Of all the officers who have commanded the army and enjoyed the presidency, Santa Anna has occupied the most distinguished position since the death of Iturbidé.
Battle of Resaca de la Palma 9th May 1846
Battle of Palo Alto 8th. May 1846
The Two storks
Korean Lion represents a game that children in Japan are very fond of playing. They are probably trying to act as well as the maskers did whom they saw on New Year's Day, just as our children try and imitate things they see in a pantomime. The masker goes from house to house accompanied by one or two men who play on cymbals, flute, and drum.
The man who sells the gold-fish, with fan-like tails as long as their bodies, has also turtles. These boys at last settle that of all the pretty things they have seen they would best like to spend their money on a young turtle. For their pet rabbits and mice died, but turtles, they say, are painted on fans and screens and boxes because turtles live for ten thousand years.
The boys in the picture must be playing with the puppies of a large dog, to judge from their big paws. There are a great many large dogs in the streets of Tokio; some are very tame, and will let children comb their hair and ornament them and pull them about. These dogs do not wear collars, as do our pet dogs, but a wooden label bearing the owner's name is hung round their necks.
The masker goes from house to house accompanied by one or two men who play on cymbals, flute, and drum. He steps into a shop where the people of the house and their friends sit drinking tea, and passers-by pause in front of the open shop to see the fun. He takes a mask, like the one in the picture, off his back and puts it over his head. This boar's-head mask is painted scarlet and black, and gilt. It has a green cloth hanging down behind, in order that you may not perceive where the mask ends and the mans body begins. Then the masker imitates an animal. He goes up to a young lady and lays down his ugly head beside her to be patted, as "Beast" may have coaxed "Beauty" in the fairy tale. He grunts, and rolls, and scratches himself. The children almost forget he is a man, and roar with laughter at the funny animal.
The tops the lads are playing with in this picture are not quite the same shape as our tops, but they spin very well. Some men are so clever at making spinning-tops run along strings, throwing them up into the air and catching them with a tobacco-pipe, that they earn a living by exhibiting their skill.
Some of the tops are formed of short pieces of bamboo with a wooden peg put through them, and the hole cut in the side makes them have a fine hum as the air rushes in whilst they spin.
Yoshi-san and his Grandmother go to visit the great temple at Shiba. They walk up its steep stairs, and arrive at the lacquered threshold. Here they place aside their wooden clogs, throw a few coins into a huge box standing on the floor. It is covered with a wooden grating so constructed as to prevent pilfering hands afterward removing the coin. Then they pull a thick rope attached to a big brass bell like an exaggerated sheep-bell, hanging from the ceiling, but which gives forth but a feeble, tinkling sound. To insure the god's attention, this is supplemented with three distinct claps of the hands, which are afterward clasped in prayer for a short interval; two more claps mark the conclusion. Then, resuming their clogs, they clatter down the steep, copper-bound temple steps into the grounds. Here are stalls innumerable of toys, fruit, fish-cakes, birds, tobacco-pipes, ironmongery, and rice, and scattered amidst the stalls are tea-houses, peep-shows, and other places of amusement. Of these the greatest attraction is a newly-opened chrysanthemum show.
In the picture are two boys who are fond of music. One has a flute, which is made of bamboo wood. These flutes are easy to make, as bamboo wood grows hollow, with cross divisions at intervals. If you cut a piece with a division forming one end you need only make the outside holes in order to finish your flute.
The child sitting down has a drum. His drum and the paper lanterns hanging up have painted on them an ornament which is also the crest of the house of "Arima." If these boys belong to this family they wear the same crest embroidered on the centre of the backs of their coats.
In the two little boys are playing at snowball. These lads enjoy a fall of snow, and still better than snowballing they like making a snowman with a charcoal ball for each eye and a streak of charcoal for his mouth. The shoes which they usually wear out of doors are better for a snowy day than your boots, for their feet do not sink into the snow, unless it is deep. These shoes are of wood, and make a boy seem to be about three inches taller than he really is. The shoe, you see, has not laces or buttons, but is kept on the foot by that thong which passes between the first and second toe. The thong is made of grass, and covered with strong paper, or with white or colored calico. The boy in the check dress wears his shoes without socks, but you see the other boy has socks on.
After the heavy autumn rains have filled the roads with big puddles, it is great fun, this boy thinks, to walk about on stilts. His stilts are of bamboo wood, and he calls them "Heron-legs," after the long-legged snowy herons that strut about in the wet rice-fields. When he struts about on them, he wedges the upright between his big and second toe as if the stilt was like his shoes. He has a good view of his two friends who are wrestling, and probably making hideous noises like wild animals as they try to throw one another.
