- Statuette in wood
- The bark of the sun
To the Egyptians there was no god of higher than the sun god, who was regarded as the sole creator, and ruler of the world; from the bark in which he traversed the heavens, the great god, the gor of heaven governed all things, and who-soeve in daily life merely speaks of the god, he will think of him. - Most of the day was spent with Baedeker
- Ancient Egypt’s strange books and pictorial records, made of papyrus
Papyrus, a tall, graceful, sedgy plant, supplied the favourite writing material of the ancient world, and many priceless records of antiquity are preserved to us in papyri. The pith of the plant was pressed flat and thin and joined with others to form strips, on which records were written or painted. The above is a photograph of a piece of Egyptian papyrus, showing both hieroglyphics and picture-writing. The oldest piece of papyrus dates back to B.C. 3500. - A Son of the Desert
- Egyptian jewellery of the XIXTH dynasty
- Gold pectoral inlaid with enamel
- An Assuan Beggar
- Statue of Rânofir
- The lady Touî, statuette in wood
- Beni-Hassan
- Posing
- Christmas, 1897
- On the Bank at Komombos
- At Lady Grenfell’s Masquerade Ball
- A Peddler
- Karnak, January 2, 1898
- Statue of Thothmes, Karnak
- On Grenfell Hill. The Keeper of the Tomb
- At the Races, Khedival Sporting Club
- Temple of Ti
- Christmas Night—“Auld Lang Syne.”
- Egyptian wine
The Egyptians had several kinds of wine, even as early as the fourth dynasty (above 6000 years ago, according to Mariette), when four kinds of wine, at least, were known. Pliny and Horace say that the wine of Mareotis was most esteemed. - Indifference
- Guardians of the Temple
- Egyptian High Life
- Shepheard’s Hotel, Cairo
- The Soul - front view
- Our Bisharin Friends, Assuan
- The Soul - back view
- Tombs of the Kings, Thebes
- An Example of the Friendly Relations between Syria and Egypt
In the twelfth year of his reign, the tribute of the vassal kingdoms reached such a high value that a particular record was made of it, and scenes showing its reception were sculptured in the tombs of Huya and Meryra II. An inscription beside the scene in the tomb of Huya reads thus:— Year twelve, the second month of winter, the eighth day.... The King ... and the Queen ... living for ever and ever, made a public appearance on the great palanquin of gold, to receive the tribute of Syria and Ethiopia, and of the west and the east. All the countries were collected at one time, and also the islands in the midst of the sea; bringing offerings to the King when he was on the great throne of the City of the Horizon of Aton, in order to receive the imposts of every land and granting them [in return] the breath of life. - In the Fish-Market
- Camel-back
- Thebes, January 2, 1898
- At Philæ
- Lunching in Karnak
- An Egyptian Stamp for impressing Bricks
In old Egypt, bricks were impressed by the same method of stamping [as the Assyrians], but not to such an extent as they were in old Assyria. . The cuts annexed represent the face and back of an old Egyptian stamp discovered in a tomb of Thebes. The stamp is five inches long, two and one-quarter inches broad, and half an inch thick, and is fitted to an arched handle. The characters are engraved below the surface of the wood, so that an impression taken from the stamp on the clay would show the engraved characters in relief. The inscription on the stamp has been translated, Amenoph, beloved of truth. Amenoph is supposed, by some authorities, to have been the king of Egypt at the period of the exodus of the Israelites. The characters on the Egyptian and Babylonian bricks are much more neatly executed than would seem necessary for inscriptions on so common a material as clay. - The Bridge
- Tablet at Sneferu at Wady-Magharah
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. - In a Coffee-house, Cairo
- On the Bank
- Home Visitors
- The Colossus of Ramses II emerging from the earth
- Burning of Incense
The conventional Egyptian representation of the burning of incense and the pouring of libations - Egyptian
Among the ancient Egyptians very peculiar shaped caps were worn, like from Figures 1 to 7. Some of them would rise to a great height above the head, and then descend very low upon the chest in the shape of lappets. Those of the priests and of their attendants were often loaded with a profusion of symbolical decorations, composed of feathers, lotus leaves and other natural products. - Girl with goat
- Egyptian bronze representing a flying man
In the Hall of the Gods, in the Egyptian Museum, there is a small bronze plaque of great antiquity, where we see in relief a man flying the two extended wings. It is true that we agree to consider this piece as a symbolic composition rather than as the representation of an aircraft. - Egyptians’ Early Use of Wine
- On the Road to Cairo
- Egyptian king
Egyptian king - The Present Situation
- Egyptian 'Shadoof'
The commonest of these machines is the shadoof. It is a sort of balance, with a weight at one end and a cord and bucket at the other. The arm of the balance rests upon a bar of wood, which is supported by two wooden posts, the whole resembling the horizontal bar of a gymnasium. The posts are about five feet high and two or three feet apart, and they are set up on the top of a bank, close to the edge, so that the end of the arm which bears the bucket may project over the water. This arm is made out of a slender branch of a tree, and is fastened to the horizontal bar by loops of cord. Its thicker end is loaded with a large, round ball of mud, while the other carries a long cord, or even a slender stick, at the end of which is the bucket, or bowl, in which the water is raised. - The Pyramids of Gizeh
- The Artist Auta
There are only two artists of the period who are known by name. The one was a certain Auta, who is represented in a relief dating from some eight years after the change in the art had taken place. It is a significant fact that this personage held the post of master-artist to Queen Tiy; and it is possible that in him and his patron we have the originators of the movement. The king, however, was now old enough to take an active interest in such matters; and the other artist who is known by name, a certain Bek, definitely states that the king himself taught him. Thus there is reason to suppose that the young Pharaoh’s own hand is to be traced in the new canons, although they were instituted when he was but fifteen years old - Head of Nefertari-Aahmes
Aahmes, in contracting his marriage with the Ethiopian princess, to whom he gave the name of Nefertari-Aahmes—or "the good companion of Aahmes"—was, we may be tolerably sure, bent on obtaining a contingent of those stalwart troops whose modern representatives are either the Blacks of the Soudan or the Gallas of the highlands of Abyssinia. - A Daughter of the Nile
- The Art of Akhnaton compared with Archaic Art
1. The head of Akhnaton. From a contemporary drawing. 2. The head of a king. From an archaic statuette found by Professor Petrie at Abydos. 3. The head of Akhnaton. From a contemporary drawing. 4. The head of a prince. From an archaic tablet found by Professor Petrie at Abydos. 5. An archaic statuette found by Professor Petrie at Diospolis, showing the large thighs found in the art of Akhnaton. - Our Christmas Dinner, Esneh, December 23
- Egyptian Queen
Egyptian queen