- A diaulos
The single flute was called monaulos, and the double one diaulos. A diaulos, which was found in a tomb at Athens, is in the British museum. The wood of which it is made seems to be cedar, and the tubes are fifteen inches in length. Each tube has a separate mouth-piece and six finger-holes, five of which are at the upper side and one is underneath. - A Goddess
This Doric chiton is often seen on statues and paintings of Greek goddesses. The shoulders and breast part were usually surmounted by the "AEgis," a sort of scaled cape-cuirass. Athena is generally represented wearing it - A Greek Clinic of 400 BC
A Greek Clinic of 400 BC In the centre sits a physician holding a lancet and bleeding a patient from the median vein at the bend of the right elbow into a large open basin. Above and behind the physician are suspended three cupping vessels. To the right sits another patient awaiting his turn; his left arm is bandaged in the region of the biceps. The figure beyond him smells a flower, perhaps as a preservative against infection. Behind the physician stands a man leaning on a staff; he is wounded in the left leg, which is bandaged. By his side stands a dwarfish figure with disproportionately large head, whose body exhibits deformities typical of the developmental disease now known as Achondroplasia; in addition to these deformities we note that his body is hairy and the bridge of his nose sunken; on his back he carries a hare which is almost as tall as himself. Talking to the dwarf is a man leaning on a long staff, who has the remains of a bandage round his chest. - Achilles bandaging Patroclus,
A kylix from the Berlin Museum of about 490 b. c. It bears the inscription ΣΟΣΙΑΣ ΕΠΟΙΗΣΕΝ, Sosias made (me), and represents Achilles bandaging Patroclus, the names of the two heroes being written round the margin. The painter is Euphronios, and the work is regarded as the masterpiece of that great artist. The left upper arm of Patroclus is injured, and Achilles is bandaging it with a two-rolled bandage, which he is trying to bring down to extend over the elbow. The treatment of the hands, a department in which Euphronios excelled, is particularly fine. Achilles was not a trained surgeon, and it will be observed, from the position of the two tails of the bandage, that he will have some difficulty when it comes to its final fastening! - Alexander the Great
Alexander the Great (silver coin of Lysimachus, 321-281 B.C.) - Ancient Greek
- Archaic Horses and Chariots
Archaic Horses and Chariots (from an archaic Greek Vase) - Athene of the Parthenon
Goddess Athene of the Parthenon - Athenian Foot-soldier
Monument of Athenian foot soldier found near Marathon. - Combat between Menelaus and Hector
Combat between Menelaus & Hector (in the Iliad) From a platter ascribed to the end of the seventh century in the British Museum. This is probably the earliest known vase bearing a Greek inscription. Greek writing was just beginning. Note the Swastika. - Dancing Bacchante
Dancing Bacchante. From a vase in the British Museum. According to some authorities, one of the most primitive of the first class, attributed to Phrygian origin, was the Aloenes, danced to the Phrygian flute by the priests of Cybele in honour of her daughter Ceres. The dances ultimately celebrated in her cult were numerous: such as the Anthema, the Bookolos, the Epicredros, and many others, some rustic for labourers, others of shepherds, etc. Every locality seems to have had a dance of its own. Dances in honour of Venus were common, she was the patroness of proper and decent dancing; on the contrary, those in honour of Dionysius or Bacchus degenerated into revelry and obscenity. - Demeter rejoiced for her daughter was by her side
So for six glad months each year Demeter rejoiced, for her daughter was by her side, and ever it was spring and summer while Persephone dwelt on earth. But when the time came for her to return to Hades, Demeter grew ever cold and sad, and the earth too became weary and grey. It was autumn and winter in the world until Persephone returned once more. - Double Pipes
- For two days and two nights the boat was tossed hither and thither
One day the guards saw the babe on his mother’s knee. Here was the grandson about whom the king had hoped that he would never be born. In great alarm they hastened to the palace to tell the king the strange tidings. Acrisius was so frightened when he heard their story that he flew into a passion, and vowed that both Danae and Perseus, as her little son was named, should perish. So he ordered the guards to carry the mother and her babe to the seashore, and to send them adrift on the waters in an empty boat. For two days and two nights the boat was tossed hither and thither by the winds and the waves, while Danae, in sore dismay but with a brave heart, clasped her golden-haired boy tight in her arms. The child slept sound in the frail bark, while his mother cried to the gods to bring her and her treasure into a safe haven. - From the François Vase
