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Screen of the Alósaka

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Screen of the Alósaka.jpg Samuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloesSamuel de ChamplainMiniaturesShe dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloes
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The symbolism of Alósaka is shown in a rude drawing made by one of the Hopi to illustrate a legend, and it represents this being on a rainbow, on which he is said to have traveled from his home in the San Francisco mountains to meet an Awatobi maid. Above the figure of Alósaka is represented the sun, which is drawn also on the screen above described, for Alósaka is intimately associated with the sun, as are all the other horned gods, Ahole, Calako, Tuñwup, and the Natackas.

Auteur
The Alósaka cult of the Hopi Indians
Author: Jesse Walter Fewkes
Published in 1899
Available from gutenberg.org
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899*1200
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