A Niam-niam minstrel
A Niam-niam minstrel As the darkness came on. our camp was enlivened by the appearance of the grotesque figure of a singer, who came with a huge bunch of feathers in his hat, and these, as he wagged his head to the time of his music, became all entangled with the braids of his hair. Altogether the head was like the head of Medusa. These "minne-singers" among the Niam-niam as known as "nzangah." They are as sparing of their voices as a worn-out prima donna; except for those close by, it is impossible to hear what they are singing. Their instrument is the local guitar, the thin jingling of which accords perfectly well with the nasal humming of the minstrel's recitative. The occupation of these nzangah, however, notwithstanding the general love of the people for music, would not appear to be held in very high esteem, as the same designation is applied to those unfortunate women, friendless and fallen, who are never absent from any community.
The Old Shol
Shol One of the most influential personages of the neighbouring race of the Lao was a woman, already advanced in years, of the name of Shol. She played an important part as a sort of chief of the Meshera, her riches, according to the old patriarchal fashion, consisting of cattle. As wealthy as cattle copuld make her, she would long since have been a prey to the Nubians, who carry on their ravages principally in those regions, if it had not chanced that the intruders needed her for a friend. They required a convenient and secure landing-place, and the paramount necessity of having this induced them to consider plunder a secondary matter. Shol, on her part, uses all her influence to retain her tribe on friendly terms with the strangers. The smallest conflict might involve the entire loss of her property.
Dinka Village
The Dinka dwellings consist of small groups of huts clustered in farmsteads over the cultivated plains. Villages in a proper sense there are none, but the cattle of separate districts are united in a large part, which the Khartoomers call a "murah". The drawing represents a Dinka farm surrounded by sorghum fields. Of the three huts, the one in the centre, with a double porchway, is set apart for the head of the family; that on the left is for the women; whilst the largest and most imposing hut on the right is a hospital for sick cows, which require to be separated from the throngs in the murah that they may receive proper attention.
A Dinka Dandy
The portrait represents what might be styled a Dinka dandy, distinguished for unusually long hair. By continual combing and stroking with hair-pins, the hair of the negro loses much of its close curliness. Such was the case here: the hair, six inches long, was trained up into points like tongues of flame, and these, standing stiffly up all round his head, gave the man a fiendish look, which was still further increased by its being dyed a foxy red. This tint is the result of continual washing with cow-urine; a similar effect can be produced by the application for a fortnight of a mixture of dung and ashes.
A Niam-niam girl
The social position of the Niam-niam women differ materially from what is found amongst other negroes in Africa. The Bongo and Mittoo women are on the same familiar terms with the foreigner as the men, and the Monbuttoo ladies are as forward , inquisitive and prying as can be imagined; but the women of the Niam-niam treat every stranger with marked reserve. Whenever I met any women coming along a narrow pathway in the woods or on the steppe, I noticed that they always made a wide circuit to avoid me, and returned into the path further on; and many a time I saw them waiting at a distance with averted face until I had passed by.