From the François Vase - Grecian
- Grecian harp and lyre
The representation of Polyhymnia with a harp, depicted on a splendid Greek vase now in the Munich museum, may be noted as an exceptional instance. This valuable relic dates from the time of Alexander the great. The instrument resembles in construction as well as in shape the Assyrian harp, and has thirteen strings. Polyhymnia is touching them with both hands, using the right hand for the treble and the left for the bass. She is seated, holding the instrument in her lap. Even the little tuning-pegs, which in number are not in accordance with the strings, are placed on the sound-board at the upper part of the frame, exactly as on the Assyrian harp. If then we have here the Greek harp, it was more likely an importation from Asia than from Egypt. In short, as far as can be ascertained, the most complete of the Greek instruments appear to be of Asiatic origin. - Greek costume of the Classic Period
A drawing made from the Pandora Vase, dated 460 B.C., in the Ashmolean Museum, and is given as an example of the treatment adopted by Greek artists in delineating the following garments It represents Zeus (on the left), Hermes and Hercules, wearing respectively the himation, chlamys, and kolobus. Pandora wears the Ionic crinkled chiton, and a small himation, which is nothing more than a veil, over an elaborate stephane. Eros is holding her girdle. - Greek Dancing Girl
Their education inculcated the practice of immorality. All ideas of modesty were by a deliberate public training obliterated from their minds. Scourged with the whip when young, taught to wrestle, box, and race naked before assemblages of men, their wantonness and licentiousness passed every bound. Marriage, indeed, was an institution of the state; but no man could call his wife his own. - Greek Figure
From Hope's "Costume of the Ancients." With the Greeks the tunic was the principal article of attire. It was worn next to the skin, and was of a light tissue. In the earlier time it was composed of wool, in later periods of flax, and in the latest periods it was either of flax mixed with silk or of pure silk. The illustration given will serve to show its construction. It was a simple square bag, open at the two ends, made sufficiently wide to admit of the folds being ample, and sufficiently long to allow of its being gathered up about the waist and breasts. It was kept in its place by various means, either by a simple girdle round the waist or by cords drawn crosswise between the breasts, over the shoulders, looped at the back, and again drawn round the waist, or by an arrangement of cords or ribbons drawn over each shoulder and attached to the girdle. - Greek Figure
- Greek figures in a solemn dance. From a vase at Berlin
Amongst the earliest representations that are comprehensible, we have certain Egyptian paintings and some of these exhibit postures that evidently had even then a settled meaning, and were a phrase in the sentences of the art. Not only were they settled at such an early period (B.C. 3000) but they appear to have been accepted and handed down to succeeding generations, and what is remarkable in some countries, even to our own times. - Greek Flutes
The flute, aulos, of which there were many varieties, was a highly popular instrument, and differed in construction from the flutes and pipes of the ancient Egyptians. Instead of being blown through a hole at the side near the top it was held like a flageolet, and a vibrating reed was inserted into the mouth-piece, so that it might be more properly described as a kind of oboe or clarionet. The Greeks were accustomed to designate by the name of aulos all wind instruments of the flute and oboe kind, some of which were constructed like the flageolet or like our antiquated flûte à bec. - Greek Lyres
The Greeks had lyres of various kinds, more or less differing in construction, form, and size, and distinguished by different names; such as lyra, 30kithara, chelys, phorminx, etc. Lyra appears to have implied instruments of this class in general, and also the lyre with a body oval at the base and held upon the lap or in the arms of the performer; while the kithara had a square base and was held against the breast. These distinctions have, however, not been satisfactorily ascertained. The chelys was a small lyre with the body made of the shell of a tortoise, or of wood in imitation of the tortoise. The phorminx was a large lyre; and, like the kithara, was used at an early period singly, for accompanying recitations. It is recorded that the kithara was employed for solo performances as early as B.C. 700. - Greek merchant ship
Greek merchant ship - Greek Sea Fight, 550 B.C.
