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By the reign of James I. this ridiculous fashion had become common. All sorts of curious devices were made use of—spots, stars, crescents, and in one woodcut a coach and coachman with two horses and postilions appear upon the lady's forehead. The fashion continued for a long period; in fact, during the greater part of the Georgian era, when it had degenerated into mere spots or small patches. At the close of the eighteenth century it had entirely disappeared.
1047 visits
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From Viollet le Duc (Fifteenth Century).
1017 visits
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How to tie the cravat.
A. The Cravat folded. B. The Cravat à la Byron. S. The Cravat Sentimentale.
"The Cravat Sentimentale."
906 visits
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From Fra Angelico, Florence.
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Orcagna, Campo Santa, Pisa.
557 visits
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From Fra Angelico, Florence
801 visits
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Orcagna, Campo Santa, Pisa.
810 visits
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The horn-shaped head-dress appears in no pictorial documents or monuments older than the reign of Henry IV.
In a volume entitled "Jougleurs et Trouvères," by M. Jubinal, is a satire on horned head-dresses, under the title of "Des Cornetes," from a MS. in the Bibliothèque Royale at Paris, of the beginning of the fourteenth century. In this poem it appears that the Bishop of Paris had preached a sermon directed against extravagance in women's dress, their horns and the bareness of their necks. "If we do not get out of the way of the women we shall be killed; for they carry horns with which to kill men."
566 visits
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There was also the "balloon" or turban. This, like the heart-shaped head-dress, commenced with a flat pad, like a cake, which in its earlier stage was invariably richly ornamented, offering no particular variety in its form; when it became round, it developed a second roll around the forehead, with bands at intervals, which formed its constructive elements.
889 visits
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Worn by the court fool of an Elector of Mayence (seventeenth century).
South Kensington Museum.
783 visits
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"Heads" usually lasted a matter of three weeks, when—'twould be dangerous, madam, to delay longer the opening of your head. We get a glimpse of the possible state of a lady's head at the expiration of that time from the many recipes and advertisements for the destruction of insects in the magazines of the period, which reminds us of Julian, who likened his beard to a "forest grown populous with troublesome little animals."
510 visits
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About the year 1658 petticoat breeches crossed the silver streak from Versailles, and became the vogue at the Court of Charles II. Randal Holme, writing in 1659, describes the dress as follows:—"A short-waisted doublet and petticoat breeches, the lining being lower than the breeches and tied above the knees; the breeches are ornamented with ribands up to the pocket, and half their breadth upon the thigh; the waistband is set about with ribands, and the shirt hanging out over them." The petticoat breeches were not ridiculous in themselves—the modern Scotch kilt, which is an extremely picturesque and even reasonable costume, is made upon precisely the same principle; it was the absurd{130} lace ruffles, which hung drooping below the knee, which were worn with the petticoats during the earlier period, and in which Charles II. is figured in Heath's Chronicle, 1662, which made the costume a banality. The figure of the exquisite of 1670 from Jacquemin wears the petticoat breeches, but without the ruffles or frills at the knees. It must be confessed, however, that the gentleman possesses a sufficiency of frill!
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