Home / Albums / Keyword 17th Century 80
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In Milan the visitation of 1630 was credited to the so-called anointers,—men who were supposed to spread the plague by anointing the walls with magic ointment—and the most horrible tortures that human ingenuity could devise were imposed on scores of victims, regardless of `rank` or of public service. Manzoni's great historical novel, "The Betrothed" has well pictured conditions in Italy during this period.
85 visits
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A CUTAWAY DRAWING of the original Mayflower by John Seamans of Weymouth, Mass., from plans drawn by William A. Baker, Hingham marine architect and authority on ancient ships.
1 Main Deck
2 Galley
3 Upper Deck
4 Main Hatch
5 Forecastle
6 Waist
7 Bosun’s Stores
8 Shallop
9 Sail Store
10 Crew’s Quarters
11 Main Hold
12 Cargo
13 General Stores
14 Water Barrels
15 Spirits
16 Store
17 Cabins
18 Radio Room—A radio for the crossing was required by law.
19 Chart House
20 Steering Position
21 Gun Port
22 Main Deck
23 Upper Deck
24 Quarter Deck
25 Poop Deck
26 Beak
27 Bowsprit
28 Foretop
29 Maintop
30 Mizzenmast
31 Mainmast
32 Foremast
124 visits
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A guide map showing principal streets and historic shrines.
115 visits
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This is how the replica of the original Pilgrim settlement will look when finished.
Mayflower II is shown at its permanent anchorage in lower left center.
127 visits
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The oldest stones in order of dates on the hill are those of:
Edward Grey 1681
William Crowe 1683-4
Hannah Clark 1687
Thomas Cushman 1691
Thomas Clark 1697
The children of John and Josiah Cotton 1699
The stone of Nathaniel Thomas 1697
106 visits
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Located in garden in rear of Pilgrim Hall. Gift of the General Society Daughters of the Revolution
121 visits
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Gov. Carver’s Chair in Pilgrim Hall Museum
116 visits
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On the 15th of August, 1620, both vessels left Southampton, but the Speedwell proving unseaworthy, they were obliged to return, putting into the harbor of Dartmouth for repairs. A second attempt resulted in abandoning the Speedwell at Plymouth, from which port the Mayflower sailed alone on the 16th of September.
121 visits
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After a tempestuous voyage of sixty-six days, refuge was taken in Cape Cod harbor (Provincetown) on November 21st, 1620.
From here exploring parties set out in the shallop (small boat) to locate a suitable home site and on December 21st a landing was made at Plymouth, the Mayflower following on December 26th. And here a permanent settlement was established.
122 visits
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Facsimile of original Seal of the Plymouth Colony. It disappeared during the administration of Sir Edmund Andros, who, in 1686 was sent by King James to rule over the Dominion of New England. It has never been recovered.
142 visits
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Reproduction by heliogravure of the figure from the Journal des sçavans (1678).
Extract from a letter written to Mr. Toynard on a Machine of a new invention to fly in the air.
A, right front aisle. — B, left rear aisle. — C, left front aisle. — D, right rear aisle. — E, fissure of the left foot which lowers the D aisle, when the left hand lowers the Aisle C. — F, fissure of the right foot which lowers the D-pin when the left hand lowers the C-pin.
115 visits
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The player on the viola da gamba, shown in the engraving, is a reduced copy of an illustration in “The Division Violist,” London, 1659. It shows exactly how the frets were regulated, and how the bow was held. The most popular instruments played with a bow, at that time, were the treble-viol, the tenor-viol, and the bass-viol. It was usual for viol players to have “a chest of viols,” a case containing four or more viols, of different sizes. Thus, Thomas Mace in his directions for the use of the viol, “Musick’s Monument” 1676, remarks, “Your best provision, and most complete, will be a good chest of viols, six in number, viz., two basses, two tenors, and two trebles, all truly and proportionably suited.” The violist, to be properly furnished with his requirements, had therefore 119to supply himself with a larger stock of instruments than the violinist of the present day.
