The first portrait painted after her Coronation.
The history as to how the first portrait of Her Majesty after her coronation was obtained is also full of interest. The Queen is represented in all her youthful beauty in the Royal box at Drury Lane Theatre, and it is the work of E. T. Parris, a fashionable portrait painter of those days. Parris was totally ignorant of the fact that when he agreed with Mr. Henry Graves, the well-known publisher, to paint "the portrait of a lady for fifty guineas," he would have to localise himself amongst the musical instruments of the orchestra of the National Theatre, and handle his pencil in the immediate neighbourhood of the big drum. Neither was he made aware as to the identity of his subject until the eventful night arrived. Bunn was the manager of Drury Lane at the time, and he flatly refused to accommodate Mr. Graves with two seats in the orchestra. But the solution of the difficulty was easy. Bunn was indebted to Grieve, the scenic artist, for a thousand pounds. Grieve was persuaded to threaten to issue a writ for the money unless the "order for two" was forthcoming. Bunn succumbed, and the publisher triumphed; and whilst the young Queen watched the performance, she was innocently sitting for her picture to Parris and Mr. Graves, who were cornered in the orchestra. Parris afterwards shut himself up in his studio, and never left it until he had finished his work. The price agreed upon was doubled, and the Queen signified her approval of the tact employed by purchasing a considerable number of the engravings.