- 90 degrees in the shade
Man wheeling a small girl in a wheelbarrow - Divider
Divider - Frame with laughing masks
Text Frame - Frame
Text Frame - Nature Divider
Nature Divider - Peasant Woman and Churn
Peasant Woman and Churn - Writer divider
Writer divider - Young Lady writing
Young Lady writing - Lady Divider
Lady Divider - Lion Divider
Lion Divider - Man in buckskin
Man in buckskin - dawn by Frederick Remington - Man in buckskin
Man in buckskin - dawn by Frederick Remington - Man with flag
Soldier with bayonet and flag - Heading Frame
Heading Frame - From the François Vase
From the François Vase - Men’s Head-dress—Archaic
Men’s Head-dress—Archaic - Snake Goddess and Votary
The snake goddess and her votary from Knossos have, in addition, a kind of apron reaching almost to the knees in front and behind, and rising to the hips at the sides. The costume is completed by the addition of a high hat or turban. Looking at the snake goddess more in detail, we find that the jacket is cut away into a V-shape from the neck to the waist, leaving both the breasts quite bare; the two edges are laced across below the breast, the laces being fastened in a series of bows. The jacket is covered with an elaborate volute pattern, the apron with spots and bordered with a “guilloche.” - The Chlamys and Petasos
The Chlamys and Petasos - The Doric Himation
The Doric Himation - Vase-painting by Brygos
Vase-painting by Brygos - Vase-painting by Euphronios
Vase-painting by Euphronios - Vase-painting by Euxitheos
Vase-painting by Euxitheos - Vase-painting by Falerii
Vase-painting by Falerii - Vase-painting by Hieron
Vase-painting by Hieron - Vase-painting from Lucania
Vase-painting from Lucania - Vase-painting in the Polygnotan Style
Vase-painting in the Polygnotan Style - Vase-painting
Vase-painting - Vase-painting—Dress with two Overfold
Vase-painting—Dress with two Overfold - Vase-painting—Ionic Dress
Vase-painting—Ionic Dress - Women’s Head-dress
Women’s Head-dress - Seventeenth Century Plows
Seventeenth Century Plows - Trenching Implements 17th Century
Trenching Implements 17th Century - Farming instruction book 1601
Farming instruction book 1601 - Hand-Cuffs
A pair of the iron hand-cuffs with which the men-slaves are confined. The right-hand wrist of one, and the left of another, are almost brought into contact by these, and fastened together, by a little bolt with a small padlock at the end of it. - Shackles for the legs
- Speculum Oris
The dotted lines in the figure on the right hand of the screw represent it when shut, the black lines when open. It is opened, as at G H, by a screw below with a nob at the end of it. This instrument is known among surgeons, having been invented to assist them in wrenching open the mouth as in the case of a locked jaw; but it had got into use in this trade. On asking the seller of the instruments on what occasion it was used there, he replied that the slaves were frequently so sulky as to shut their mouths against all sustenance, and this with a determination to die; and that it was necessary their mouths should be forced open to throw in nutriment, that they who had purchased them might incur no loss by their death. - Thumb Screw
The thumbs are put into this instrument through the two circular holes at the top of it. By turning a key, a bar rises up by means of a screw from C to D, and the pressure upon them becomes painful. By turning it further you may make the blood start from the ends of them. By taking the key away, as at E, you leave the tortured person in agony, without any means of extricating himself, or of being extricated by others. This screw, as I was then informed, was applied by way of punishment, in case of obstinacy in the slaves, or for any other reputed offence, at the discretion of the captain. - Am I not a man, and a brother
On the 2nd and 16th of October 1837 two sittings took place; at the latter of which a sub-committee, which had been appointed for the purpose, brought in a design for a seal. An African was seen, in chains, in a supplicating posture, kneeling with one knee upon the ground, and with both his hands lifted up to heaven, and round the seal was observed the following motto, as if he was uttering the words himself,—"Am I not a Man and a Brother?" The design having been approved of, a seal was ordered to be engraved from it. This seal, simple as the design was, was made to contribute largely towards turning the attention of our countrymen to the case of the injured Africans, and of procuring a warm interest in their favour.