- Le Petit Pont
- Le Pont-au-Change vers 1784, d’après Nicolle
- Le Pont-au-Change
- La Tour de L’Horloge
- Le Ministère de la Marine -fifth state
- Le Ministère de la Marine
- La Pompe Notre-Dame
- La Rue des Mauvais Garçons
- La Salle des Pas-perdus à l’ancien Palais-de-Justice
- La Galerie Notre-Dame
- La Morgue
- L’Arche du Pont Notre-Dame
- L. J.-Marie Bizeul
- L’Abside de Notre-Dame de Paris
- L’Ancien Louvre, d’après une peinture de Zeeman
- Charles Meryon. By Félix Bracquemond
- Collège Henri IV
- Entrée du Couvent des Capucins à Athènes
- Armes Symboliques de la Ville de Paris
- Bain-froid Chevrier
- Charles Meryon, 1858. By Léopold Flameng
- Ancienne Habitation à Bourges
- Ancienne Porte du Palais de Justice
- How a crossbowman should approach animals
How a crossbowman should approach animals by means of a cart concealed with foliage. - Arbalestina
The narrow cruciform loophole, called by architects ' Arbalestina,' which is usually to be seen in the masonry of a mediaeval fortress, was designed for the special use of crossbowmen in repelling an assault. To enable the crossbow, or longbow, to be aimed to the right or left through a loophole, the aperture was greatly widened out on the inside face of the perforated wall. - Crossbowmen
They represent French soldiers at the defence of Rouen, 1419, shooting from behind the shelter of shields propped up in front of them. - Crossbowmen
The centre figure is winding up his windlass crossbow behind the shelter of a shield. From Manuscript, Froissarts ' Chronicles.' The larger shields, which were carried before the knights (by their pages) when on the march, and which were propped up in front of them as a protection from arrows in a battle or a siege, were known as pavises or mantlets. - Crossbowmen
The soldiers carry windlass crossbows. One man is winding up his weapon ; the other is shooting, with his windlass laid on the ground at his feet.