- Charles I
- Male - Period 1625-1660
- Female - Period 1625-1660
- Collar and Bodice types. Period Charles I to 1660
- Collar and Bodice types. Period Charles I
- Costumes. Period James I
- Shapes of Shoes from 1590-1650
- Costumes. Period, James I
- James I Female
- Elizabethan modes
- 1585 - 1620
- Nos. 1, 2, 3, 1540-50, and other shoe forms worn in the reign of Elizabeth
- Female Elizabethan modes
- Costumes, 1570-1605
- Costumes, 1554-1580
- Costumes, 1568-1610
- Costumes, 1554-1568
- Footwear, 1510-1540
- Variety of shapes and slashing. Henry VIII
- Cap shapes. Period Henry VIII
- Period Henry VIII
- Female - Period Henry VIII
- Sixteenth-century modes, 1st half Henry VIII
- Sixteenth century, 2nd quarter
- Fifteenth-century Shoes and Clogs
- Fifteenth century, 2nd half
- End of fifteenth century
- Costumes Fifteenth century, 2nd half
- Fifteenth century, 1st half
- Fifteenth century
- Middle of fifteenth century
- Costume - Fifteenth century, 1st half
- Costume - Fifteenth century
- Female - End of fifteenth century
- Female - Fifteenth century, 2nd half
- Female Costume - Fifteenth century, 2nd half
- Female Costume - Fifteenth century, 1st half
- Middle of fifteenth century to sixteenth century
- Female Costume Fifteenth century, 1st half
- Twelfth and thirteenth centuries
- Fourteenth century
- Male - Fourteenth century
- Twelfth to thirteenth century
- Headware Fourteenth century
- Fourteenth century, 1st half
- Fourteenth century, 2nd half
- Norman and Saxon Costume - 12th Century
- Twelfth to fourteenth century
- Tenth to thirteenth century
- Types of Shoes - British, Roman, Norman to 13th century
- Caps - Saxon and Norman types
- Master of the Amsterdam Cabinet. Two Lovers
MASTER OF THE AMSTERDAM CABINET. TWO LOVERS Size of the original engraving, 6½ × 4⅛ inches In the Ducal Collection, Coburg In agreeable contrast is the dry-point of Two Lovers—a little masterpiece—one of his most charming designs. “The sweet shyness of the maiden, the tender glances of the lover and the soft pressure of their hands are rendered with an inimitable grace, and the work is altogether of such exceptional quality that we may count this delightful picture as one of the rarest gems of German engraving in the fifteenth century.” - The Ox Minuet
Haydn saw with surprise a butcher call upon him one day, who being as sensible to the charms of his works as any other person, said freely to him, “Sir, I know you are both good and obliging, therefore I address myself to you with full confidence;—you excel in all kinds of composition; you are the first of composers: but I am particularly fond of your minuets. I stand in need of one, that is pretty, and quite new, for my daughter’s wedding, which is to take place in a few days, and I cannot address myself better than to the famous Haydn.”—Haydn, always full of kindness, smiled at this new homage, and promised it to him on the following day. The amateur returned at the appointed time, and received with joyful gratitude the precious gift. Shortly after, the sound of instruments struck Haydn’s ear.—He listened, and thought he recollected his new minuet. He went to his window, from whence he saw a superb Ox, with gilded horns, adorned with festoons and garlands, and surrounded by an ambulating orchestra, stopping under his balcony. Haydn was roused from his reverie by the butcher, who made his appearance in his apartment, and again expressed his sentiments of admiration, and concluded his speech, by saying, “Dear Sir, I thought that a butcher could not express his gratitude for so beautiful a minuet better than by offering you the finest Ox in his possession.”—Haydn refused—the butcher entreated, till at length Haydn, affected at the butcher’s frank generosity, accepted the present, and from that moment the minuet was known throughout Vienna by the name of the Ox Minuet, and has lately been introduced as a musical curiosity in England. - Good evening, gentlemen, evidently you were not expecting me
