Anglo Saxon Retainer
Civic Guard of Ghent (Brotherhood of St. Sebastian)
Lancer of the army of the Sultan of Begharmi
Lancer of the army of the Sultan of Begharmi
Knight in War Harness
Knight in War-harness, after a Miniature in a Psalter written and illuminated under Louis le Gros
Arquebusier
Picture represents very clearly the half-armour worn by the Arquebusier and the weapon from which they took their name.
Bowmen and Arbalesters
The man on the right of the cut wears a visored helmet, but it has no amail; his body is protected by a skirt of mail, which appears at the shoulders and hips, and at the openings of his blue surcoat; the legs are in brown hose, and the feet in brown shoes. The centre figure has a helmet and camail, sleeves of mail, and iron breastplate of overlapping plates; the upper plate and the skirt are of red spotted with gold; his hose and shoes are of dark grey. The third man has a helmet with camail, and the body protected by mail, which shows under the arm, but he has also shoulder-pieces and elbow-pieces of plate; his surcoat is yellow, and his hose red. The artist has here admirably illustrated the use of the crossbow. In one case we see the archer stringing it by help of a little winch; in the next he is taking a bolt out of the quiver at his side with which to load his weapon; in the third we have the attitude in which it was discharged.
John of Eltham
Illustration the sepulchral effigy in Westminster Abbey of John of Eltham, the second son of King Edward II., who died in 1334. Here we see first and lowest the hacqueton; then the hauberk of chain mail, slightly pointed in front, which was one of the fashions of the time
Jousting
Jousting
Knight and Men-at-Arms
The accompanying wood-cut represents various peculiarities of the armour in use towards the close of the thirteenth century.
Knight of the end of the Thirteenth Century
The cut is a spirited little sketch of a mounted knight. The horse, it may be admitted, is very like those which children draw nowadays, but it has more life in it than most of the drawings of that day; and the way in which the knight sits his horse is much more artistic. The picture shows the equipment of the knight very clearly, and it is specially valuable as an early example of horse trappings, and as an authority for the shape of the saddle, with its high pommel and croupe.
Knight of the latter part of the Thirteenth Century
The other great invention of this period was that of armorial bearings, properly so called. Devices painted upon the shield were common in classical times. They are found ordinarily on the shields in the Bayeux tapestry, and were habitually used by the Norman knights. In the Bayeux tapestry they seem to be fanciful or merely decorative; later they were symbolical or significant. But it was only towards the close of the twelfth century that each knight assumed a fixed device, which was exclusively appropriated to him, by which he was known, and which became hereditary in his family.
Men-at-Arms, Fourteenth Century
Next, round plates of metal, called placates or roundels, were applied to shield the armpits from a thrust; and sometimes they were used also at the elbow to protect the inner side of the joint where, for the convenience of motion, it was destitute of armour. An example of a roundel at the shoulder will be seen in one of the men-at-arms in the woodcut
Saxon soldier in armour
Saxon soldier in armour
Quilted Armour
Of the quilted armours we know very little. In the illuminations is often seen armour covered over with lines arranged in a lozenge pattern, which perhaps represents garments stuffed and sewn in this commonest of all patterns of quilting; but it has been suggested that it may represent lozenged-shaped scales, of horn or metal, fastened upon the face of the garments. In the wood-cut here given from the MS. Caligula A. vii., we have one of the clearest and best extant illustrations of this quilted armour.
Saxon Soldier, in Leather Armour
Saxon Soldier, in Leather Armour
Warrior 11th Cenury
In the Additional MS. 11,695, in the British Museum, a work of the eleventh century, there are several representations of warriors thus fully armed, very rude and coarse in drawing, but valuable for the clearness with which they represent the military equipment of the time. At folio 194 there is a large figure of a warrior in a mail shirt, a conical helmet,[Pg 316] strengthened with iron ribs converging to the apex, the front rib extending downwards, into what is called a nasal, i.e., a piece of iron extending downwards over the nose, so as to protect the face from a sword-cut across the upper part of it.
10th Century soldier
Figure of Goliath, from a Latin Psalter of the tenth century in the British Museum Additional MS., No. 18,043. The hauberk is coloured blue in the original, apparently indicating chain-mail. The curious combed helmet is of the same hue, clearly implying a defence of iron.
Soldiers - 12 th Century
From Harleian Roll, Y. 6. The Life of Saint Guthlac. Date, about the close of the twelfth century. The figures wear the tunic, hauberk of chain-mail, and square-topped helmets, of which one only has the nasal. The triangular shields are suspended round the neck by the guige : their ornaments are mere fanciful patterns, not heraldic. No armour appears to be provided for the lower part of the figures.
French Soldier 12 th Century
From Cotton MS., Nero, C. iv. French art. Date, about 1125. The figure is one of a group representing the Massacre of the Innocents : a subject, with those of the Conflict of David and Goliath, the Soldiers at the Holy Sepulchre, and the Martyrdom of Thomas a Becket, very fertile in illustrations of ancient military equipment.