- French Garrison Gun
French Garrison Gun (1650-1700). The gun is on a sloping wooden platform at the embrasure. Note the heavy bed on which the cheeks of the carriage rest and the built-in skid under the center of the rear axletree. - Hardwearing clothes
For everyday use the Jamestown settlers wore hardwearing clothes made of homespun cloth. (conjectural sketch by Sidney e. King.) - Farming instruction book 1601
Farming instruction book 1601 - Light Artillery of Gustavus Adolphus
Gustavus abandoned the leather gun, however, in favor of a cast-iron 4-pounder and a 9-pounder demiculverin produced by his bright young artillery chief, Lennart Torstensson. The demiculverin was classed as the "feildpeece" par excellence, while the 4-pounder was so light (about 500 pounds) that two horses could pull it in the field. - A Wharf scene
A wharf scene—arrival of a ship from the mother country. (Conjectural sketch by Sidney E. King.) During the 17th century, active trade was carried on between the Virginia colony and the mother country. Local commodities of timber, wood products, soap ashes, iron ore, tobacco, pitch, tar, furs, minerals, salt, sassafras, and other New World raw materials were shipped to England. In exchange, English merchants sold to the colonists, tools, farm implements, seeds, stock and poultry, furniture and household accessories, clothing, weapons, hardware, kitchen utensils, pottery, metalware, glassware, and certain foods and drinks. There is also good evidence that some trade was carried on with Holland, Germany, Italy, Spain, Portugal, France, Mexico, and the West Indies. Many artifacts unearthed (especially pottery) were made in the countries mentioned. It is believed that certain commodities were acquired by direct trade with the country where made, in spite of the strict laws by which the Colonial Powers sought to monopolize the colonial trade for the benefit of the mother country. - Pilgrims Returning from Church
Pilgrims Returning from Church - Beckoned silently to the rest to follow him
For some time this secret practising continued without arousing suspicion on the part of the other inmates of the house. One night, however, when the child had resorted to his favourite spot, he was suddenly missed by those below, and, as it was known that he had been sent to bed, some fears were felt as to what could have become of him. The servants were summoned, but could give no account of him; the father was fetched from his study, whither he had retired, and a search began. The alarm increased when it was ascertained that the child was in none of the living-rooms of the house, and it was decided that the garrets and lofts must be searched. Calling for a lantern, the surgeon ascended the stairs leading to the lumber-room; it was possible that the boy might have found his way thither on some childish expedition, and there fallen asleep. Great was the father's surprise, on reaching the top-most landing, to hear faint musical sounds proceeding from behind the closed door. Noiselessly retracing his steps, he summoned the rest of the household, and then, ascending the stairs in a body, they paused outside to listen. Sure enough the old garret was full of melodic sounds! Now near, now far off, they seemed to the listeners to be wafted from another world; there was something uncanny about it, and the maids gazed into each other's faces with a scared expression, as the master softly lifted the latch, and, having peeped [41]into the room, beckoned silently to the rest to follow him. - Assassination of Henry IV
Assassination of Henry IV, Rue de la Ferronnerie, may 14, 1610. - The Duke praised his performance
On several occasions after this the organist came to the chapel on purpose to listen to Handel as the latter played, and he was so struck by the boy's genius that he determined to surprise the Duke by letting Handel play His Highness out of chapel. Accordingly, on the following Sunday, when the service was concluded, the organist lifted Handel on to the organ-stool, and desired him to play. The Duke and his friends had risen to their feet as Handel began to play, but the Duke instantly detected a difference in the playing, and, glancing towards the organ-loft, he was astonished to behold the figure of a child bending over the keys. But as he listened his astonishment became greater, for it was no longer the child's figure that arrested his attention, but the melody which was pouring forth from the instrument. Instead of walking out of the chapel, the Duke remained standing where he had risen, with his gaze riveted upon the child player, and of course the members of the household likewise kept their places. At length, when Handel ceased to play, the Duke turned to those about him with the inquiry: 'Who is that child? Does anybody know his name?' As no one present seemed to know, the organist was sent for to explain matters. After a few words from this official the Duke commanded that Handel should be brought before him. When the boy appeared he patted him on the head, and praised his performance, telling him that he was sure that he would make a good musician. - Louis XIV Period - about 1670