199 visits
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Map showing the first settlements made on the Eastern coast of North America
231 visits
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This moral depravation, naturally, extended downward to the whole court. M. Brentano, who is one of the few French historians who venture to lay disrespectful hands on the grand Roi-soleil, says: "Charles VII was the original source of the crapulous debauchery of the last Valois; he traced the way for the crimes of Louis XIV, and the turpitudes of Louis XV." This, although the higher clergy of the reigns both of Charles and of Louis Quatorze did not fail in their duty, and did denounce openly from the pulpit the sins of these all-powerful monarchs.
233 visits
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Avoid what is called the "ruffianly style of dress" or the slouchy appearance of a half-unbottoned vest, and suspenderless pantaloons. That sort of affectation is, if possible, even more disgusting than the painfully elaborate frippery of the dandy or dude.
238 visits
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In this campaign he employed instruments of warfare which greatly astonished the savages, and easily secured him the victory. For the attack of a village, he constructed a cavalier of wood, which 200 of the most powerful men "carried before this village to within a pike's length, and displayed three arquebusiers well protected from the arrows and stones which might be shot or launched at them." A little later, we see him exploring the river Ottawa, and advancing, in the north of the continent, to within 225 miles of Hudson's Bay. After having fortified Montreal, in 1615, he twice ascended the Ottawa, explored Lake Huron, and arrived by land at Lake Ontario, which he crossed.
268 visits
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Arcangelo Corelli (1653-1713) left his home in Fusignano, near Bologna, a young violinist, for an extended concert tour. His gentle, sensitive disposition proving unfitted to cope with the jealousy of Lully, chief violinist in France, and with sundry annoyances in other lands, he returned to Italy and entered the service of Cardinal Ottoboni in Rome. In the private apartments of the prelate there gathered a choice company of music lovers every Monday afternoon to hear his latest compositions. Besides his solos these comprised groups of idealized dance tunes with harmony of mood for their bond of union, and played by two violins, a viola, violoncello and harpsichord. They were the parents of modern Chamber Music, the place of assemblage furnishing the name.
291 visits
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Farthingale, or Fardingale, an article of ladies' attire worn in the days of Queen Elizabeth (I), and closely resembling the more recent crinoline. It was formed of circles of whalebone hoops, and protruded more at the waist than the Victorian crinoline.
383 visits
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On several occasions after this the organist came to the chapel on purpose to listen to Handel as the latter played, and he was so struck by the boy's genius that he determined to surprise the Duke by letting Handel play His Highness out of chapel. Accordingly, on the following Sunday, when the service was concluded, the organist lifted Handel on to the organ-stool, and desired him to play.
The Duke and his friends had risen to their feet as Handel began to play, but the Duke instantly detected a difference in the playing, and, glancing towards the organ-loft, he was astonished to behold the figure of a child bending over the keys. But as he listened his astonishment became greater, for it was no longer the child's figure that arrested his attention, but the melody which was pouring forth from the instrument. Instead of walking out of the chapel, the Duke remained standing where he had risen, with his gaze riveted upon the child player, and of course the members of the household likewise kept their places. At length, when Handel ceased to play, the Duke turned to those about him with the inquiry: 'Who is that child? Does anybody know his name?' As no one present seemed to know, the organist was sent for to explain matters. After a few words from this official the Duke commanded that Handel should be brought before him. When the boy appeared he patted him on the head, and praised his performance, telling him that he was sure that he would make a good musician.
482 visits
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For some time this secret practising continued without arousing suspicion on the part of the other inmates of the house. One night, however, when the child had resorted to his favourite spot, he was suddenly missed by those below, and, as it was known that he had been sent to bed, some fears were felt as to what could have become of him. The servants were summoned, but could give no account of him; the father was fetched from his study, whither he had retired, and a search began. The alarm increased when it was ascertained that the child was in none of the living-rooms of the house, and it was decided that the garrets and lofts must be searched. Calling for a lantern, the surgeon ascended the stairs leading to the lumber-room; it was possible that the boy might have found his way thither on some childish expedition, and there fallen asleep. Great was the father's surprise, on reaching the top-most landing, to hear faint musical sounds proceeding from behind the closed door. Noiselessly retracing his steps, he summoned the rest of the household, and then, ascending the stairs in a body, they paused outside to listen. Sure enough the old garret was full of melodic sounds! Now near, now far off, they seemed to the listeners to be wafted from another world; there was something uncanny about it, and the maids gazed into each other's faces with a scared expression, as the master softly lifted the latch, and, having peeped [41]into the room, beckoned silently to the rest to follow him.
