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- Hairdressing and Head-dresses 600 BC - 146 BC
Hair dressed with a wave on the temples was the most important feature of hairdressing at the beginning of this period, and during the first two centuries the elaborate stiff waving had the effect of a scalloped edge {left picture). On top of these waves, a series of stiff curls, pointing downwards, was often arranged. Another style in vogue at the same time was the dressing of the front hair to form a coronet of circular curls, all round the head from ear to ear {middle picture). The side ringlets, "braided tresses," were still retained, coming from behind the ears, and brought forward on to the shoulders, and the back portion (left picture) was allowed to hang down behind in waves or ringlets. Above this was tied a band, or fillet, of ribbon or metal, also encircling the head behind the row of waves or curls. Late in the sixth century the fillet became a little wider in the band, and was more upstanding on the head, forming a coronet that was often richly ornamented {right picture), and this was the early form of the stephane. - Later State of Alexander’s Empire
Later State of Alexander’s Empire - Map of Greece
- Ancient Greek
- They crashed into the Persian army with tremendous force
From their camp on a hill above the plain of Marathon, the Greeks looked down upon the vast army of the Persians. For several days no battle was fought, the Persians being unable to attack the Athenians without danger as they were on the hill. At length Miltiades, whom the other nine generals were willing to follow, resolved to wait no longer. He ordered his men to advance at a sharp run down the hill and to charge the enemy. When they had started, the soldiers could not stop themselves. Quicker and quicker they ran, until, when they reached the plain, they crashed into the Persian army with tremendous force. - He ran toward the horse and seized the bridle
A moment later the order was given, and the Macedonians rushed upon the great hosts of the enemy. Darius thought that his war-chariots would cause deadly havoc among his enemies, for scythes were fastened to the wheels to mow down all who came within reach. But the Macedonian archers drew their bows and sped their arrows among the charioteers, while the strongest seized the reins of the horses, and pulled the drivers from their seats. Then the soldiers opened wide their ranks so that those chariots that still had drivers rattled harmlessly past them. - He drank the contents as though it were a draught of wine
For thirty days Socrates was in prison, and he spent the time in talking to his friends just as he had been used to do in the market-place. One of his disciples, named Crito, bribed the jailer to allow his prisoner to escape, but Socrates refused to flee. He did not fear death, but faced it calmly as he had faced life. On the day before the sentence was carried out, he talked quietly to his disciples of the life to which he was going, for he believed that his soul, which was his real self, would live after he had laid aside his body as a garment. When the cup of hemlock, a poisoned draught, was brought to him, his friends wept, but he took the cup in his hand, and drank the contents as though it were a draught of wine. - He became a target for every arrow
But it proved impossible to land. Again and again the Spartan admiral made the attempt, but each time he was forced to withdraw, lest his ships should be dashed upon the rocks. Brasidas refused to give in, and he bade his men wreck their vessels rather than be beaten back. ‘Be not sparing of timber,’ he cried, ‘for the enemy has built a fortress in your country. Perish the ships and force a landing.’ Spurred on by his words, the men drove their ship upon the beach, while Brasidas stood fearlessly on the gangway ready to leap upon the shore. But the Athenians saw the bold figure too well, and he became a target for every arrow. - In the earliest times, a simple foot-race was the only event
In the Olympian temple, in later days, there was a marvellous statue of Zeus in gold and ivory, wrought by the genius of Pheidias, the greatest sculptor of Greece. The games were open to all, and spectators as well as competitors flocked to Olympia from every state in Greece. To the Greeks these games were part of their religion; they were rites pleasing, so they believed, to the gods. Should there be war between any of the Greek States at the time of the games, all hostile acts were forbidden in Olympia. Until the festival was over, those who had been in arms, one against another, might meet in safety and in peace. Twice or thrice an armed force made its way into the sacred territory of Elis to interfere with the games. This to the Greeks was sacrilege. In the earliest times the games lasted only for one day, and a simple foot-race was the only event. But soon the festival came to last for five days, for there were now, not only foot-races, but wrestling, boxing, racing in armour, and above all else chariot races. In these races it was not the driver who, if successful, won the wreath of olive, but the owner of the chariot. - Painting of fish on plates
