There are usually reckoned four orders of friars—the Dominicans, Franciscans, Carmelites, and Augustines.
“I found there freres,
All the foure orders,
Techynge the peple
To profit of themselves.”
Piers Ploughman, l. 115.
The four orders are pictured together in the woodcut page from the thirteenth century MS. Harl. 1,527.
They were called Friars because, out of humility, their founders would not have them called Father and Dominus, like the monks, but simply Brother (Frater, Frère, Friar).
The cut represents a group of Cistercian monks, from a manuscript in the British Museum. It shows some of them sitting with hands crossed and concealed in their sleeves—an attitude which was considered modest and respectful in the presence of superiors; some with the cowl over the head. It will be observed that some are and some are not bearded.
We give another representation from the picture of John Ball, the priest who was concerned in Wat Tyler’s rebellion, taken from a MS. of Froissart’s Chronicle, in the Bibliothèque Impériale at Paris. The whole picture is interesting; the background is a church, in whose churchyard are three tall crosses. Ball is preaching from the pulpit of his saddle to the crowd of insurgents who occupy the left side of the picture.
A woodcut of the fifteenth century, from a manuscript life of Richard Beauchamp, Earl of Warwick, in the British Museum; the subject is the presentation of the pilgrim earl to the pope, and it enables us to bring into one view the costumes of pope, cardinal, and bishop.
The Parish Clerk sprinkling the Cook
The picture will shows the costume and the holy water-pot and aspersoir, and to indicate how he went into all the rooms of the house—now into the kitchen sprinkling the cook.
The Parish Clerk sprinkling the Knight and Lady
Picture shows the costume and the holy water-pot and aspersoir, and to indicate how he went into all the rooms of the house now into the hall sprinkling the lord and lady who are at breakfast.
Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem
When about twenty years of age he entered the monastery at Citeaux with five of his brothers. His genius might have secured ecclesiastical preferment, but he chose to dig ditches, plant fields and govern a monastery. He entered the cloister at Citeaux because the monks were few and poor, and when it became crowded because of his fame, and its rule became lax because of the crowds, he left the cloister to found a home of his own. The abbot selected twelve monks, following the number of apostles, and at their head placed young Bernard. He led the twelve to the valley of Wormwood, and there, in a cheerless forest, he established the monastery of Clairvaux, or Clear Valley. His rule was fiercely severe because he himself loved hardships and rough fare. "It in no way befits religion," he writes, "to seek remedies for the body, nor is it good for health either. You may now and then take some cheap herb,--such as poor men may,--and this is done sometimes. But to buy drugs, to hunt up doctors, to take doses, is unbecoming to religion and hostile to purity." His success in winning men to the monastic life was almost phenomenal. It was said that "mothers hid their sons, wives their husbands, and companions their friends, lest they be persuaded by his eloquent message to enter the cloister." "He was avoided like a plague," says one.
Dominic de Guzman, 1170-1221 A.D.
Half-way between Osma and Aranda in Old Castile, Spain, is a little village known as "the fortunate Calahorra." Here was the castle of the Guzmans, where Dominic was born. His family was of high `rank` and character, a noble house of warriors, statesmen and saints. If we accept the legends, his greatness was foreshadowed. Before his birth, his mother dreamed she saw her son under the figure of a black-and-white dog, with a torch in his mouth. "A true dream," says Milman, "for he will scent out heresy and apply the torch to the faggots;" but, as will be seen later, this observation does not rest on undisputed evidence.
Ignatius de Loyola, 1491-1556 A.D.
Inigo Lopez de Recalde, or Loyola, as he is commonly known, was born at Guipuzcoa, in Spain, in 1491. He was educated as a page in the court [pg 262]of Ferdinand the Catholic. He afterwards became a soldier and led a very wild life until his twenty-ninth year. During the siege of Pamplona, in 1521, he was severely wounded, and while convalescing he was given lives of Christ and of the saints to read. His perusal of these stories of spiritual combat inspired a determination to imitate the glorious achievements of the saints.
Trial proof of the key block of center sheet of The Crucifixion, after Tintoretto. National Gallery of Art (Rosenwald Collection).
Crucifixion of Christ
Adam and Eve being expelled from the Garden of Eden
Daniel in the lion's den
Devils chasing a rabbit
Jesus on Cross
Finding it difficult to fasten their thoughts on invisible, intangible beings, men, at the beginning. probably sought to aid their worship be selecting some object to represent the being worshiped.
As men became more and more accustomed to these idols and less and less spiritual in their worship they would ventrure to give expression to their ideas of the unseen gods. Other materials were used, and as might be required by the materials, other shapes were of necessity given. At first, it would seem, that only representations of animals were attempted, then, asin the teraphim, the head of a man was attached to various animal forms, as also in Dagon, the fish-god, which has a human figure, terminating in a fish