- King or Chief of Franks armed with the Seramasax, from a Miniature of the Ninth Century
When the Franks took root in Gaul, their dress and institutions were adopted by the Roman society. This had the most disastrous influence in every point of view, and it is easy to prove that civilisation did not emerge from this chaos until by degrees the Teutonic spirit disappeared from the world. As long as this spirit reigned, neither private nor public liberty existed. Individual patriotism only extended as far as the border of a man's family, and the nation became broken up into clans. Gaul soon found itself parcelled off into domains which were almost independent of one another. It was thus that Germanic genius became developed. - King of the Franks
The King of the Franks, in the midst of the Military Chiefs who formed his Treuste, or armed Court, dictates the Salic Law (Code of the Barbaric Laws). The tariff of indemnities or compensations to be paid for each crime formed the basis of the code of laws amongst the principal tribes of Franks, a code essentially barbarian, and called the Salic law, or law of the Salians. Such, however, was the spirit of inequality among the German races, that it became an established principle for justice to be subservient to the `rank` of individuals. The more powerful a man was, the more he was protected by the law; the lower his `rank`, the less the law protected him. - Chaining of Books
The system of chaining, as adopted in this country, would allow of the books being readily taken down from the shelves, and laid on the desk for reading. One end of the chain was attached to the middle of the upper edge of the right-hand board; the other to a ring which played on a bar set in front of the shelf on which the book stood. The fore-edge of the books, not the back, was turned forwards. A swivel, usually in the middle of the chain, prevented tangling. The chains varied in length according to the distance of the shelf from the desk. The bar was kept in place by a rather elaborate system of iron-work attached to the end of the bookcase, and secured by a lock which often required two keys—that is, the presence of two officials—to open it. To illustrate this I will shew you a sketch of one of the bookcases in Hereford Cathedral. - Part of a single bookcase in the Library
Part of a single bookcase in the Library showing a book chained to the bookcase - Desk in the library at Zutphen
One example at least of these fittings still exists, in the library attached to the church of S. Wallberg, at Zutphen in Holland. This library was built in its present position in 1555, but I suspect that some of the fittings, those namely which are more richly ornamented, were removed from an earlier library. Each of these desks is 9 feet long by 5 feet 6 inches high; and, as you will see directly, a man can sit and read at them very conveniently. - Flemish Peasants
- trebuchet
The trebuchet was another war machine used extensively during the Middle Ages. Essentially, it was a seesaw. Weights on the short arm swung the long throwing arm. - Bookcases in the library of the University of Leiden
Another device for combining desk with shelf is to be seen at Trinity Hall, Cambridge, and, as these cases were set up after 1626, we have here a curious instance of a deliberate return to ancient forms. There is evidence that there once existed below the shelf a second desk, which could be drawn in and out as required, so that a reader could stand or sit as he pleased, as you will see from the next illustration. The University of Leiden in Holland adopted a modification of this design, for there the shelf is above the desk, and readers could only stand to use the books - Thirteenth-century hospital interior
Thirteenth-Century Hospital Interior (Tonerre) From “The Thirteenth: Greatest of Centuries,” by J. J. Walsh This was built by the sister of Louis IX of France, Marguerite of Bourgogne, who retired to it herself to spend her life caring for the ailing poor. - Amputation below the knee
This is the first picture of an amputation known From Gerssdorff’s woodcut, reproduced in Gurlt’s “Geschichte der Chirurgie”