Dragoon sitting on his bed eating from mess-tin
Dragoon in full dress uniform 1880
A Fatigue Party of Dragoons
A Duel in the Riding School
Exercises in Riding School (vaulting)
Thomas A Edison
Here is a sketch of the uniform of the "New Police" as they were called, copied from a satirical print of Sir Robert Peel, by the celebrated H. B. (John Doyle, father of Richard Doyle, to whom Punch owed so much). The hats were worn until a comparatively recent period, and in summer-time they wore white trousers.
But it was a very noisy city, this London. The watchmen, not altogether done away with, would croak out his "Past twelve o'clock, and a frosty morning;" the milkwoman made the early morning hideous with her shrieks, as also did the chimneysweep and the newsman, who brought your morning paper; the peripatetic vendor of fish, or cats' meat, cried out, the dustman rang a bell and yelled, whilst all sorts of street hawkers helped to swell the din. Muffin men not only cried out but rang a bell, as did also the postman; but then his bell was legalized and useful, as, on hearing it, people could rush to the door and give him the letters needing posting instead of going to a post-office, which might be some distance off, and there were no pillar-boxes in those days.
The hackney coach was a cumbrous vehicle with two horses, and, in 1823, one-horsed vehicles were introduced, called cabriolets, speedily shortened into cabs. They began modestly with twelve, and in 1831 had increased to one hundred and sixty-five.
On December 23, 1834, Joseph Aloysius Hansom, an architect, took out a patent, No. 6733, for "a vehicle for conveying loads, etc.," and from that time to this his name has been inseparably connected in England with cabs. Not that his cab was like the present "hansom," which is a product of much evolution. There was no back seat for the driver, and its "safety" consisted in its cranked axle. He sold his rights to a company for £10,000, but never got a penny piece of it. The only money he ever got out of it was £300, which, when the company had got into a muddle, was paid him to take temporary management and put things straight again.
The royal assent was given on September 22, 1831, to "An Act to amend the laws relating to Hackney Carriages," etc., by which it was enacted that, up to January 5, 1833, they should be limited to twelve hundred, and, after that date, there was to be no limitation to their number, except that caused by the law of demand and supply. The hackney coach was a cumbrous vehicle with two horses, and, in 1823, one-horsed vehicles were introduced, called cabriolets, speedily shortened into cabs.
The illustration, by an anonymous artist, shows the Duke of Wellington providing the people with beer, in a popular manner. It is entitled "Opening the Beer Trade; or, Going into a New Line of Business."
Order ordered by the King William IV
"The four regiments of Hussars to be dressed exactly alike. Their officers to have one dress only, and that of a less costly pattern, which will forthwith be prepared."
Of course, this, like the former ukase, could not escape the satirist, and we have the accompanying illustration by R. S. entitled, "Raising the Wind by Royal Authority. His Majesty intends diminishing the extravagant expense of the Military Officer's dress. See the papers."
Here we see the Jew old clothesmen chaffering against each other and bargaining with Hussar Officers for their compulsorily left-off finery.
Bridal dress for the marriage ceremony - 1850
Robe of white poult de soie. The skirt very full, and ornamented in front with five rows of lace, finished at each end with bows of white satin. The rows of lace are of graduated lengths, the lower row being about a quarter and a half long, and the upper one not more than five or six inches.
Dress of bright apple-green silk; the skirt with three deep flounces pinked at the edges. The corsage high and plain. Mantelet of very pale lilac silk, trimmed with two rows of lace de laine of the same color, and each row of lace surmounted by passementerie. The lace extends merely round the back part of the mantelet, and the fronts are trimmed with passementerie only. Bonnet of white crinoline, with rows of lilac ribbon set on in bouillonnées. The bonnet is lined with white crape, and the under-trimming consists of bouquets of lilac and white flowers. Straw-colored kid gloves. White silk parasol.
It is designed chiefly for a rich riding-dress, it being too long in the skirt for the promenade, and not convenient for the drawing-room. It is called the Moldavian Style; a petite veste of dark green cloth entirely covered with an embroidery of lace imitating guipure royal, and displaying the shape to the greatest perfection. The skirt is very ample and cut in a novel manner so as to fall in long folds like an antique drapery. The front is ornamented with an apron-trimming of deep lace. The sleeves are demi-long; the hands and wrists covered by long white gloves. When in full dress for the saddle, a gray beaver hat is worn, the brim low in front, and turned up at the sides, and ornamented with a long, twisted ostrich feather; cambric collar and manchettes (ruffles) each closed by a double button of rubies or other precious stones.
