Winged Sun of Thebes
Over the portico of the Theban temple there is usually a ball or sun, ornamented with outstretched wings, representing the all-seeing Providence thus watching over and sheltering the world. From this sun hang two asps wearing the crowns of Upper and Lower Egypt.
Vivid scenes of ancient life depicted by contemporary artists
The walls of the tombs in Egypt form a great picture gallery of the vanished life of that country and are invaluable to the historian. This fragment from the British Museum shows how vividly the domestic figures were realised.
Villa of an Egyptian Noble
The Egyptians excelled in architecture, and the greatest of their buildings were the pyramids. As to whether or not there was much invention devoted to those works, it is virtually impossible now to know. The probability seems to be that they could not have been produced without the promptings of the inventor, but that the progress was a slow and gradual march. It seems that there was a long series of many small inventions that made short steps, and not a few basic inventions that proceeded by great leaps.
The Pyramids of Gizeh
Tablet at Sneferu at Wady-Magharah
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions.
Sewn Sleeveless Kalasiris
Sewn Sleeveless Kalasiris
Priest
The illustration shows a priest wearing nothing but a loin cloth and a leopard skin.
Pharaoh Chephren
The earlier Pharaohs were not improbably regarded as incarnations of the dominant god. The falcon god Horus sits behind the head of the great statue of Chephren. It was Cheops and Chephren and Mycerinus of this IVth Dynasty who raised the vast piles of the great and the second and the third pyramids at Gizeh. These unmeaning sepulchral piles, of an almost incredible vastness, erected in an age when engineering science had scarcely begun, exhausted the resources of Egypt through three long reigns, and left her wasted as if by a war.
Pharaoh Akhnaton
Opinions upon Amenophis IV, or Akhnaton, differ very widely. There are those who regard him as the creature of his mother’s hatred of Ammon and the uxorious spouse of a beautiful wife. Certainly he loved his wife very passionately; he showed her great honour—Egypt honoured women, and was ruled at different times by several queens—and he was sculptured in one instance with his wife seated upon his knees, and in another in the act of kissing her in a chariot; but men who live under the sway of their womenkind do not sustain great empires in the face of the bitter hostility of the most influential organized bodies in their realm. Others write of him as a “gloomy fanatic.” Matrimonial bliss is rare in the cases of gloomy fanatics.
King Narmer
Among the most ancient representations of Egyptian costume which are known to us is that of the figure of the pre-dynastic King Narmer (3407 B.C.). In the figure he is seen wearing the tall white crown of Upper Egypt (the " Het "), also a plain corselet held in place by one brace, and a short plain kilt with a belt from which ornamental pendants hang down in front. Each pendant has at the top a representation of the goddess Hathor's head, and this is shewn at the side of the figure to a larger scale. At the back of the belt is fastened the ceremonial animal's tail which persists as a part of the kings of Egypt until the end of their history. On the chin of Narmer we see the ceremonial artificial beard of a king, which is fastened by straps to his crown. The figure of this king is taken from that very ancient fragment decorated with figures in relief and called " The Palette of Narmer," a memorial tablet shewing the king in battle. The beards of gods, kings and noblemen were each different in shape, each symbolic of their wearers.
Hunifer
Head of Nefertari-Aahmes
Aahmes, in contracting his marriage with the Ethiopian princess, to whom he gave the name of Nefertari-Aahmes—or "the good companion of Aahmes"—was, we may be tolerably sure, bent on obtaining a contingent of those stalwart troops whose modern representatives are either the Blacks of the Soudan or the Gallas of the highlands of Abyssinia.
Head of Neco
Neco, the son of Psamatik I., from the moment that he ascended the throne, resolved to make the bold stroke for empire from which his father had held back. Regarding his mercenary army as a sufficient land force, he concentrated his energies on the enlargement and improvement of his navy, which was weak in numbers and of antiquated construction. Naval architecture had recently made great strides, first by the inventiveness of the Phœnicians, who introduced the bireme, and then by the skill of the Greeks, who, improving on the hint furnished them, constructed the trireme. Neco, by the help of Greek artificers, built two fleets, both composed of triremes, one in the ports which opened on the Red Sea, the other in those upon the Mediterranean. He then, with the object of uniting the two fleets into one, when occasion should require, made an attempt to re-open the canal between the Nile and the Red Sea, which had been originally constructed by Seti I. and Ramesses II., but had been allowed to fall into disrepair. The Nile mud and the desert sand had combined to silt it up.
