- Fashions for March 1841
Fashions for March 1841 - Which arrangement of hair and bow do you think most appropriate for school wear
Which arrangement of hair and bow do you think most appropriate for school wear - English Fashions 1832
a dinner, two ball, and a walking dress 1832 - The Corset in the 18th Century
During the 18th century corsets were largely made from a species of leather known as "Bend," which was not unlike that used for shoe soles, and measured nearly a quarter of an inch in thickness. - The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress, - English Fashion - 1830-1831
English Fashion - bonnet, hat, turban, and caps, as worn during the year 1830-1831 - The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume - English dress fashions worn in 1830
English dress fashions worn in 1830 Two walking dresses, one evening, and one ball dress. - The Peplos
The peplos was the chief garment of the Achaean women of the early Archaic Period (circa 1200-600 B.C.). In shape it was a rectangular piece of material, often heavily embroidered and consequently of a solid texture. It was put on in the manner of the Doric chiton, but being made of more substantial stuff it was wrapped tightly round the figure without folds, girded at the waist and open up one side, the top part falling back over the chest and back. It was fastened on the shoulders, and often down the side,by large pins. - Lady in house-robe. Period, 1816
Lady in house-robe. Period, 1816 - Fashions for April 1841
Fashions for April 1841 - Elizabethan or Henry III Period - showing Medicis Collar
Elizabethan or Henry III Period - showing Medicis Collar - bonnets worn in 1830
bonnets worn in England in 1830 - Court Dress of tudor or Louis XI Period
Court Dress of tudor or Louis XI Period - The simple dress skirt and shirt waist
The simple dress skirt and shirt waist - Louis XV
Dress in the time of Louis XV - Late Empire - Ball dress and street costume
Late Empire - Ball dress and street costume - Days of the pannier
Days of the pannier - Middle class costume during French Revolution - showing Charlotte Corday cap
Middle class costume during French Revolution - showing Charlotte Corday cap - Vertical Chignon
It requires from twenty-five to thirty years for an Ishogo woman to be able to build upon her head one of their grotesque head-dresses. The accompanying picture will show you how they look. But you will ask how they can arrange hair in such a manner. I will tell you : A frame is made, and the hair is worked upon it ; but if there is no frame, then they usd grass-cloth, or any other stuffing, and give the shape they wish to the head-dress. A well-known hair-dresser, who, by the way, is always a female, is a great person in an Ishogo village, and is kept pretty busy from morning till after-noon. It takes much time to work up the long wool on these negroes' heads, but, when one of these heads of hair, or chignons, is made, it lasts for a long time—sometimes for two or three months—without requiring repair. I need not tell you that after a few weeks the head gets filled with specimens of natural history. A great quantity of palm oil is used in dressing the hair, and, as the natives never wash their heads, the odor is not pleasant. When a woman comes out with a newly-made chignon, the little Ishogo girls exclaim, "When shall I be old enough to wear one of these? How beau-tiful they are!" Every morning, instead of taking a bath, the Ishogos rub themselves with oil, mixed with a red dye made from the wood of a forest tree. - different styles of hair-dressing fashionable in 1830-31
different styles of hair-dressing fashionable in 1830-31 - different modes of dressing the hair.in 1835
different modes of dressing the hair.in 1835 - Hair fashions 1834 England
Hair fashions 1834 England - Hairstyles for 1837
Hairstyles for 1837 - hair dressing which were in vogue in 1832
hair styles which were in vogue in 1832 - Lady in scarf and hat
Lady in scarf and hat - Horizontal Chignon
It requires from twenty-five to thirty years for an Ishogo woman to be able to build upon her head one of their grotesque head-dresses. The accompanying picture will show you how they look. But you will ask how they can arrange hair in such a manner. I will tell you : A frame is made, and the hair is worked upon it ; but if there is no frame, then they use grass-cloth, or any other stuffing, and give the shape they wish to the head-dress. A well-known hair-dresser, who, by the way, is always a female, is a great person in an Ishogo village, and is kept pretty busy from morning till after-noon. It takes much time to work up the long wool on these negroes' heads, but, when one of these heads of hair, or chignons, is made, it lasts for a long time—sometimes for two or three months—without requiring repair. I need not tell you that after a few weeks the head gets filled with specimens of natural history. A great quantity of palm oil is used in dressing the hair, and, as the natives never wash their heads, the odor is not pleasant. When a woman comes out with a newly-made chignon, the little Ishogo girls exclaim, "When shall I be old enough to wear one of these? How beautiful they are!" Every morning, instead of taking a bath, the Ishogos rub themselves with oil, mixed with a red dye made from the wood of a forest tree. - Oblique Chignon