469 visits
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Handel's birthplace, Halle, Saxony.
George Frederick Handel, as the boy was named, was the son of a surgeon of Halle, Lower Saxony, in which town the child was born on February 23, 1685. Even before he could speak little George had shown a remarkable fondness for music, and the only toys he cared for were such as were capable of producing musical sounds. With this love for music, however, the father showed no sympathy whatever; he regarded the art with contempt, as something beneath the serious notice of one who aspired to be a gentleman, and that his child should have expressed an earnest desire to be taught to play only served to make him angry.
415 visits
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With his mouth curved into a cruel smile, Christoph seized the manuscript book and the copy, and, taking them from the room, hid them away in a [11]new place where Sebastian could not possibly find them
345 visits
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Farming instruction book 1601
445 visits
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Trenching Implements 17th Century
421 visits
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Seventeenth Century Plows
398 visits
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A prepared drawing of the plat of a survey made for William Sherwood at Jamestown in 1680. “Roades” indicates the course of the “Greate Road” that connected the town with the mainland. On the left the isthmus that joined the “Island” to Glasshouse Point is shown.
258 visits
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John Smith
314 visits
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Storms, floods, and burnings were favourite themes with the early newswriters, and several illustrated tracts exist describing such calamities. They are more or less interspersed with pious exhortations, but the narrative is rarely allowed to flag, and every incident is minutely described. There is ‘Woeful newes from the West parts of England of the burning of Tiverton,’ 1612; and a small quarto pamphlet of 1613, printed in old English, affords another good example of this kind of news. It is entitled—it will be observed how fond the old newswriters were of alliterative titles—‘The Wonders of this windie winter, by terrible stormes and tempests, 16to be losse of lives and goods of many thousands of men, women, and children. The like by Sea and Land hath not been seene nor heard of in this age of the world. London. Printed by G. Eld for John Wright, and are to be sold at his Shop neere Christ-Church dore. 1613.’ On the title-page is a woodcut, a copy of which is annexed.
351 visits
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In one dated 1607 occurs the earliest instance I have met with of an attempt to illustrate the news of the day. It is entitled ‘Wofull Newes from Wales, or the lamentable loss of divers Villages and Parishes (by a strange and wonderful Floud) within the Countye of Monmouth in Wales: which happened in January last past, 1607, whereby a great number of his Majesties subjects inhabiting in these parts are utterly undone.’
418 visits
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The next step in the evolution produced the double curtail, a converted bass pommer an octave below the single curtail and therefore identical in pitch as in construction with the early fagotto in C. The instrument is shown the figure, the reproduction of a drawing in the MS. of The Academy of Armoury by Randle Holme,[16] written some time before 1688.
349 visits
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Large stationary barrel-organ worked by hydraulic power, from Solomon de Caus, Les Raisons des forces mouvantes (Frankfort-on-Main, 1615).
The origin of the barrel-organ is now clearly established, and many will doubtless be surprised to find that it must be sought in the Netherlands as early as the middle of the 15th century, and that accurate and detailed diagrams of every part of the mechanism for a large stationary barrel-organ worked by hydraulic power were published in 1615
282 visits
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Timbering was one of the first activities undertaken by the Jamestown colonists and was one of the first English industries in America. The day the settlers arrived they began cutting down trees, for timber was needed to build their fort and town as well as to export to the mother country. Thomas Studley, a member of the first colony, reported that clapboards were made for loading on the ships which were to return to England:
Now falleth every man to worke, the Councell contrive the fort, the rest cut downe trees to make place to pitch their tents; some provide clapboard to relade the ships, some make gardens, some nets, &c.
Captain Newport left Jamestown in June, 1607 and aboard his two ships were clapboards and other wooden products.
436 visits
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The Jamestown cooper was a busy craftsman. Many barrels, hogsheads, and casks were needed in the colony, and large quantities of barrel staves were made for shipping to England. (Painting by Sidney E. King.)