Greek Sea Fight, 550 B.C. - Greek war galley
At this point, it is worth pausing to consider in detail the war galley which the Phœnicians had developed and which they handed down to the Greeks at this turning point in the world's history. The bireme and the trireme were adopted by the Greeks, apparently without alteration, save that at Salamis the Greek galleys were said to have been more strongly built and to have presented a lower freeboard than those of the Phœnicians. - Hairdressing and Head-dresses 600 BC - 146 BC
Hair dressed with a wave on the temples was the most important feature of hairdressing at the beginning of this period, and during the first two centuries the elaborate stiff waving had the effect of a scalloped edge {left picture). On top of these waves, a series of stiff curls, pointing downwards, was often arranged. Another style in vogue at the same time was the dressing of the front hair to form a coronet of circular curls, all round the head from ear to ear {middle picture). The side ringlets, "braided tresses," were still retained, coming from behind the ears, and brought forward on to the shoulders, and the back portion (left picture) was allowed to hang down behind in waves or ringlets. Above this was tied a band, or fillet, of ribbon or metal, also encircling the head behind the row of waves or curls. Late in the sixth century the fillet became a little wider in the band, and was more upstanding on the head, forming a coronet that was often richly ornamented {right picture), and this was the early form of the stephane. - He became a target for every arrow
But it proved impossible to land. Again and again the Spartan admiral made the attempt, but each time he was forced to withdraw, lest his ships should be dashed upon the rocks. Brasidas refused to give in, and he bade his men wreck their vessels rather than be beaten back. ‘Be not sparing of timber,’ he cried, ‘for the enemy has built a fortress in your country. Perish the ships and force a landing.’ Spurred on by his words, the men drove their ship upon the beach, while Brasidas stood fearlessly on the gangway ready to leap upon the shore. But the Athenians saw the bold figure too well, and he became a target for every arrow. - He drank the contents as though it were a draught of wine
For thirty days Socrates was in prison, and he spent the time in talking to his friends just as he had been used to do in the market-place. One of his disciples, named Crito, bribed the jailer to allow his prisoner to escape, but Socrates refused to flee. He did not fear death, but faced it calmly as he had faced life. On the day before the sentence was carried out, he talked quietly to his disciples of the life to which he was going, for he believed that his soul, which was his real self, would live after he had laid aside his body as a garment. When the cup of hemlock, a poisoned draught, was brought to him, his friends wept, but he took the cup in his hand, and drank the contents as though it were a draught of wine. - He left the assembly, hiding his face in his cloak
Suddenly he felt some one touch his arm, and looking up he saw a very old man who had been in the assembly, and had heard him speak. He had seen how disappointed Demosthenes was as he left the hall, and he had determined to encourage him. So first he praised the crestfallen orator, saying that his speech had reminded him of the great orator Pericles, and then he upbraided the young man for being so easily discouraged by the laughter of the people. Demosthenes allowed himself to be comforted and made up his mind to try again, thinking that perhaps after all he would be able to make the people listen to him. But in spite of all his efforts he could not hold their attention, and he left the assembly, hiding his face in his cloak that none might see his sorrow. - He ran toward the horse and seized the bridle
A moment later the order was given, and the Macedonians rushed upon the great hosts of the enemy. Darius thought that his war-chariots would cause deadly havoc among his enemies, for scythes were fastened to the wheels to mow down all who came within reach. But the Macedonian archers drew their bows and sped their arrows among the charioteers, while the strongest seized the reins of the horses, and pulled the drivers from their seats. Then the soldiers opened wide their ranks so that those chariots that still had drivers rattled harmlessly past them. - He stood silent before the king
So at length the Athenian was brought into the presence of Artaxerxes, and after having prostrated himself he stood silent before the king. ‘Who art thou?’ asked Artaxerxes. ‘O king,’ answered the exile, ‘I am Themistocles the Athenian, driven into banishment by the Greeks. I come with a mind suited to my present calamities; prepared alike for favours and for anger. If you save me you will save your suppliant; if otherwise, you will destroy an enemy of the Greeks.’ - Hippocrates of Cos
Hippocrates - Hippocrates of Cos
Two other men with names greatly celebrated among the ancients may be referred to here, as representatives of what may be termed the Natural History group of sciences. One of them was a contemporary of Plato, the other was a pupil of Aristotle. The first is the famous physician HIPPOCRATES B.C. 470-375), to whom is attributed the foundation of medicine as a science. The healing of wounds and the cure of diseases is an art, and as such must have been practised in some form at a period coeval with the existence of mankind. The successful practice of this art depends largely upon knowledge of the causes, symptoms, and course of diseases, and upon a knowledge of the anatomy and physiology of the human body. - Illustrating Galen’s physiological teaching
