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- Free Distribution of bread
Free Distribution of Bread, Meat, and Wine to the People.--Reduced Copy of a Woodcut of the Solemn Entry of Charles V and Pope Clement VII into Bologna, in 1530. In these assemblies, where the King gathered together all his principal vassals once or twice a year, to hold personal communication with them, and to strengthen his power by ensuring their feudal services, large quantities of food and fermented liquors were publicly distributed among the people. The populace were always most enthusiastic spectators of military displays, of court ceremonies, and, above all, of the various amusements which royalty provided for them at great cost in those days: and it was on these state occasions that jugglers, tumblers, and minstrels displayed their talents. - Fool's Cap
Worn by the court fool of an Elector of Mayence (seventeenth century). South Kensington Museum. - Flemish Peasants
- Fireworks on the water
Fireworks could not fail to be attractive at the Court of the Valois, to which Catherine de Médicis had introduced the manners and customs of Italy. The French, who up to that time had only been accustomed to the illuminations of St. John's Day and of the first Sunday in Lent, received those fireworks with great enthusiasm, and they soon became a regular part of the programme for public festivals. Fireworks on the Water, with an Imitation of a Naval Combat.--Fac-simile of an Engraving on Copper of the "Pyrotechnie" of Hanzelet le Lorrain: 4to (Pont-à-Mousson, 1630). - Feats in balancing
These kings of jugglers exercised a supreme authority over the art of jugglery and over all the members of this jovial fraternity. It must not be imagined that these jugglers merely recited snatches from tales and fables in rhyme; this was the least of their talents. The cleverest of them played all sorts of musical instruments, sung songs, and repeated by heart a multitude of stories, after the example of their reputed forefather, King Borgabed, or Bédabie, who, according to these troubadours, was King of Great Britain at the time that Alexander the Great was King of Macedonia. The jugglers of a lower order especially excelled in tumbling and in tricks of legerdemain. Feats in Balancing.--Fac-simile of a Miniature in a Manuscript in the Bodleian Library at Oxford (Thirteenth Century). - Exhibitor of strange animals
The Exhibitor of strange Animals From Twelfth Century Manuscript, Royal Library of Brussels. - Equestrian performance
- Equestrian
- Entry of the Roi de l'Epinette
Entry of the Roi de l'Epinette at Lille in the Sixteenth Century .--From a Manuscript of the Library of Rouen. - Desk in the library at Zutphen
One example at least of these fittings still exists, in the library attached to the church of S. Wallberg, at Zutphen in Holland. This library was built in its present position in 1555, but I suspect that some of the fittings, those namely which are more richly ornamented, were removed from an earlier library. Each of these desks is 9 feet long by 5 feet 6 inches high; and, as you will see directly, a man can sit and read at them very conveniently. - Dance of Fools
- Damsel of the Court of Catherine de Medicis
Costumes of the Ladies and Damsels of the Court of Catherine de Medicis.--After Cesare Vecellio. - Damoiseau’s terabdella
Damoiseau’s terabdella. (From Damoiseau, La Terabdelle ou machine pneumatique, Paris, 1862. - Cultivation of Grain
- Country Life
- Costumes of Thriteenth Century
Tristan and the beautiful Yseult.--From a Miniature in the Romance of "Tristan," Manuscript of the Fourteenth Century - Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century2
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century.--Drawing attributed to Holbein. - Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century - Costume of Slaves or Serfs, from the Sixth to the Twelfth Centuries
Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe. - Costume of a rich Bourgeoise, and of a Noble, or Person of Distinction
A rich Bourgeoise, and of a Noble, or Person of Distinction, of the Time of Francis I.--From a Window in the Church of St. Ouen at Rouen, by Gaignières (National Library of Paris). - Cloth for beasts
- Chaining of Books
The system of chaining, as adopted in this country, would allow of the books being readily taken down from the shelves, and laid on the desk for reading. One end of the chain was attached to the middle of the upper edge of the right-hand board; the other to a ring which played on a bar set in front of the shelf on which the book stood. The fore-edge of the books, not the back, was turned forwards. A swivel, usually in the middle of the chain, prevented tangling. The chains varied in length according to the distance of the shelf from the desk. The bar was kept in place by a rather elaborate system of iron-work attached to the end of the bookcase, and secured by a lock which often required two keys—that is, the presence of two officials—to open it. To illustrate this I will shew you a sketch of one of the bookcases in Hereford Cathedral. - Catching a bear
- Brunschwig’s surgical armamentarium
From Gurlt’s “Geschichte der Chirurgie” Hans von Gerssdorff and Hieronymus Brunschwig, who flourished in the latter half of the fifteenth century in Germany, have both left early printed treatises on Surgery which give excellent woodcuts showing pictures of instruments, operations, and costumes, at the end of the medieval period. - Bookcases in the library of the University of Leiden