The King, remarked with the utmost composure: “Gentlemen, follow me. I am no stranger here.” Thereupon he rode to the left over the drawbridge leading to the castle, followed by a few of his officers. He had hardly arrived at the castle entrance when several Austrian officers and attendants, with lanterns in their hands, ran down the steps and made an effort to get to their horses in the castle yard and escape under cover of the darkness. The King, dismounting, quietly confronted them and said: “Good-evening, gentlemen. Evidently you were not expecting me. Is there no room left for me?” It would have been easy for them to have overpowered Frederick if they had had the courage, but the suddenness of his appearance and the confident tone of his voice so completely dazed them that they took the lanterns from the hands of their attendants, lit the King up the stairs, and escorted him to one of the finest of the rooms. The most distinguished of the Austrian officers introduced his comrades to the King, by name and `rank`, and all joined in agreeable conversation. During this time more Prussian officers arrived at the castle, fearing the King might be in danger; but they found him enjoying himself mightily. He finally took leave of the Austrian officers, however, and they sought quarters in other rooms of the spacious castle. - Frederick at the watch-fire before the battle of Liegnitz
To the astonishment of all, Daun decided upon a battle, hoping thus to ensure the destruction of the Prussian army. The decisive blow was to be struck August 15, and to make it all the more decisive he arranged for an attack at daybreak and a repetition of the slaughter at Hochkirch. This time, however, Frederick was fortunate enough to hear of the plan and he made a counterplan at once. The Prussian army left its camp in absolute silence during the night and occupied the neighboring heights; and to make the Austrians believe it was resting quietly in its old position, peasants were employed to keep the campfires burning brightly. Noiselessly Frederick arranged his army in fighting order. Silently the regiments stood in `rank` and listened for the signal to attack. There was something weird in the spectacle. The infantry stood with weapons ready for attack, and bright sabres flashed in the stout fists of the troopers ready at any instant to strike. Far down in the east day was dawning, and the silent host in the gray dusk looked like a troop of spectres. To enjoy a moment’s rest, Generals Seydlitz and Zieten threw themselves down by a campfire and slept; but Frederick, sitting upon a drumhead, considered the plans of the coming battle. At last he too was overcome by fatigue, and lying by the side of his generals was soon asleep. Suddenly a major rushed up and loudly asked, “Where is the King?” The latter, somewhat startled, arose at once and answered, “What is the matter?” “The enemy is not four hundred yards away,” was his reply. Frederick at the watch-fire before the battle of Liegnitz Officers and men were at once on the alert. Two minutes sufficed to form the regiments in order. Words of command were heard on all sides. The cavalry made ready for the onset. The thunder of artillery resounded over hill and valley, and in less than ten minutes the battle was raging. Frederick’s invincible spirit worked wonders. General Laudon had not expected such a reception and was utterly astonished to find a powerful force confronting him when he expected to surprise the Prussians in their camp. But in this emergency everything depended upon energy and courage. He made a brave assault, but the Prussians made a braver resistance. They fought like lions, and if it had been lighter the enemy would have been mercilessly slaughtered. When the sun rose it illuminated the field covered with bodies and broken weapons. The four hours’ sanguinary conflict was decided. The Prussians won a complete victory, and the Austrians lost ten thousand men, beside twenty-three standards and eighty-two cannon. Thus ended the battle of Liegnitz, August 15, 1760. - Frederick stood on the bloody field like one dazed
Frederick stood on the bloody field like one dazed, and it was only by chance he was saved from capture by some Russians and Austrians who approached the spot where he was standing. Captain Prittiwitz, his fortunate star, happened to be passing near by, with forty hussars. Lieutenant Belten suddenly exclaimed: “Captain Prittiwitz, yonder stands the King.” 86 The captain immediately turned his horse and rode forward with his men to the King, who was standing with folded arms upon a sandy hillock and alone, save for a single attendant who held his horse. His sword was sticking in the sand in front of him. The captain had considerable trouble in persuading the King to mount his horse, for at that instant Frederick was on the very verge of despair. To the appeal of the captain, he replied: “Leave me, Prittiwitz; I am lost.” “Not yet, Your Majesty,” answered Prittiwitz; “you are still King of Prussia and commander of an army of brave soldiers.” “Well, if you think so, forward.” - An 11th century knight, after the Bayeux tapestry
- A domed church
- A juggler, after a miniature
- According to Viollet-le-Duc