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- Playing stick.
A smaller instrument of the same kind is also used in religious ceremonies, the 'the king,' made of one large block of 'yu,' suspended from an upright. It is played like the real 'king,' by being struck with a special stick or plectrum, and the tone, though less varied than that of the larger instrument, is equally deep and full. - The 'Tse King.'
Another curious Chinese instrument is the 'ou,' which is made of wood, and fashioned like a crouching tiger. It is hollow, and along its back run metal teeth, which are played with a small stick or brush. The 'ou' stands on a hollow pedestal, also of wood, which serves as a sounding board and increases the tone. See also - Street Singers
THE original heading of this picture, as given by my Chinese artist, is " striking the flower drum." For the information of those who do not understand the Chinese idiom we must say that flower or flowery (for the position of the word alone determines its genus) is put for anything gay, and frequently means that which is not only gay and pleasing to the eye or senses, but sometimes also that which is dissolute and vicious. Thus " a flower boat " is a boat for a party of pleasure, used fre-quently by the Southern Chinese for an occasion of revelling and vice. A flower chair is the sedan chair used on occasions of a marriage festivity ; flower guns are guns for purposes of amusement, namely, squibs, rockets, and fireworks generally. The meaning of " a flower child " would never be guessed by the English reader ; it signifies nothing more than a beggar, most probably because beggars are usually a vagabond people, leading a wretched abandoned life. The Chinese beggar, like his European brother, notwithstanding all his hardships, greatly prefers his liberty with an occasional feast, frolic, and dance, to the toil of honest industry. I have myself in China clothed, fed, and housed a starving beggar boy, who ran away from me directly he was asked to take a spade and dig for an hour in the garden. The women in our picture are a kind of beggars, and as they play sprightly, exciting music, and sing gay and almost indecent songs, and I fear live frequently a corrupt life, they are called those who " strike the flower drum." The drum is not the only instrument they employ, but this is put generally for all other kinds of music. One of the figures is seen holding a small drum and a little slip of bamboo as drum-stick, the other has a tiny brass gong, and as she strikes her " flower gong," she deadens the sound with the other hand, to pre-vent the prolonged clang of the metal from drown-ing the words of her song. The little child carried on the back shows the ordinary method employed by beggars of stowing away their children when they are too young or too tired to follow their elders on foot. These street singers are not seen all the year round, they only appear on New-year festivities. - Chinese ou
The ancient ou was constructed with only six tones which were attuned thus—f, g, a, c, d, f. The instrument appears to have become deteriorated in the course of time; for, although it has gradually acquired as many as twenty-seven pieces of metal, it evidently serves at the present day more for the production of rhythmical noise than for the execution of any melody. The modern ou is made of a species of wood called kieou or tsieou: and the tiger rests generally on a hollow wooden pedestal about three feet six inches long, which serves as a sound-board. - Chinese kin-kou
The kin-kou (engraved), a large drum fixed on a pedestal which raises it above six feet from the ground, is embellished with symbolical designs. A similar drum on which natural phenomena are depicted is called lei-kou; and another of the kind, with figures of certain birds and beasts which are regarded as symbols of long life, is called ling-kou, and also lou-kou. - Chinese cheng
Another curious wind-instrument of high antiquity, the cheng, is still in use. Formerly it had either 13, 19, or 24 tubes, placed in a calabash; and a long curved tube served as a mouth-piece. In olden time it was called yu. - Chines King
According to their records, the Chinese possessed their much-esteemed king 2200 years before our Christian era, and employed it for accompanying songs of praise. It was regarded as a sacred instrument. During religious observances at the solemn moment when the king was sounded sticks of incense were burnt. It was likewise played before the emperor early in the morning when he awoke. The Chinese have long since constructed various kinds of the king, one of which is here engraved, by using different species of stones. Their most famous stone selected for this purpose is called yu. It is not only very sonorous but also beautiful in appearance. The yu is found in mountain streams and crevices of rocks. The largest specimens found measure from two to three feet in diameter, but of this size examples rarely occur. The yu is very hard and heavy. Some European mineralogists, to whom the missionaries transmitted specimens for examination, pronounce it to be a species of agate. It is found of different colours, and the Chinese appear to have preferred in different centuries particular colours for the king. - Chinese pien-tchung
The hiuen-tchung was, according to popular tradition, included with the antique instruments at the time of Confucius, and came into popular use during the Han dynasty (from B.C. 200 until A.D. 200). It was of a peculiar oval shape and had nearly the same quaint ornamentation as the té-tchung; this consisted of symbolical figures, in four divisions, each containing nine mammals. The mouth was crescent-shaped. Every figure had a deep meaning referring to the seasons and to the mysteries of the Buddhist religion. The largest hiuen-tchung was about twenty inches in length; and, like the té-tchung, was sounded by means of a small wooden mallet with an oval knob. None of the bells of this description had a clapper. It would, however, appear that the Chinese had at an early period some kind of bell provided with a wooden tongue: this was used for military purposes as well as for calling the people together when an imperial messenger promulgated his sovereign’s commands. An expression of Confucius is recorded to the effect that he wished to be “A wooden-tongued bell of Heaven,” i.e. a herald of heaven to proclaim the divine purposes to the multitude. - Cheng
Cheng Containing 17 pipes of small bamboo reeds, arranged in five sets, each having pipes of equal length.