The basic principle of life, in the Galenic physiology, is a spirit, anima or pneuma, drawn from the general world-soul in the act of respiration. It enters the body through the rough artery (τραχεῖα ἀρτηρία, arteria aspera of mediaeval notation), the organ known to our nomenclature as the trachea. From this trachea the pneuma passes to the lung and then, through the vein-like artery (ἀρτηρία φλεβώδης, arteria venalis of mediaeval writers, the pulmonary vein of our nomenclature), to the left ventricle. Here it will be best to leave it for a moment and trace the vascular system along a different route. - In the earliest times, a simple foot-race was the only event
In the Olympian temple, in later days, there was a marvellous statue of Zeus in gold and ivory, wrought by the genius of Pheidias, the greatest sculptor of Greece. The games were open to all, and spectators as well as competitors flocked to Olympia from every state in Greece. To the Greeks these games were part of their religion; they were rites pleasing, so they believed, to the gods. Should there be war between any of the Greek States at the time of the games, all hostile acts were forbidden in Olympia. Until the festival was over, those who had been in arms, one against another, might meet in safety and in peace. Twice or thrice an armed force made its way into the sacred territory of Elis to interfere with the games. This to the Greeks was sacrilege. In the earliest times the games lasted only for one day, and a simple foot-race was the only event. But soon the festival came to last for five days, for there were now, not only foot-races, but wrestling, boxing, racing in armour, and above all else chariot races. In these races it was not the driver who, if successful, won the wreath of olive, but the owner of the chariot. - Insurgent Captives Brought Before Darius
The Greeks were not naturally of a warlike disposition, and their peculiarly jealous temperament prevented the various states and cities from combining and forming a great nation. Their energetic character and great intellectuality saved them, however, when Darius, King of Persia, invaded Greece in 490 B. C. By that time the Greeks had raised and trained an army of great excellence. No especial inventiveness seems to have been exercised, but the equipments of the men, their organization, their armor, their weapons and their discipline had been brought to a standard exceedingly high. All these advantages were needed; for the Persians were a warlike people, their King Darius was an ambitious and successful conqueror, and the number of Persians that invaded Greece was far greater than the number that Greece could raise to fight them. Had the Greeks been destitute of invention they would have followed the most obvious course, that of shutting themselves up inside the protection of the walls of Athens. Had they done this, the Persians would have surrounded the city, shut them off from supplies from outside, and slowly but surely forced them to surrender. - Lady's Dress in the days of Greece
Lady's Dress in the days of Greece - Later State of Alexander’s Empire
Later State of Alexander’s Empire - Lioness and young, from an Ionian vase of the sixth century B. C
Lioness and young from an Ionian vase of the sixth century b. c. found at Caere in Southern Etruria (Louvre, Salle E, No. 298), from Le Dessin des Animaux en Grèce d’après les vases peints, by J. Morin, Paris (Renouard), 1911. The animal is drawing itself up to attack its hunters. The scanty mane, the form of the paws, the udders, and the dentition are all heavily though accurately represented. - Map of Greece
- Men's Hairstyles - Classic Greece
Men's Hairstyles - Classic Greece - Men’s Head-dress—Archaic
Men’s Head-dress—Archaic - Often she would stand upon the walls of Troy
Achilles set sail with the other chiefs for Troy, so it seemed as though the city would be taken by his help, as the oracle foretold. With him Achilles took his well-loved friend Patroclus. For nine long years was the city of Troy besieged, and all for the sake of Helen the beautiful Queen of Sparta. Often as the years passed, she would stand upon the walls of Troy to look at the brave warriors of Hellas, to wonder when they would take the city. But when nine years had passed, no breach had yet been made in the walls. - Painting of fish on plates
Sargus vulgaris In Attica, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - Paintings of fish on plates
Crenilabrus mediterraneus. Uranoscopus scaber? In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - Panathenaeac dance, about the 4th century B.C
Panathenaeac dance, about the 4th century B.C. - Paris on Mount Ida
An illustration is given, from Hope's "Costume of the Ancients," of Paris on Mount Ida, in which he is figured as wearing a closely fitting garment which covers the whole body and limbs, being buttoned all the way up the legs and arms; a short tunic, also buttoned up the front, being worn over this dress - Peasants (600 - 146 BC)
The following excerpt from Homer's Odyssey, XXIV. 225, gives details of the costume worn by peasants of an earlier period, and this description applies equally to the dress of peasants between the years 600 and 146 B.C. He was clothed in a filthy chiton, patched and unseemly, with clouted leggings of ox-hide bound about his legs, against the scratches of the thorns, and long sleeves over his hands by reason of the brambles, and on his head he wore a goatskin cap. "Sleeves " did not mean arm-coverings in the way the term is generally understood, but were pieces of hide tied or laced round the forearm, wrist and hand, leaving the fingers free, with possibly a hole for the thumb. This was the first Glove. - Philip of Macedon