415 visits
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On such terms of unrighteousness what we may call “Grand Monarchy” established itself in France. Louis XIV, styled the Grand Monarque, reigned for the unparalleled length of seventy-two years (1643-1715), and set a pattern for all the kings of Europe. At first he was guided by his Machiavellian minister, Cardinal Mazarin; after the death of the Cardinal he himself in his own proper person became the ideal “Prince.” He was, within his limitations, an exceptionally capable king; his ambition was stronger than his baser passions, and he guided his country towards bankruptcy through the complication of a spirited foreign policy, with an elaborate dignity that still extorts our admiration.
697 visits
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Chief Foreign Settlements in India, 17th Century
423 visits
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Central Europe, 1648
367 visits
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The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine.
113 visits
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The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine.
111 visits
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The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine.
102 visits
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The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine.
94 visits
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Assassination of Henry IV, Rue de la Ferronnerie, may 14, 1610.
1033 visits
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Woman using leeches, 17th century. (From Guillaume van den Bossche, Historica Medica, Brussels, 1639.)
374 visits
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Archlute
Wood, inlaid with ivory and tortoise-shell, engraved. Two sets of tuning pegs, the lower containing fourteen, and the higher, ten.
On the middle of the neck is an ovl plate of mother-of-pearl, bering the German inscription, Gott der Herr ist Sonne und Schield ("God, the Lord, is sun and shield.") About 1700
617 visits
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Making lime from oyster shells in a kiln, about 1625. (Conjectural sketch by Sidney E. King.)
1535 visits
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Blowing glass at Jamestown in 1608. (Conjectural sketch by Sidney E. King.)
1619 visits
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Making “trialls” Of iron. Evidences of an earth oven or small furnace were discovered at Jamestown during archeological explorations. Small amounts of iron may have been smelted in the furnace during the early years of the settlement. (Conjectural sketch by Sidney E. King.)
1819 visits
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In 1955 a pottery kiln site was discovered at Jamestown. Nearby were found many utilitarian earthenware vessels of the 1625-40 period—definite evidence that pottery was made in Virginia over 300 years ago. Although made for everyday use, many of the pieces unearthed are symmetrical and not entirely lacking in beauty. The unknown Jamestown potters were artisans, trained in the mysteries of an ancient craft, who first transplanted their skills to the Virginia wilderness.
1748 visits
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For everyday use the Jamestown settlers wore hardwearing clothes made of homespun cloth. (conjectural sketch by Sidney e. King.)
793 visits
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“Harvesting” Ice, about 1650. Archeological excavations revealed that icehouses were built on the historic island over 300 years ago. (painting by Sidney e. King
800 visits
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Firing a demiculverine from a bastion at “James Fort.” (Conjectural sketch by Sidney E. King.)
3490 visits
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Cultivating a small garden in Virginia.
(Conjectural sketch by Sidney E. King.)
716 visits
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Brewing beer at Jamestown. (Conjectural sketch by Sidney E. King.)
824 visits
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Baking bread in an outdoor baking oven about 1650. (Conjectural sketch by Sidney E. King.)
1765 visits
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A wharf scene—arrival of a ship from the mother country. (Conjectural sketch by Sidney E. King.)
During the 17th century, active trade was carried on between the Virginia colony and the mother country. Local commodities of timber, wood products, soap ashes, iron ore, tobacco, pitch, tar, furs, minerals, salt, sassafras, and other New World raw materials were shipped to England. In exchange, English merchants sold to the colonists, tools, farm implements, seeds, stock and poultry, furniture and household accessories, clothing, weapons, hardware, kitchen utensils, pottery, metalware, glassware, and certain foods and drinks.
There is also good evidence that some trade was carried on with Holland, Germany, Italy, Spain, Portugal, France, Mexico, and the West Indies. Many artifacts unearthed (especially pottery) were made in the countries mentioned. It is believed that certain commodities were acquired by direct trade with the country where made, in spite of the strict laws by which the Colonial Powers sought to monopolize the colonial trade for the benefit of the mother country.
912 visits
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Making lime from oyster shells in a kiln, about 1625. (Conjectural sketch by Sidney E. King.)
1833 visits
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A physician bleeding a patient. (Conjectural sketch by Sidney E. King.)
