Rowers in an Athenian Warship, 400 B.C.
Rowers in an Athenian warship, about 400 B.C. (Fragment of relief found on the Acropolis)
Roman As
Roman As (bronze, 4th Cent. B.C.)
Reducing Dislocated Shoulder
Reducing Dislocated Shoulder
Reducing Dislocated Jaw
Reducing Dislocated Jaw
Philip of Macedon
When Philip became king of Macedonia in 359 B.C., his country was a little country without a seaport or industries or any considerable city. It had a peasant population, Greek almost in language and ready to be Greek in sympathies, but more purely Nordic in blood than any people to the south of it. Philip made this little barbaric state into a great one; he created the most efficient military organization the world had so far seen, and he had brought most of Greece into one confederacy under his leadership at the time of his death. And his extraordinary quality, his power of thinking out beyond the current ideas of his time, is shown not so much in those matters as in the care with which he had his son trained to carry on the policy he had created. He is one of the few monarchs in history who cared for his successor. Alexander was, as few other monarchs have ever been, a specially educated king; he was educated for empire. Aristotle was but one of the several able tutors his father chose for him. Philip confided his policy to him, and entrusted him with commands and authority by the time he was sixteen. He commanded the cavalry at Chæronea under his father’s eye. He was nursed into power—generously and unsuspiciously.
Panathenaeac dance, about the 4th century B.C
Panathenaeac dance, about the 4th century B.C.
Macedonian Warrior
Macedonian Warrior
King Narmer
Among the most ancient representations of Egyptian costume which are known to us is that of the figure of the pre-dynastic King Narmer (3407 B.C.). In the figure he is seen wearing the tall white crown of Upper Egypt (the " Het "), also a plain corselet held in place by one brace, and a short plain kilt with a belt from which ornamental pendants hang down in front. Each pendant has at the top a representation of the goddess Hathor's head, and this is shewn at the side of the figure to a larger scale. At the back of the belt is fastened the ceremonial animal's tail which persists as a part of the kings of Egypt until the end of their history. On the chin of Narmer we see the ceremonial artificial beard of a king, which is fastened by straps to his crown. The figure of this king is taken from that very ancient fragment decorated with figures in relief and called " The Palette of Narmer," a memorial tablet shewing the king in battle. The beards of gods, kings and noblemen were each different in shape, each symbolic of their wearers.
Alexander the Great
Alexander the Great (silver coin of Lysimachus, 321-281 B.C.)
Achilles bandaging Patroclus,
A kylix from the Berlin Museum of about 490 b. c. It bears the inscription ΣΟΣΙΑΣ ΕΠΟΙΗΣΕΝ, Sosias made (me), and represents Achilles bandaging Patroclus, the names of the two heroes being written round the margin. The painter is Euphronios, and the work is regarded as the masterpiece of that great artist. The left upper arm of Patroclus is injured, and Achilles is bandaging it with a two-rolled bandage, which he is trying to bring down to extend over the elbow. The treatment of the hands, a department in which Euphronios excelled, is particularly fine. Achilles was not a trained surgeon, and it will be observed, from the position of the two tails of the bandage, that he will have some difficulty when it comes to its final fastening!
A Greek Clinic of 400 BC
A Greek Clinic of 400 BC In the centre sits a physician holding a lancet and bleeding a patient from the median vein at the bend of the right elbow into a large open basin. Above and behind the physician are suspended three cupping vessels. To the right sits another patient awaiting his turn; his left arm is bandaged in the region of the biceps. The figure beyond him smells a flower, perhaps as a preservative against infection. Behind the physician stands a man leaning on a staff; he is wounded in the left leg, which is bandaged. By his side stands a dwarfish figure with disproportionately large head, whose body exhibits deformities typical of the developmental disease now known as Achondroplasia; in addition to these deformities we note that his body is hairy and the bridge of his nose sunken; on his back he carries a hare which is almost as tall as himself. Talking to the dwarf is a man leaning on a long staff, who has the remains of a bandage round his chest.