Sargus vulgaris In Attica, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - Paintings of fish on plates
Crenilabrus mediterraneus. Uranoscopus scaber? In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - He left the assembly, hiding his face in his cloak
Suddenly he felt some one touch his arm, and looking up he saw a very old man who had been in the assembly, and had heard him speak. He had seen how disappointed Demosthenes was as he left the hall, and he had determined to encourage him. So first he praised the crestfallen orator, saying that his speech had reminded him of the great orator Pericles, and then he upbraided the young man for being so easily discouraged by the laughter of the people. Demosthenes allowed himself to be comforted and made up his mind to try again, thinking that perhaps after all he would be able to make the people listen to him. But in spite of all his efforts he could not hold their attention, and he left the assembly, hiding his face in his cloak that none might see his sorrow. - The multitude saluted him with loud acclamations
For two years, from 409 b.c. to 407 b.c., Alcibiades stayed at the Hellespont retaking cities which had thrown off their allegiance to Athens and joined Sparta. Then feeling that now he might return with glory, he set sail for Athens. Plutarch tells us that as Alcibiades drew near to the Piræus he was afraid to venture on shore, until he saw friends waiting to welcome him: ‘As soon as he was landed the multitude who came out to meet him scarcely seemed so much as to see any of the other captains, but came in throngs about Alcibiades and saluted him with loud acclamations, and still followed him; those who could press near him crowned him with garlands, and they who could not come up so close, yet stayed to behold him afar off, and the old men pointed him out and showed him to the young ones.’ - He stood silent before the king
So at length the Athenian was brought into the presence of Artaxerxes, and after having prostrated himself he stood silent before the king. ‘Who art thou?’ asked Artaxerxes. ‘O king,’ answered the exile, ‘I am Themistocles the Athenian, driven into banishment by the Greeks. I come with a mind suited to my present calamities; prepared alike for favours and for anger. If you save me you will save your suppliant; if otherwise, you will destroy an enemy of the Greeks.’ - Two Cretan Vases
We must realize, of course, that the Greeks were much indebted to the Ægeans; for discoveries about the shores and islands of the Ægean Sea show that long before the advent of the Greeks they used tools and weapons of rough and then of polished stone, and later of copper and tin and bronze; that they lived on farms and in villages and cities, and were governed by monarchs who dwelt in palaces adorned with paintings and fine carvings, and filled with court gentlemen and ladies who wore jewelry and fine clothing. Exquisite pottery was used, decorated with taste and skill; ivory was carved and gems were engraved, and articles were made of silver and bronze and gold. As early as the sixth century B. C., the Greeks made things more beautiful than had ever been made before. One almost feels like saying that the Greeks invented beauty. Such a declaration would be absurd of course: but it seems to be a fact that the Greeks had a conception of beauty that was wholly original with them, and that was not only finer than that which any other people had ever had before, but finer than any other people have had since. - Seleucus I
Tetradrachm with head of Seleucus I - She changed her into a spider
A glance had been enough to show her that her skill was as nothing before the wonder and the beauty of Athene’s work. Too late the maiden repented that she had defied the goddess. In her despair she seized a rope and tied it round her neck to hang herself. But the goddess saw what Arachne meant to do, and at once she changed her into a spider, bidding her from henceforth never cease to spin. And so when you see a spider weaving its beautiful embroidery on a dewy morning in the garden, or when you find a delicate web in your lumber-room, you will remember how Athene punished poor foolish Arachne in the days of old. - Ship dashed against ship, till the Persian dead strewed the deep ‘like flowers,’
Meantime the Persian ships were driven into the narrow strait. Ship dashed against ship till the Persian dead strewed the deep ‘like flowers.’ When evening fell, two hundred Persian ships had been destroyed and the Greeks had won the great sea-battle of Salamis. The glory of the victory was due to Themistocles. There might indeed have been no battle at Salamis had he not tricked both the Persian king and the Greek admirals. - Lady's Dress in the days of Greece
Lady's Dress in the days of Greece - For two days and two nights the boat was tossed hither and thither
