- Edgar Allan Poe
Perhaps Poe's technique is more easily examined in those of his tales in which the same faculties that planned the construction supplied also the motive. The three great detective stories, The Purloined Letter, The Murders in the Rue Morgue, and The Mystery of Marie Roget, are made of reasoning and built on curiosity, the very mainspring of analysis. - Giovanni Boccaccio
Boccaccio was intent simply on the art of telling tales. He knew enough of classical literature to feel the possible dignity and permanence of prose, and he told his stories as they were told to him in a supple, pleasant vernacular that obeyed him absolutely and never led him off by its own strangeness into byways foreign to the tales and to himself. whose plot may be elaborate. - Sir Philip Sidney
This is no insult to Sir Philip Sidney, but only to the rather exorbitant demands of the form he had chosen. His own sonnets vindicate him as a poet, and some of them, even Hazlitt owned, who did not like him, 'are sweet even to a sense of faintness, luscious as the woodbine, and graceful and luxurious like it.' - Théophile Gautier
Gautier was not pure dreamer. Though the world of his art was as far from the world of Paris, as the world of Mr. Yeats from the world of London or Dublin, he was not a seer, or a poet between whom and reality hung a veil of dreams. He was a solid man, one of whose proudest memories was a blow that registered five hundred and thirty-two pounds on an automatic instrument, the result of daily washing down five pounds of gory mutton with three bottles of red Bordeaux. - Sir Walter Scott
Scott was a part of this revivified world, and his importance in it is not that of its inventor, but of the man who brought so many of its qualities into the art of story-telling that his novels became a secondary inspiration, and moved men as different as Hugo, Balzac, and Dumas, to express themselves in narrative. - Geoffrey Chaucer
Chaucer's was a fairly simple nature. He seems to have taken to Renaissance fashions just as he took to Renaissance learning, without in the least disturbing the solid Englishness of his foundation. He married a Damsell Philippa without letting his marriage interfere with an ideal and unrequited passion like that of Petrarch for Laura. He had Jean de Meung's own reverence for the classics. - Robert Burns
- J. M. Synge
Edmund John Millington Synge - Mrs Hemans
- Dante
Dante - Henry Wadsworth Longfellow
Henry Wadsworth Longfellow - Robert Tristram Coffin, Poet
Robert Tristram Coffin, Poet - Julia Ward Howe
Whose Battle Hymn Sang Itself Into the Hearts of a Nation In the days when New York was not the big city that it is now, there was a fashionable section called the Bowling Green. The people who lived there often used to see a great yellow coach roll by. Within, three little girls sat stiffly against the bright blue cushions. These children were dressed in blue coats and yellow satin bonnets to match the chariot and its lining. They were the three little Ward children, one of them, Julia, to be known later throughout the land as Julia Ward Howe. She is the author of the famous patriotic hymn which you sing so often at school, the “Battle Hymn of the Republic.” - Jean Cocteau
Portrait of Jean Cocteau From an unpublished crayon sketch by Léon Bakst - Robert Burns
Robert Burns Caricature - Staircase—Cowley's house
The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine. - Cowley's house—street front
The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine. - Cowley's house—Garden front
The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine. - Abraham Cowley
The staircase is a very solid structure, with ornamental balusters, leading toward the small study in which the poet wrote,—a little back room, about five feet wide, looking upon the garden. It may be distinguished in our back view of the house, by a figure placed at the window. Cowley ended his life in this house at the early age of forty-nine. - Samuel Taylor Coleridge
Samuel Taylor Coleridge