One of the members of the first colony was a surgeon, William Wilkinson by name. As the colony grew, other surgeons, physicians, and apothecaries, emigrated to Virginia. Their lot was not easy, for it appears that they were seldom idle in an island community having more than its share of “cruell diseases, Swellings, Flixes, Burning Fevers, warres and meere famine.”
During archeological explorations, drug jars, ointment pots, bleeding bowls, mortars and pestles, small bottles and vials, and parts of surgical instruments were recovered. These, undoubtedly, were used countless times at Jamestown by unknown “chirurgions,” doctors of “physickes,” and apothecaries—men who tried to keep the colonists well with their limited medical equipment and scant supply of drugs.
1941 visits
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Spinning thread or yarn and weaving cloth were endless chores for the women living in the small wilderness settlemenT. (Conjectural sketch by Sidney E. King.)
1787 visits
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Settlers trading with the indians—bartering casting counters and other trade goods for furs. (Conjectural sketch by Sidney E. King.)
One reason why the colonists selected a site for Jamestown some miles up the James River was to develop the Indian trade over an extensive area. During the early years of the colony, trade with the natives was encouraged. It is clear from the early records that the settlers bartered such items as beads, cloth, penny knives, shears, bells, glass toys, whistles, hatchets, pots and pans, brass casting counters, and similar objects in exchange for Indian corn (and other vegetables), fish, game, fruits and berries, and furs.
1547 visits
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Jamestown soldiers carrying polearms (a halberd and a bill). (conjectural sketch by Sidney E. King.)
2271 visits
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A Jamestown sentry on duty shouldering his heavy matchlock musket. (Conjectural sketch by Sidney E. King.)
1987 visits
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Cavelier De La Salle
The same year in which William Penn laid out Philadelphia and there made a treaty with the Indians, a noted Frenchman sailed down the Mississippi River, exploring it in the interests of France. This man was Robert Cavelier, Better known as La Salle, who, like many of his countrymen, was trying, just as the Spaniards and Englishmen had tried, to find or do something in America that would not only bring glory to his own name, but also wealth and honor to his fatherland.
98 visits
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Map Showing Routes of Cartier, Champlain, and La Salle, also French and English Possessions at the Time of the Last French War.
109 visits
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Pilgrims Returning from Church
613 visits
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Pilgrim Relics
345 visits
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As military leader Miles Standish at once became conspicuous in the life of the colony. He was born in Lancashire, England, in 1584, of a noble family, but was in some way deprived of his estates. Going to the Continent he became a valiant and daring soldier in the Netherlands. Feeling a deep interest in the cause of the Pilgrims, he joined them when they sailed for America in the Mayflower, and made their fortunes his own.
Small of stature, quick-witted, hot-tempered, and ready to brave any danger, this stout-hearted man was a fitting leader for the little Pilgrim army of something like a score of men who were obliged to defend themselves and their families against wild beasts and unfriendly Indians
454 visits
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Like Miles Standish, some of the soldiers had swords at their sides, and all carried either flintlock or matchlock muskets so big and heavy that, before they could fire them off, they had to rest them upon supports stuck into the ground for the purpose.
372 visits
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Roger Williams's Meeting-House
256 visits
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Roger Williams was a man of pure and noble soul. He did not seem to bear any grudge against the people of Massachusetts. For when, in 1637, the Pequots tried to get the Narragansett Indians to join them in a general uprising against the whites, and especially against those living in Massachusetts, he did all he could to frustrate their plans. At this time he set out one stormy day in his canoe to visit Canonicus, chief of the Narragansetts, and succeeded, at the risk of his life, in preventing the union of the two tribes against the whites.
227 visits
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Near the meeting-house stood the block-house. This was a rude, strongly built structure, where the people of the village could take refuge in case of attack from Indians.
208 visits
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Brewster's and Standish's Swords
326 visits
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All must have perished but for the bravery and strength of one man, John Smith, who for several years kept the struggling colony alive by his personal authority and wise treatment of the Indians. Born in [Pg 46]England in 1579, he was at the time of the settlement of Jamestown twenty-eight years old. While but a boy he was left an orphan, and was early apprenticed to a trade; but he had such a longing for adventure that he soon ran away and went to the Continent to seek his fortun
351 visits
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Perspective View of Paris in 1607.--Fac-simile of a Copper-plate by Léonard Gaultier. (Collection of M. Guénebault, Paris.)