When Philip became king of Macedonia in 359 B.C., his country was a little country without a seaport or industries or any considerable city. It had a peasant population, Greek almost in language and ready to be Greek in sympathies, but more purely Nordic in blood than any people to the south of it. Philip made this little barbaric state into a great one; he created the most efficient military organization the world had so far seen, and he had brought most of Greece into one confederacy under his leadership at the time of his death. And his extraordinary quality, his power of thinking out beyond the current ideas of his time, is shown not so much in those matters as in the care with which he had his son trained to carry on the policy he had created. He is one of the few monarchs in history who cared for his successor. Alexander was, as few other monarchs have ever been, a specially educated king; he was educated for empire. Aristotle was but one of the several able tutors his father chose for him. Philip confided his policy to him, and entrusted him with commands and authority by the time he was sixteen. He commanded the cavalry at Chæronea under his father’s eye. He was nursed into power—generously and unsuspiciously. - Plato (from an ancient gem)
PLATO (B.C. 427 -374), whose name is so illustrious in philosophy has directly and indirectly largely influenced the course of intellectual development and scientific thought. Before Plato had become the disciple of Socrates, he had been a student of the philosophY of Heraclitus, one of whose prominent doctrines was that all things are in a state of ceaseless change, so that, for example, no one could ever be twice on the same river, inasmuch as the water is ever changing. About the age of twenty Plato became a disciple of Socrates, and continued so until the death of the latter, nine years afterwards. Plato then visited various countries, as Egypt, Persia, Sicily, and Italy. On returning to Athens he established his renowned school of philosophy amid the groves of Academus, near Athens; and this place has given a common title to schools of art, learning, and science throughout the world. Plato lived to an advanced age and left behind him many writings, now esteemed amongst the most precious legacies that antiquity has bequeathed to us. It was the practice of Socrates to constantly seek for definitions of justice, beauty, and so on, and this of course implied that he thought that in some things at least there was something permanent. Plato managed in his famous doctrine of Ideas to reconcile and combine the conflicting views of Heraclitus and of Socrates. This doctrine gave rise aftenvards to endless disputations, which for the most part diverted men's minds from the observation- of nature. - Reducing Dislocated Jaw
Reducing Dislocated Jaw - Reducing Dislocated Shoulder
Reducing Dislocated Shoulder - Rowers in an Athenian Warship, 400 B.C.
Rowers in an Athenian warship, about 400 B.C. (Fragment of relief found on the Acropolis) - Seleucus I
Tetradrachm with head of Seleucus I - She changed her into a spider
A glance had been enough to show her that her skill was as nothing before the wonder and the beauty of Athene’s work. Too late the maiden repented that she had defied the goddess. In her despair she seized a rope and tied it round her neck to hang herself. But the goddess saw what Arachne meant to do, and at once she changed her into a spider, bidding her from henceforth never cease to spin. And so when you see a spider weaving its beautiful embroidery on a dewy morning in the garden, or when you find a delicate web in your lumber-room, you will remember how Athene punished poor foolish Arachne in the days of old. - Ship dashed against ship, till the Persian dead strewed the deep ‘like flowers,’
Meantime the Persian ships were driven into the narrow strait. Ship dashed against ship till the Persian dead strewed the deep ‘like flowers.’ When evening fell, two hundred Persian ships had been destroyed and the Greeks had won the great sea-battle of Salamis. The glory of the victory was due to Themistocles. There might indeed have been no battle at Salamis had he not tricked both the Persian king and the Greek admirals. - Snake Goddess and Votary
The snake goddess and her votary from Knossos have, in addition, a kind of apron reaching almost to the knees in front and behind, and rising to the hips at the sides. The costume is completed by the addition of a high hat or turban. Looking at the snake goddess more in detail, we find that the jacket is cut away into a V-shape from the neck to the waist, leaving both the breasts quite bare; the two edges are laced across below the breast, the laces being fastened in a series of bows. The jacket is covered with an elaborate volute pattern, the apron with spots and bordered with a “guilloche.” - Solon, the wise lawgiver of Athens
Solon, the wise lawgiver of Athens, was a descendant of King Codrus. His father had given away most of his wealth to help his city or his countrymen, so Solon became a merchant, as the sons of noblemen often did in these days of long ago. To increase his business, Solon journeyed through many of the states of Greece as well as to Asia. Wherever he went he studied the laws and manners of the people, just as Lycurgus the lawgiver of Sparta had done. Solon was not only a merchant, he was also a poet, and because he was both wise and learned he was counted one of the seven sages of Greece. When Solon returned from one of his journeys about 593 b.c., he was made an archon and asked to reform the laws.