Louis XIV Period - about 1670 - Henry IV or early Stuart - 1600 - 1615
Henry IV or early Stuart - 1600 - 1615 - Louis XIII - about 1640
Louis XIII - about 1640 - Kepler
- Corelli
Arcangelo Corelli (1653-1713) left his home in Fusignano, near Bologna, a young violinist, for an extended concert tour. His gentle, sensitive disposition proving unfitted to cope with the jealousy of Lully, chief violinist in France, and with sundry annoyances in other lands, he returned to Italy and entered the service of Cardinal Ottoboni in Rome. In the private apartments of the prelate there gathered a choice company of music lovers every Monday afternoon to hear his latest compositions. Besides his solos these comprised groups of idealized dance tunes with harmony of mood for their bond of union, and played by two violins, a viola, violoncello and harpsichord. They were the parents of modern Chamber Music, the place of assemblage furnishing the name. - Blowing Glass
Blowing glass at Jamestown in 1608. (Conjectural sketch by Sidney E. King.) - Making Lime
Making lime from oyster shells in a kiln, about 1625. (Conjectural sketch by Sidney E. King.) - Woman using leeches
Woman using leeches, 17th century. (From Guillaume van den Bossche, Historica Medica, Brussels, 1639.) - Spinning thread or yarn
Spinning thread or yarn and weaving cloth were endless chores for the women living in the small wilderness settlemenT. (Conjectural sketch by Sidney E. King.) - Settlers trading with the indians
Settlers trading with the indians—bartering casting counters and other trade goods for furs. (Conjectural sketch by Sidney E. King.) One reason why the colonists selected a site for Jamestown some miles up the James River was to develop the Indian trade over an extensive area. During the early years of the colony, trade with the natives was encouraged. It is clear from the early records that the settlers bartered such items as beads, cloth, penny knives, shears, bells, glass toys, whistles, hatchets, pots and pans, brass casting counters, and similar objects in exchange for Indian corn (and other vegetables), fish, game, fruits and berries, and furs. - Making 'Trials'
Making “trialls” Of iron. Evidences of an earth oven or small furnace were discovered at Jamestown during archeological explorations. Small amounts of iron may have been smelted in the furnace during the early years of the settlement. (Conjectural sketch by Sidney E. King.) - Baking Bread
Baking bread in an outdoor baking oven about 1650. (Conjectural sketch by Sidney E. King.) - A Silversmith weighing clipped coins
Making lime from oyster shells in a kiln, about 1625. (Conjectural sketch by Sidney E. King.) - Pottery
In 1955 a pottery kiln site was discovered at Jamestown. Nearby were found many utilitarian earthenware vessels of the 1625-40 period—definite evidence that pottery was made in Virginia over 300 years ago. Although made for everyday use, many of the pieces unearthed are symmetrical and not entirely lacking in beauty. The unknown Jamestown potters were artisans, trained in the mysteries of an ancient craft, who first transplanted their skills to the Virginia wilderness. - Jamestown sentry on duty
A Jamestown sentry on duty shouldering his heavy matchlock musket. (Conjectural sketch by Sidney E. King.) - A physician bleeding a patient.
A physician bleeding a patient. (Conjectural sketch by Sidney E. King.) One of the members of the first colony was a surgeon, William Wilkinson by name. As the colony grew, other surgeons, physicians, and apothecaries, emigrated to Virginia. Their lot was not easy, for it appears that they were seldom idle in an island community having more than its share of “cruell diseases, Swellings, Flixes, Burning Fevers, warres and meere famine.” During archeological explorations, drug jars, ointment pots, bleeding bowls, mortars and pestles, small bottles and vials, and parts of surgical instruments were recovered. These, undoubtedly, were used countless times at Jamestown by unknown “chirurgions,” doctors of “physickes,” and apothecaries—men who tried to keep the colonists well with their limited medical equipment and scant supply of drugs. - Jamestown Soldiers
Jamestown soldiers carrying polearms (a halberd and a bill). (conjectural sketch by Sidney E. King.) - Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640 - Firing a demiculverine
Firing a demiculverine from a bastion at “James Fort.” (Conjectural sketch by Sidney E. King.)