713 visits
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One of the largest cannon now existing is a brass one at Bejapoor, called “Moolik-i-Meidan,” or “The Lord of the Plain.” It was cast in commemoration of the capture of that place by the Emperor Alum Geer, in 1685. Its length is 14ft. 1in., diameter about 5ft. 8in., diameter of bore, 2ft. 4in., interior length of bore, 10ft.; length of chamber unknown; shape of gun nearly “cylindrical;” description of shot, stone. An iron shot for this gun, of proper size, would weigh 1600lbs. It is now lying in a dilapidated circular bastion on the left of the principal gateway of the city. The trunnions are broken off, and there is a ring on each side of it, as well as two Persian inscriptions on the top. It is placed on three heavy beams of wood, packed round with large stones. A number of stone shot, of 2ft. 2in. in diameter, are scattered about. This gun is said to be the heaviest piece of ordnance in the world. It weighs about forty-two tons.
567 visits
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Worn by the court fool of an Elector of Mayence (seventeenth century).
South Kensington Museum.
347 visits
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About the year 1658 petticoat breeches crossed the silver streak from Versailles, and became the vogue at the Court of Charles II. Randal Holme, writing in 1659, describes the dress as follows:—"A short-waisted doublet and petticoat breeches, the lining being lower than the breeches and tied above the knees; the breeches are ornamented with ribands up to the pocket, and half their breadth upon the thigh; the waistband is set about with ribands, and the shirt hanging out over them." The petticoat breeches were not ridiculous in themselves—the modern Scotch kilt, which is an extremely picturesque and even reasonable costume, is made upon precisely the same principle; it was the absurd{130} lace ruffles, which hung drooping below the knee, which were worn with the petticoats during the earlier period, and in which Charles II. is figured in Heath's Chronicle, 1662, which made the costume a banality. The figure of the exquisite of 1670 from Jacquemin wears the petticoat breeches, but without the ruffles or frills at the knees. It must be confessed, however, that the gentleman possesses a sufficiency of frill!
671 visits
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Brick House at Jamestown, about 1640. (Conjectural sketch by Sidney E. King.)
708 visits
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French Garrison Gun (1650-1700). The gun is on a sloping wooden platform at the embrasure. Note the heavy bed on which the cheeks of the carriage rest and the built-in skid under the center of the rear axletree.
1028 visits
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Gustavus abandoned the leather gun, however, in favor of a cast-iron 4-pounder and a 9-pounder demiculverin produced by his bright young artillery chief, Lennart Torstensson. The demiculverin was classed as the "feildpeece" par excellence, while the 4-pounder was so light (about 500 pounds) that two horses could pull it in the field.
1087 visits
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Under the Swedish warrior Gustavus Adolphus, artillery began to take its true position on the field of battle. Gustavus saw the need for mobility, so he divorced anything heavier than a 12-pounder from his field artillery. His famous "leatheren" gun was so light that it could be drawn and served by two men. This gun was a wrought-copper tube screwed into a chambered brass breech, bound with four iron hoops. The copper tube was covered with layers of mastic, wrapped firmly with cords, then coated with an equalizing layer of plaster. A cover of leather, boiled and varnished, completed the gun. Naturally, the piece could withstand only a small charge, but it was highly mobile.
975 visits
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The string telephones which for several years have been flooding the boulevards and the streets of the different cities of Europe, and whose invention dates back, as we have seen, to the year 1667, are very interesting apparatuses by them themselves, and we are astonished that they did not appear rather in the physics cabinets. They consist of cylindrical-conical tubes of metal or cardboard, one end of which is closed by a stretched membrane of parchment, in the center of which is fixed by a knot the string or cord intended to bring them together. When two tubes of this kind are thus joined together and that the wire is tight, as shown, it suffices for a person to apply one of these tubes against the ear and for another person to speak very close to the opening of the other tube, so that all the words spoken by the latter are immediately transmitted to the other, and one can even converse in this manner in an almost low voice.
1162 visits
