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Scotch bagpipe, eighteenth century

Scotch bagpipe, eighteenth century.jpg The Unknown Tongues—Daybreak at the National Scotch ChurchThumbnailsFrom the Great Seal of Alexander I, King of ScotlandThe Unknown Tongues—Daybreak at the National Scotch ChurchThumbnailsFrom the Great Seal of Alexander I, King of ScotlandThe Unknown Tongues—Daybreak at the National Scotch ChurchThumbnailsFrom the Great Seal of Alexander I, King of ScotlandThe Unknown Tongues—Daybreak at the National Scotch ChurchThumbnailsFrom the Great Seal of Alexander I, King of ScotlandThe Unknown Tongues—Daybreak at the National Scotch ChurchThumbnailsFrom the Great Seal of Alexander I, King of Scotland

The bagpipe appears to have been from time immemorial a special favourite instrument with the Celtic races; but it was perhaps quite as much admired by the Slavonic nations. In Poland, and in the Ukraine, it used to be made of the whole skin of the goat in which the shape of the animal, whenever the bagpipe was expanded with air, appeared fully retained, exhibiting even the head with the horns; hence the bagpipe was called kosa, which signifies a goat. The woodcut represents a Scotch bagpipe of the eighteenth century.