Silk, trimmed with three ruffles. Above there, and extending up each gore, is a fancy silk braid to match color of dress.
The lower skirt is trimmed with bands of satin stitched with white. The upper skirt is trimmed with two satin bands and edged with a narrow fringe. The skirt is open at the side with revers, and laced across with cord and tassels.
Sculptures and medals abound in the East, containing hieroglyphic symbols of the creation. The most remarkable, however, of these symbolic devices is that erected, and at this day to be seen, in one of the temples of Japan. The temple itself, in which this fine monument of Oriental genius is elevated, is called Daibod, and stands in Meaco, a great and flourishing city of Japan.
The principal image in this design displays itself in the form of a vast bull, the emblem of prolific heat and the generative energy by which creation was formed, butting with its horns against the egg, which floated on the waters of the abyss. The status of the bull itself is formed of massy gold, with a great knob on its back, and a golden collar about its neck, embossed with precious stones.
The Water-Gate of London - Tower Bridge from the East Side of the Tower
An East End Wharf
An East End Factory
A Typical Street in Bethnal Green
A Street Row in the East End
The Tower of London
The Bank of “The Pool.” Looking Toward Tower Bridge
London Street, Limehouse
In the Docks
Eugène Anatole Carrière (16 January 1849 – 27 March 1906)
Caricature of the French painter (whose works are somewhat dark and misty in effect) Eugène Carrière at work. By Guillaume. From the French daily, Gil Blas
Sir Charles Rivers Wilson
The legend reads: “Machin, the staff officer, the terror of the soldier, doesn’t joke with the rules and regulations; has risen from the `rank` and file; a very useful individual; it’s always Machin here and Machin there, ask Machin. He terrorizes the one-year volunteers, whom he treats as young shoots (literal translation beets); an old bachelor to the core.”
Robert Louis Stevenson
Portrait of Fred Walker
Paul Robin (1837–1912) was a French educator and scientist.
Henry Hyde Champion (22 January 1859 – 30 April 1928)
The Chinese are most inveterate gamblers and I have noticed small boys gambling at stalls where nuts, oranges, or other fruits are sold. In the streets and squares one often sees groups of four or five Chinese squatting, who are engaged in playing cards and dominoes, whilst other stand and look on at the game.
The Nautch Girls are the singing and dancing girls of the East. They are gorgeously attired in robes of embroidered silk and muslin, and covered with jewels. They attend the public and private festivals and entertain the company bu their soft and voluptuous songs, and graceful attitudes.
The dances of the Nautch Girls consist in sudden transitions. The movement is sometimes slow and graceful; then by a change of the music it becomes all life, and exhibits the most rapid succession of violent actions, the performers twirling round with the velocity of a spinning top, and for such a length of time that it almost makes a person giddy to look at them.
The Nautch girl in the picture was considered one of the most celebrated singers in Bengal. Her voice was extremely sweet, but sung in so low a tone, that it would have been impossible to hear a note unless within a few yards of her; but a powerful voice is not esteemed an excellence in an Indian singer.
Each Nautch Girl is attended by her own musicians, who form themselves in a circle behind her, accompanying her voice with their instruments.
Constantine Phipps, 1st Marquess of Normanby, author of "Matilda"
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist.
In 1830 all this had disappeared, and we find in Mr. Nasmyth's sketch a regular fire-box, such as is used to this moment. In one word, the Rocket of 1829 is different from the Rocket of 1830 in almost every conceivable respect; and we are driven perforce to the conclusion that the Rocket of 1829 never worked at all on the Liverpool and Manchester Railway; the engine of 1830 was an entirely new engine.
This engraving represents our accomplished author as a lady of a chapter belonging to a chivalric order. The high compliment from a German court was paid to the merit of Thaddeus of Warsaw. This portrait, as contrasted with that of her sister, well justifies the appellation bestowed upon them by mutual friends - they went by the names of L'Allegro and Il Penseroso.
Many a six pence is picked up in New-York, by the sale of this delicious fruit. They are brought to market in small baskets, which hold nearly a pint, and sell from 4 to 15 cents a basket. You may see men, women, and children, some with long poles, one in each hand, strung full of these little baskets of strawberries, travelling up and down the streets of New-York, crying as above.