This album includes from the end of the middle ages onward.
Sprint running is only an exaggeration of the system displayed in long-distance work. The arms rise as in fast walking, and for the same reasons, till they are doubled up. The work, being fast, requires that the lungs be kept expanded, therefore the arms are kept stiff and rigid to aid the chest muscles in holding out the walls of the thorax to give room to the lungs. The distribution of weight, on account of the rapid motion, comes to be much the same as in fast walking, but the knees are bent of necessity; because in running the progression is made by springs from toe to toe, instead of heel to heel. The same cause admits of the upper part of the body falling forward, though the elevation of nose and hollowing of back is even more important than in long-distance work, inasmuch as the exertion is more severe while it lasts.
The first thing that one notices about this figure is its ease, and the absence of all appearance of effort. The professional walker, looks as if he was walking hard, but this fellow seems trying to run as slow as he can. The fact is that, while not actually trying to go slow, he is trying to save himself as much exertion as is compatible with getting over the ground a little faster than the fastest walk. Such a pace is from six to eight miles an hour, and such a pace can be maintained by a well-trained man like Rowell after he is unable to walk over three miles an hour.
"A little care at first will save you a great deal of trouble and annoyance. When you begin to shoot, learn at once to stand firmly on your feet, the left slightly advanced, the head easily poised, the upper portion of the body gently inclined forward, and the shoulders neither lifted nor drooped. Hold the bow vertically with the left hand, the arm extended straight. Nock the arrow well on the string, draw with all the fingers of your right hand till you feel your right ear, fix your eyes steadily on the target and let fly. The arrow rests on the left hand, and is drawn to the head. The nock end of the shaft is held between the first and second fingers of the right hand and upon the string, which is drawn to the right ear by all the fingers being hooked stiffly over it. The release must be smart and clear, giving the arrow a strong, even flight.
The unskilled amateur, who sets out to walk fast, generally makes several grave mistakes. He leans his body forward, bends his back, lowers his head, swings his arms at full length, and allows his knees to bend. The consequence is that when he is doing his very best his attitude is very much like that in the first cut, depicting the unskilled walker.
There is no question that the poor fellow is doing his best, and very little doubt that he can not last long at the rate he is going.
You are at full liberty to laugh at the figure, for there is no question that it has strong elements of the ludicrous; but for all that it is not exaggerated, and such attitudes may be seen in every last short-distance match.
In the professional, the weight falls on a nearly perpendicular column through the body, which is in balance, striking the ground midway between the points of support—the feet. If the man were to stop just where he is, he is in a position to resist a shove either forward or back. A smart push from behind would infallibly send our unskilled friend on his nose.
Standing jumps are either high or broad, the latter being the most common. The secret of making a high standing jump consists in standing sidewise to the bar or tape, and throwing the body over as if vaulting with one hand, arching the back inward as much as possible. The best standing high jumper on record is E. W. Johnson, a Toronto man, now keeper of the Baltimore Athletic Club Gymnasium. He jumped a bar 5 feet 3 inches high, at the Caledonian Games, at Baltimore, May 27, 1878.
The Empire gown is figured in the illustration of a walking dress, 1810. It lasted practically until the advent of the crinoline in the forties, when it finally disappeared.