One day the guards saw the babe on his mother’s knee. Here was the grandson about whom the king had hoped that he would never be born. In great alarm they hastened to the palace to tell the king the strange tidings. Acrisius was so frightened when he heard their story that he flew into a passion, and vowed that both Danae and Perseus, as her little son was named, should perish. So he ordered the guards to carry the mother and her babe to the seashore, and to send them adrift on the waters in an empty boat. For two days and two nights the boat was tossed hither and thither by the winds and the waves, while Danae, in sore dismay but with a brave heart, clasped her golden-haired boy tight in her arms. The child slept sound in the frail bark, while his mother cried to the gods to bring her and her treasure into a safe haven. - Often she would stand upon the walls of Troy
Achilles set sail with the other chiefs for Troy, so it seemed as though the city would be taken by his help, as the oracle foretold. With him Achilles took his well-loved friend Patroclus. For nine long years was the city of Troy besieged, and all for the sake of Helen the beautiful Queen of Sparta. Often as the years passed, she would stand upon the walls of Troy to look at the brave warriors of Hellas, to wonder when they would take the city. But when nine years had passed, no breach had yet been made in the walls. - The Age of Pericles and down to the year 338 B
The Age of Pericles and down to the year 338 B - The Crinkled Ionic Chiton
The top part. The crinkled Ionic chiton was shaped like the original garment, but made of even thinner material, almost transparent, for the limbs could be seen through it. It was necessarily thinner, as more material was required in its width. It is seen on statues, the top part being crinkled in some way, in zig-zag or wavy lines, to about the hip level, where it is turned under and secured by an invisible waist-belt. It was fastened by buttons or clasps, or sewn as described earlier, to form sleeves. The skirt part was not crinkled, but, being very full, it hung in many flat folds, which gave a zig-zag effect at the bottom edge. - The figure of the goddess was a colossal one
The figure of the goddess [Athene], fashioned by the magic hands of the sculptor Pheidias, was a colossal one. Calm, majestic, with a smile upon her face, she stood in her wondrous temple, clad in a robe of gold. On her head she wore a helmet, in her right hand she held fast a little golden figure of the goddess of victory, while her left lay upon her shield. At her feet a snake lay coiled. - The Wind-god sent a gust from the South
Then an ugly passion, named jealousy, awoke in the heart of the god, for he too loved the little hunter Hyacinthus, and would fain have been in Apollo’s place. Zephyrus tarried a while to watch the friends. Once as Apollo flung his disc high into the air, the Wind-god sent a gust from the south which blew the quoit aside. He meant only to annoy Apollo, but Hyacinthus was standing by, so that the quoit struck him violently on the forehead. The lad fell to the ground, and soon he was faint from loss of blood. In vain Apollo tried to staunch the wound; nothing he could do was of any use. Little by little the boy’s strength ebbed away, and the Sun-god knew that the lad would never hunt or play again on earth. Hyacinthus was dead. - Combat between Menelaus and Hector
Combat between Menelaus & Hector (in the Iliad) From a platter ascribed to the end of the seventh century in the British Museum. This is probably the earliest known vase bearing a Greek inscription. Greek writing was just beginning. Note the Swastika. - The Himtation. A garment worn in Greece and Rome between 550 B.C. and 300 A.D.
From this time onward another garment, distinct in itself, came into general use, and remained until the end of the Classic Greek Period. This was the himation, an essential part of a Greek woman's costume, and indispensable with the Ionic chiton. It was often worn in the house, and always out of doors. In shape it resembled a shawl, and was an oblong piece of woollen or linen material, twelve to fifteen feet long, and in breadth about equal to the height of the wearer. - Archaic Horses and Chariots
Archaic Horses and Chariots (from an archaic Greek Vase) - Yea, verily, thou art Odysseus
But at length the queen dried her tears and called to Eurycleia to come wash the feet of the stranger, who was of the same age as her master. The old woman answered, ‘Gladly will I wash his feet, for many strangers travel-worn have ere now come hither, but I say that I have never seen any so like another as this stranger is like Odysseus, in fashion, in voice, and in feet.’ Then the king feared lest his old nurse should know him, and he turned his face from the hearth. But she, as she tended him, saw a scar on the spot where a boar had wounded him long years before, and she knew her master had come home. Tears well-nigh choked her, yet she touched his chin lightly and said, ‘Yea, verily, thou art Odysseus, my dear child.’ - Solon, the wise lawgiver of Athens
