Jean-Christophe, the dominant figure of the enormous work which Rolland was a score of years in writing, and nearly half a score in publishing, is gradually becoming a household name upon two continents.

“Jean-Christophe” is the detailed life of a man from the cradle to the grave, a prose epic of suffering, a narrative of the evolution of musical genius, a pæan to music, and a critique of composers, the history of an epoch, a comparative study of the civilizations of France and Germany, an arraignment of society, a discussion of vexed problems, a treatise on ethics, a “barrel” of sermons, a storehouse of dissertations, and a blaze of aspirations.