Grecian harp and lyre
The representation of Polyhymnia with a harp, depicted on a splendid Greek vase now in the Munich museum, may be noted as an exceptional instance. This valuable relic dates from the time of Alexander the great. The instrument resembles in construction as well as in shape the Assyrian harp, and has thirteen strings. Polyhymnia is touching them with both hands, using the right hand for the treble and the left for the bass. She is seated, holding the instrument in her lap. Even the little tuning-pegs, which in number are not in accordance with the strings, are placed on the sound-board at the upper part of the frame, exactly as on the Assyrian harp. If then we have here the Greek harp, it was more likely an importation from Asia than from Egypt. In short, as far as can be ascertained, the most complete of the Greek instruments appear to be of Asiatic origin.
Greek Flutes
The flute, aulos, of which there were many varieties, was a highly popular instrument, and differed in construction from the flutes and pipes of the ancient Egyptians. Instead of being blown through a hole at the side near the top it was held like a flageolet, and a vibrating reed was inserted into the mouth-piece, so that it might be more properly described as a kind of oboe or clarionet. The Greeks were accustomed to designate by the name of aulos all wind instruments of the flute and oboe kind, some of which were constructed like the flageolet or like our antiquated flûte à bec.
Double Pipes
Sweet, piercing sweet was the music of Pan’s pipe
The great god Pan, protector of the shepherds and their flocks, was half man, half goat. Every one loved this strange god, who yet ofttimes startled mortals by his wild and wilful ways. When to-day a sudden, needless fear overtakes a crowd, and we say a panic has fallen upon it, we are using a word which we learned from the name of this old pagan god. Down by the streams the great god Pan was sometimes seen to wander— ‘What was he doing, the great god Pan, Down in the reeds by the river? Spreading ruin and scattering ban, Splashing and paddling with hoofs of a goat, And breaking the golden lilies afloat, With the dragon-fly on the river. ‘He tore out a reed, the great god Pan, From the deep cool bank of the river,’ and then sitting down he ‘hacked and hewed, as a great god can,’ at the slender reed. He made it hollow, and notched out holes, and lo! there was a flute ready for his use. Sweet, piercing sweet was the music of Pan’s pipe as the god placed his mouth upon the holes.
A Muse with a Harp, and two others with Lyres
A Muse with a Harp, and two others with Lyres. From a Greek vase in the Munich Museum The design on the Greek vase at Munich represents the nine Muses, of whom three are given in the engraving, viz., one with the harp, and two others with lyres. Some of the lyres were provided with a bridge, while others were without it. The largest was held probably on or between the knees, or were attached to the left arm by means of a band, to enable the performer to use his hands 30without impediment. The strings, made of catgut or sinew, were more usually twanged with a plektron than merely with the fingers. The plektron was a short stem of ivory or metal pointed at both ends.