Another device for combining desk with shelf is to be seen at Trinity Hall, Cambridge, and, as these cases were set up after 1626, we have here a curious instance of a deliberate return to ancient forms. There is evidence that there once existed below the shelf a second desk, which could be drawn in and out as required, so that a reader could stand or sit as he pleased, as you will see from the next illustration. The University of Leiden in Holland adopted a modification of this design, for there the shelf is above the desk, and readers could only stand to use the books - Bookcases at west end of south side of Library
On the continent, where elaborate bindings came early into fashion, sometimes protected by equally elaborate bosses at their corners, it would have been impossible to arrange the volumes as we did side by side on the shelves. It therefore became the fashion to place a shelf below the desk, and to lay the books upon it on their sides. The earliest library fitted in this manner that I have been able to discover is at Cesena in North Italy. It was built in 1452, by Domenico Malatesta Novello, for the convent of S. Francesco. It is possible, therefore, that the parent house of S. Francesco at Assisi, which had a large library, divided, so early as 1381, into a Libreria publica and a Libreria secreta, had similar bookcases. I am going to shew you the cases, and a single book with its chain. You will observe that the seats for the reader are no longer independent, but are combined with the bookcase. - Boat Headdress
"Heads" usually lasted a matter of three weeks, when—'twould be dangerous, madam, to delay longer the opening of your head. We get a glimpse of the possible state of a lady's head at the expiration of that time from the many recipes and advertisements for the destruction of insects in the magazines of the period, which reminds us of Julian, who likened his beard to a "forest grown populous with troublesome little animals." - Blind and poor sick
The sabouleux, who were commonly called the poor sick of St. John, were in the habit of frequenting fairs and markets, or the vicinity of churches; there, smeared with blood and appearing as if foaming at the mouth by means of a piece of soap they had placed in it, they struggled on the ground as if in a fit, and in this way realised a considerable amount of alms. These consequently paid the largest fees to the Coesre - Beggar
Beggar playing the Fiddle, and his Wife accompanying him with the Bones.--From an old Engraving of the Seventeenth Century. - Ballet
Representation of a Ballet before Henri III. and his Court, in the Gallery of the Louvre.--Fac-simile of an Engraving on Copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.) - Arms of Fifteenth Cetury
- Apple Bob
- Anglo-Saxon dress
A somewhat remarkable feature of Anglo-Saxon dress of the eighth century was the long super-tunic with long sleeves, worn in travelling or during cold weather. The sleeves not only cover the hands, but reach considerably below the tips of the fingers. - An Exquisite
About the year 1658 petticoat breeches crossed the silver streak from Versailles, and became the vogue at the Court of Charles II. Randal Holme, writing in 1659, describes the dress as follows:—"A short-waisted doublet and petticoat breeches, the lining being lower than the breeches and tied above the knees; the breeches are ornamented with ribands up to the pocket, and half their breadth upon the thigh; the waistband is set about with ribands, and the shirt hanging out over them." The petticoat breeches were not ridiculous in themselves—the modern Scotch kilt, which is an extremely picturesque and even reasonable costume, is made upon precisely the same principle; it was the absurd{130} lace ruffles, which hung drooping below the knee, which were worn with the petticoats during the earlier period, and in which Charles II. is figured in Heath's Chronicle, 1662, which made the costume a banality. The figure of the exquisite of 1670 from Jacquemin wears the petticoat breeches, but without the ruffles or frills at the knees. It must be confessed, however, that the gentleman possesses a sufficiency of frill! - Amputation below the knee
This is the first picture of an amputation known From Gerssdorff’s woodcut, reproduced in Gurlt’s “Geschichte der Chirurgie” - Allure the Beasts
- A painted face
By the reign of James I. this ridiculous fashion had become common. All sorts of curious devices were made use of—spots, stars, crescents, and in one woodcut a coach and coachman with two horses and postilions appear upon the lady's forehead. The fashion continued for a long period; in fact, during the greater part of the Georgian era, when it had degenerated into mere spots or small patches. At the close of the eighteenth century it had entirely disappeared. - A gipsy family
Almost all of them had their ears pierced, and in each one or two silver rings, which in their country, they said, was a mark of nobility. The men were very swarthy, with curly hair; the women were very ugly, and extremely dark, with long black hair, like a horse's tail; their only garment being an old rug tied round the shoulder by a strip of cloth or a bit of rope. - 15th Century headdress
From Viollet le Duc (Fifteenth Century).