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Daniel Defoe
With an imagination scarcely less opulent than Bunyan's, Defoe, if he had described a dream, would have managed somehow to make it as short-winded and inconsequent as a real one. He was in love with verisimilitude, and delighted in facts for their own sakes. 'To read Defoe,' wrote Charles Lamb, 'is like hearing evidence in a Court of Justice.' No compliment could have pleased him better.
Louis XIV
On such terms of unrighteousness what we may call “Grand Monarchy” established itself in France. Louis XIV, styled the Grand Monarque, reigned for the unparalleled length of seventy-two years (1643-1715), and set a pattern for all the kings of Europe. At first he was guided by his Machiavellian minister, Cardinal Mazarin; after the death of the Cardinal he himself in his own proper person became the ideal “Prince.” He was, within his limitations, an exceptionally capable king; his ambition was stronger than his baser passions, and he guided his country towards bankruptcy through the complication of a spirited foreign policy, with an elaborate dignity that still extorts our admiration.
Corelli
Arcangelo Corelli (1653-1713) left his home in Fusignano, near Bologna, a young violinist, for an extended concert tour. His gentle, sensitive disposition proving unfitted to cope with the jealousy of Lully, chief violinist in France, and with sundry annoyances in other lands, he returned to Italy and entered the service of Cardinal Ottoboni in Rome. In the private apartments of the prelate there gathered a choice company of music lovers every Monday afternoon to hear his latest compositions. Besides his solos these comprised groups of idealized dance tunes with harmony of mood for their bond of union, and played by two violins, a viola, violoncello and harpsichord. They were the parents of modern Chamber Music, the place of assemblage furnishing the name.