It requires from twenty-five to thirty years for an Ishogo woman to be able to build upon her head one of their grotesque head-dresses. The accompanying picture will show you how they look. But you will ask how they can arrange hair in such a manner. I will tell you : A frame is made, and the hair is worked upon it ; but if there is no frame, then they usd grass-cloth, or any other stuffing, and give the shape they wish to the head-dress. A well-known hair-dresser, who, by the way, is always a female, is a great person in an Ishogo village, and is kept pretty busy from morning till after-noon. It takes much time to work up the long wool on these negroes' heads, but, when one of these heads of hair, or chignons, is made, it lasts for a long time—sometimes for two or three months—without requiring repair. I need not tell you that after a few weeks the head gets filled with specimens of natural history. A great quantity of palm oil is used in dressing the hair, and, as the natives never wash their heads, the odor is not pleasant. When a woman comes out with a newly-made chignon, the little Ishogo girls exclaim, "When shall I be old enough to wear one of these? How beau-tiful they are!" Every morning, instead of taking a bath, the Ishogos rub themselves with oil, mixed with a red dye made from the wood of a forest tree. - Court Dress - Latter part of 13th Century
Court Dress - Latter part of 13th Century - Court Dress 1540 - Tudor or Francis I
Court Dress 1540 - Tudor or Francis I - Court Dress of 1390
Court Dress of 1390 - Elizabethan or Henry III - 1570
Elizabethan or Henry III - 1570 - Court Dress - Early 15th Century
Court Dress - Early 15th Century - Louis XIII - about 1640
Louis XIII - about 1640 - Henry IV or early Stuart - 1600 - 1615
Henry IV or early Stuart - 1600 - 1615 - Young Woman's dress - 14th Century
Young Woman's dress - 14th Century - Louis XIV Period - about 1700
Louis XIV Period - about 1700 - Court costume Louis XVI - about 1780
Court costume Louis XVI - about 1780 - A Niam-niam girl
The social position of the Niam-niam women differ materially from what is found amongst other negroes in Africa. The Bongo and Mittoo women are on the same familiar terms with the foreigner as the men, and the Monbuttoo ladies are as forward , inquisitive and prying as can be imagined; but the women of the Niam-niam treat every stranger with marked reserve. Whenever I met any women coming along a narrow pathway in the woods or on the steppe, I noticed that they always made a wide circuit to avoid me, and returned into the path further on; and many a time I saw them waiting at a distance with averted face until I had passed by. - Marie Antoinette style - Late Louis XVI period - 1790
Marie Antoinette style - Late Louis XVI period - 1790 - Early days of the crinoline - 1855
Early days of the crinoline - 1855 - Elizabethan or Marie Stuart Period - 1558 - 1600
Elizabethan or Marie Stuart Period - 1558 - 1600 - Ball Costume 1825
Ball Costume 1825 - Street costume Late Louis XVI period - 1790
Street costume Late Louis XVI period - 1790 - The 1830 Effect
The 1830 Effect - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - French Restoration period - 1823
French Restoration period - 1823 - The 1840 style
The 1840 style - Women's Costume during the Directory - 1795 - 1800
Women's Costume during the Directory - 1795 - 1800 - The more practical gown of the Empire Period
The more practical gown of the Empire Period - two walking dresses as well as an indoors and evening dress 1836
two walking dresses as well as an indoors and evening dress 1836 - The Grecian Bend
The Grecian Bend , a feature of the late 70's - Spring Fashions
LACE MANTILLA and TABLET MANTILLA LACE MANTILLA.—This mantilla has three capes—the first is in depth twenty-three inches, the second eighteen inches, and the third fourteen inches, with lace edging to match. The collar is six inches in depth, with a bow of ribbon behind. TABLET MANTILLA.—Material. Watered or plain silk. It is made with a yoke, and falls low on the shoulders. For trimming, it is cut in turrets, trimmed with narrow braid and netted fringe sewed underneath. - Two looks - same pattern
Would you believe that the pattern of these two dresses is exactly the same? This illustrates how you can vary a dress once you find the foundation lines that are becoming to you. One pattern can suffice for both a tailored and an afternoon dress, as you see both effects are pleasing in their slenderness. - The Albuera
This mantilla is one of great beauty. It is made of blue glacé silk, but can be in any choice color. Lavender and lustrous pearl and mode colors look especially well, as also the greens, in this garment. Its chief peculiarity consists in its square front and its fitting so as to just cut the edge of the shoulder. It is fastened at the top by a bow; the back falls with an easy fulness; it is embroidered. - Optical Illusion in dress
Note the diagonal line in the small diagram of the figure below. It is actually straight, but the vertical lines which break it give it a “going-down-steps” appearance. This principle is used in the dress below—the two vertical panels of trimming break the line of the tunic and give the whole figure a more slender appearance than in the figure above.