Solon, the wise lawgiver of Athens, was a descendant of King Codrus. His father had given away most of his wealth to help his city or his countrymen, so Solon became a merchant, as the sons of noblemen often did in these days of long ago. To increase his business, Solon journeyed through many of the states of Greece as well as to Asia. Wherever he went he studied the laws and manners of the people, just as Lycurgus the lawgiver of Sparta had done. Solon was not only a merchant, he was also a poet, and because he was both wise and learned he was counted one of the seven sages of Greece. When Solon returned from one of his journeys about 593 b.c., he was made an archon and asked to reform the laws. - Demeter rejoiced for her daughter was by her side
So for six glad months each year Demeter rejoiced, for her daughter was by her side, and ever it was spring and summer while Persephone dwelt on earth. But when the time came for her to return to Hades, Demeter grew ever cold and sad, and the earth too became weary and grey. It was autumn and winter in the world until Persephone returned once more. - The Chiton
The early chiton. At the beginning of the sixth century B.C. men followed the example of the women by adopting the Ionic chiton for general use. The masculine variety was a shortened version of the original worn by the women, and reached to just above the knees. In its early stage (sixth century B.C.) it was no more than a rectangular piece of linen, or wool, folded round the body and fastened on each shoulder by buttons or brooches, and round the waist by a girdle; or it could be girded under the arms. It was worn open down one side, and these two edges were usually finished off with a fringe, probably the raw edges left in the weaving. - The World as known to its first historian
The world as known to Herodotus is shown by the white part of this map, indicating the limited range of ancient geographical knowledge. - With an effort he looked at them as they passed
A rumour that he was dead reached the Macedonians, and they hastened to the palace, begging to be allowed to see their king once more. Alexander was not dead, but he was too weak to speak, as one by one the soldiers were permitted to walk quietly past his bed. With an effort he looked at them as they passed, and feebly raised his hand in farewell. ‘After I am gone will you ever find a king worthy of such heroes as these?’ he murmured as they slowly filed out of the room. Then he drew his signet ring from his finger and gave it to an officer, saying that he left his kingdom ‘to the best man.’ So the great king passed away at the age of thirty-three. - Greek Dancing Girl
Their education inculcated the practice of immorality. All ideas of modesty were by a deliberate public training obliterated from their minds. Scourged with the whip when young, taught to wrestle, box, and race naked before assemblages of men, their wantonness and licentiousness passed every bound. Marriage, indeed, was an institution of the state; but no man could call his wife his own. - The Crinkled Chiton and the Clamys (left) and the Chiton (right)
The later chiton. Approximately at the beginning of the fifth century B.C., the chiton was made on the same principle as the women's Ionic chiton using wider material; and was bound or worked at the top edge, with the portion covering the upper arms slightly gathered. This part was buttoned or clasped back to front, and. later on sometimes sewn together, to form a sleeve. It was girded at the waist and under the arms. It eventually became customary to sew up the open side, thus making the garment a cylinder in shape. The figure on left is a young man wearing a crinkled chiton under the chlamys. His long hair is twisted up and banded. He carries his petasos in his hand. The figure on right represents a young man dressed in accordance with the fashion of the fifth century B.C., but his hair is of the sixth and fifth centuries. The lyre is a development of the more primitive instrument of an earlier Age. - Greek war galley
At this point, it is worth pausing to consider in detail the war galley which the Phœnicians had developed and which they handed down to the Greeks at this turning point in the world's history. The bireme and the trireme were adopted by the Greeks, apparently without alteration, save that at Salamis the Greek galleys were said to have been more strongly built and to have presented a lower freeboard than those of the Phœnicians. - The Doric Chiton
The Doric Chiton, 550 B.C. {circa)-A.D. 100 About the same time, or shortly after the introduction of the Ionic chiton, a variation of the peplos was adapted under the name of the Doric chiton. It was worn simultaneously with the Ionic chiton, even to the end of the first century A.D., as may be seen on many vase paintings and pieces of sculpture. It was made of fine woollen material and woven complete in itself - Greek figures in a solemn dance. From a vase at Berlin
Amongst the earliest representations that are comprehensible, we have certain Egyptian paintings and some of these exhibit postures that evidently had even then a settled meaning, and were a phrase in the sentences of the art. Not only were they settled at such an early period (B.C. 3000) but they appear to have been accepted and handed down to succeeding generations, and what is remarkable in some countries, even to our own times. - Alexander the Great