Gallery in the Great Pyramid
The Great Gallery is also of curious construction. Extending for a distance of one hundred and fifty feet, and rising at an angle of 26° 18', it has a width of five feet at the base and a height of above thirty feet. The side walls are formed of seven layers of stone, each projecting a few inches over that below it. The gallery thus gradually contracts towards the top, which has a width of four feet only, and is covered in with stones that reach across it, and rest on the walls at either side. The exact object of so lofty a gallery has not been ascertained; but it must have helped to keep the air of the interior pure and sweet, by increasing the space through which it had to circulate.
Figure of Bes
Bes seems also to have been a divinity of the same class {Evil Gods]. He was represented as a hideous dwarf, with large outstanding ears, bald, or with a plume of feathers on his head, and with a lion-skin down his back, often carrying in his two hands two knives.
Egyptians’ Early Use of Wine
Egyptian wine
The Egyptians had several kinds of wine, even as early as the fourth dynasty (above 6000 years ago, according to Mariette), when four kinds of wine, at least, were known. Pliny and Horace say that the wine of Mareotis was most esteemed.
Egyptian Ships in the time of Hatasu
The legal position which Hatasu occupied during the sixteen years that followed the death of Thothmes II. was probably that of regent for Thothmes III., his (and her) younger brother; but practically she was full sovereign of Egypt. It was now that she formed her grand schemes of foreign commerce, and had them carried out by her officers. First of all, she caused to be built, in some harbour on the western coast of the Red Sea, a fleet of ships, certainly not fewer than five, each constructed so as to be propelled both by oars and sails, and each capable of accommodating some sixty or seventy passengers. Of these thirty were the rowers, whose long sweeps were to plough the waves, and bring the vessels into port, whether the wind were favourable or no; some ten or twelve formed the crew; and the remainder consisted of men-at-arms, whose services, it was felt, might be required, if the native tribes were not sufficiently impressed with the advantages of commercial dealings.
Egyptian Queen
Egyptian queen
Egyptian king
Egyptian king
Egyptian Female Costume
Egyptian Female Costume
Egyptian
Bust of Thothmes I, the first great Egyptian Conqueror
Thothmes I. was the grandson of the Aahmes who drove out the Hyksôs. He had thus hereditary claims to valour and military distinction. The Ethiopian blood which flowed in his veins through his grandmother, Nefertari-Aahmes, may have given him an additional touch of audacity, and certainly showed itself in his countenance, where the short depressed nose and the unduly thick lips are of the Cushite rather than of the Egyptian type. His father, Amen-hotep I., was a somewhat undistinguished prince; so that here, as so often, where superior talent runs in a family, it seems to have skipped a generation, and to have leapt from the grand-sire to the grandson.
Binding and pulling grain in the Egypt of the pharaohs
Binding and pulling grain in the Egypt of the pharaohs
An Egyptian Stamp for impressing Bricks
In old Egypt, bricks were impressed by the same method of stamping [as the Assyrians], but not to such an extent as they were in old Assyria. . The cuts annexed represent the face and back of an old Egyptian stamp discovered in a tomb of Thebes. The stamp is five inches long, two and one-quarter inches broad, and half an inch thick, and is fitted to an arched handle. The characters are engraved below the surface of the wood, so that an impression taken from the stamp on the clay would show the engraved characters in relief. The inscription on the stamp has been translated, Amenoph, beloved of truth. Amenoph is supposed, by some authorities, to have been the king of Egypt at the period of the exodus of the Israelites. The characters on the Egyptian and Babylonian bricks are much more neatly executed than would seem necessary for inscriptions on so common a material as clay.