Whose Stories of Real Life Are A Delight to Girls and Boy
Little Women, her first great success, is the story of the Alcott family. It tells of their jolly times and their hard times at the Orchard House at Concord, Massachusetts. The lively outspoken “Jo” of the story, writing in the attic, is Louisa herself; the other “March” girls are her own dear sisters, Anna, Elizabeth, and Abba May. “Marmee,” of course, is the beloved mother, and Mr. March, the father.
William Makepeace Thackery
In the late afternoon we floated out of the sweet air of the meadows into a stratum of effluvia from the tanneries of Tuttlingen, and but for the fact that the town claims as its hero Max Schneckenburger, the author of the words of “Die Wacht am Rhein” who was educated here in his youth, and for the more cogent reason of hunger, we probably should have paddled past the town without pausing longer than to admire some of its architectural features.
Jean-Christophe, the dominant figure of the enormous work which Rolland was a score of years in writing, and nearly half a score in publishing, is gradually becoming a household name upon two continents.
“Jean-Christophe” is the detailed life of a man from the cradle to the grave, a prose epic of suffering, a narrative of the evolution of musical genius, a pæan to music, and a critique of composers, the history of an epoch, a comparative study of the civilizations of France and Germany, an arraignment of society, a discussion of vexed problems, a treatise on ethics, a “barrel” of sermons, a storehouse of dissertations, and a blaze of aspirations.
Portrait of Jean Cocteau
From an unpublished crayon sketch by Léon Bakst
Robert Louis Stevenson
Constantine Phipps, 1st Marquess of Normanby, author of "Matilda"
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist.
This engraving represents our accomplished author as a lady of a chapter belonging to a chivalric order. The high compliment from a German court was paid to the merit of Thaddeus of Warsaw. This portrait, as contrasted with that of her sister, well justifies the appellation bestowed upon them by mutual friends - they went by the names of L'Allegro and Il Penseroso.