Alexander the Great (silver coin of Lysimachus, 321-281 B.C.) - Athenian Foot-soldier
Monument of Athenian foot soldier found near Marathon. - Peasants (600 - 146 BC)
The following excerpt from Homer's Odyssey, XXIV. 225, gives details of the costume worn by peasants of an earlier period, and this description applies equally to the dress of peasants between the years 600 and 146 B.C. He was clothed in a filthy chiton, patched and unseemly, with clouted leggings of ox-hide bound about his legs, against the scratches of the thorns, and long sleeves over his hands by reason of the brambles, and on his head he wore a goatskin cap. "Sleeves " did not mean arm-coverings in the way the term is generally understood, but were pieces of hide tied or laced round the forearm, wrist and hand, leaving the fingers free, with possibly a hole for the thumb. This was the first Glove. - The Gěrănŏs from a vase in the Museo Borbonico, Naples
Grown up men and women did not dance together, but the youth of both sexes joined in the Hormŏs or chain dance and the Gěrănŏs, or crane. The Gěrănŏs, originally from Delos, is said to have been originated by Theseus in memory of his escape from the labyrinth of Crete It was a hand-in-hand dance alternately of males and females. The dance was led by the representative of Theseus playing the lyre. - Greek costume of the Classic Period
A drawing made from the Pandora Vase, dated 460 B.C., in the Ashmolean Museum, and is given as an example of the treatment adopted by Greek artists in delineating the following garments It represents Zeus (on the left), Hermes and Hercules, wearing respectively the himation, chlamys, and kolobus. Pandora wears the Ionic crinkled chiton, and a small himation, which is nothing more than a veil, over an elaborate stephane. Eros is holding her girdle. - A Goddess
This Doric chiton is often seen on statues and paintings of Greek goddesses. The shoulders and breast part were usually surmounted by the "AEgis," a sort of scaled cape-cuirass. Athena is generally represented wearing it - Greek merchant ship
Greek merchant ship - Vase-painting—Dress with two Overfold
Vase-painting—Dress with two Overfold - The Doric Himation
The Doric Himation - Athene of the Parthenon
Goddess Athene of the Parthenon - Men’s Head-dress—Archaic
Men’s Head-dress—Archaic - Vase-painting by Euphronios
Vase-painting by Euphronios - Vase-painting by Brygos
Vase-painting by Brygos - Snake Goddess and Votary
The snake goddess and her votary from Knossos have, in addition, a kind of apron reaching almost to the knees in front and behind, and rising to the hips at the sides. The costume is completed by the addition of a high hat or turban. Looking at the snake goddess more in detail, we find that the jacket is cut away into a V-shape from the neck to the waist, leaving both the breasts quite bare; the two edges are laced across below the breast, the laces being fastened in a series of bows. The jacket is covered with an elaborate volute pattern, the apron with spots and bordered with a “guilloche.” - Dancing Bacchante
Dancing Bacchante. From a vase in the British Museum. According to some authorities, one of the most primitive of the first class, attributed to Phrygian origin, was the Aloenes, danced to the Phrygian flute by the priests of Cybele in honour of her daughter Ceres. The dances ultimately celebrated in her cult were numerous: such as the Anthema, the Bookolos, the Epicredros, and many others, some rustic for labourers, others of shepherds, etc. Every locality seems to have had a dance of its own. Dances in honour of Venus were common, she was the patroness of proper and decent dancing; on the contrary, those in honour of Dionysius or Bacchus degenerated into revelry and obscenity. - The Himation, 600-146 B.C.
The Himation was not exclusively a feminine garment; it was also worn by men. It was an oblong piece of material, woven with a border, and in dimensions approximately eighteen feet by six feet. During the sixth century of the Classic Period, it was often the sole garment worn. How to wear it. It was draped over the left arm, with one end hanging in front, the rest of the material being drawn across the back, round the body on the right side, and over the left shoulder again. As civilisation progressed, it was deemed necessary by ordinary men to add an under-garment—either the chiton or the kolobus. - The Kolobus, 400-146 B. C.
The figure represents a man of this particular epoch (400-146 B.C.) wearing the kolobus ornamented with bands of embroidery. It is girded at the waist, and a himation of small dimensions is draped over the left shoulder, ready for the other end to be thrown over it. He wears the pilos and his hair has been allowed to grow longer than heretofore, in accordance with the new fashion of this age. If this young man had desired to be in the height of fashion, he would have had long close-fitting sleeves added to his kolobus. - Vase-painting—Ionic Dress
Vase-painting—Ionic Dress - Vase-painting by Falerii
Vase-painting by Falerii - Vase-painting by Hieron
Vase-painting by Hieron - Vase-painting in the Polygnotan Style
Vase-painting in the Polygnotan Style