- Marriage of Queen Victoria
- Distant View of Windsor Castle
Distant View of Windsor Castle - Queen Caroline’s Drawing-Room, Kensington Palace.
Queen Caroline’S Drawing-Room, Kensington Palace. - Death of the Duke of Kent - Presenting the commons’ address of condolence to the Duchess at Kensington Palace
But the unusually severe winter of 1819-20 induced the Duke and Duchess to visit Sidmouth, for the sake of the mild climate of Southern Devonshire. At Salisbury Cathedral, to which he made an excursion during the frosty weather, the Duke caught a slight cold, which, after his return to Sidmouth, became serious, owing, it would seem, to neglect and imprudence. According to the medical custom of those days, the patient was copiously bled, and not improbably owed his death to the exhaustion thus occasioned. He expired on the 23rd of January, 1820, in his fifty-third year; and so small were his means that he left the Duchess and the Princess totally devoid of maintenance. Such was the statement made long afterwards by Leopold of Saxe-Coburg, who was with his sister during the days of her trial and bereavement. Soon after the fatal event, the Prince accompanied the widowed lady to London, where addresses of condolence were voted by both Houses of Parliament. The address of the Commons was presented by Lords Morpeth and Clive, when the Duchess of Kent appeared with the infant Princess in her arms. - West Front of Kensington Palace
In the dawn of June 20th, 1837, immediately after the death of King William IV., the Archbishop of Canterbury and the Lord Chamberlain left Windsor for Kensington, to convey the tidings to his late Majesty’s successor. They reached the Palace about five o’clock in the morning, and knocked, rang, and beat at the doors several times before they could obtain admission. When at length the porter was aroused, the visitors were shown into one of the lower rooms, where a long time passed without any attention being paid them. Growing impatient, they rang the bell, and desired that the attendant on the Princess Victoria might be sent to inform her Royal Highness that they requested an audience on business of importance. Another long delay ensued, and again the bell was rung, that some explanation might be given of the difficulty which appeared to exist. On the Princess’s attendant making her appearance, she declared that her Royal Highness was in so sweet a sleep that she could not venture to disturb her. It was now evident that stronger measures must be taken, and one of the visitors said, “We have come on business of State to the Queen, and even her sleep must give way to that.” The attendant disappeared, and a few minutes afterwards the young sovereign came into the room in a loose white robe and shawl, her fair hair falling over her shoulders, her feet in slippers, her eyes dim with tears, but her aspect perfectly calm and dignified - The Royal Arms
The Royal Arms - King William IV
William IV. was a man of very moderate abilities; but a certain simplicity and geniality of character had secured for him the regard and respect of the people, and had carried him through the revolutionary epoch of the Reform Bill with no great loss of popularity, even at a time when he was supposed to be unfriendly to the measure. For the last two years he had ceased to take any interest in the political tendencies of the day, while discharging the routine duties of his high office with conscientious regularity. - Second Great Seal of King Richard I
Second Great Seal of Richard I. Drawn from impressions in the British Museum : Harl. Charter, 43, C. 31, and Select Seals, xvi. 1; and Carlton Ride Seals, H 17. The armour, though differently expressed from that of the first seal, is probably intended to represent the same fabric ; namely, interlinked chain-mail. The tunic is still of a length which seems curiously ill-adapted to the adroit movements of a nimble warrior. The shield of the monarch is one of the most striking monuments of the Herald's art: the vague ornament of Richard's earlier shield has given place to the Three Lions Passant Gardant so familiar to us all in the royal arms of the present day. The king wears the plain goad spur, and is armed with the great double-edged sword, characteristic of the period. The saddle is an excellent example of the War-saddle of this date. - First Great Seal of King Richard I
Great Seals of King Richard Coeur-de-Lion. The first of these has been drawn from impressions appended to Harleian Charters, 43, C. 27 ; 43, C. 29 ; and 43, C. 30 ; and Carlton Ride Seals, i. 19. The king wears the hauberk of chain-mail with continuous coif, over a tunic of unusual length. The chausses are also of chain-mail, and there is an appearance of a chausson at the knee, but the prominence of the seal at this part has caused so much obliteration, that the existence of this garment may be doubted. The helmet is rounded at the top, and appears to be strengthened by bands passing round the brow and over the crown. The shield is bowed, and the portion in sight ensigned with a Lion: it is armed with a spike in front, and suspended over the shoulders by the usual guige. - Great Seal of King Henry the First
Great Seal of King Henry I., circa 1100. From Cotton Charter, ii. 2 (in British Museum). The instrument is a confirmation of the gift of Newton by "Radulfus filius Godrici," and is witnessed by Queen Matilda and others. The material of the hauberk is represented by that honeycomb-work so often observed in seals of this period, and which appears to be one of the many modes in use to imitate the web of interlinked chain-mail. The leg does not shew any markings as of armour, but these may have disappeared from the softening of the wax, and the prominence of the seal at this part. The helmet is a plain conical cap of steel, without nasal : the spur a simple goad. The lance-flag terminating in three points, is ensigned with a Cross. The shield is of the kite-form, shewing the rivets by which the wood and leather portions of it were held together. The peytrel of the horse has the usual pendent ornaments of the time. - Great Seal of King Stephen
Great Seal of King Stephen. Drawn from an impression among the Select Seals in the British Museum, and from that appended to Harleian Charter, 43, C. 13. The helmet seems to have had a nasal, but the seals at this part are so imperfect that it cannot be clearly traced. Behind is seen a portion of the lace which fastened the coif or the casque. - Anglo-Saxon warriors
Group from Cottonian MS., Claudius, B. iv., folio 24: Aelfric's Anglo-Saxon Paraphrase of the Pentateuch, &c. Date about 1000. The crowned figure in the centre appears to be armed in a coat of chain-mail - Great Shield of William the Conqueror
Great Seal of King William the Conqueror : from the fine impression appended to a charter preserved at the Hotel Soubise in Paris. The charter is a grant to the Abbey of St. Denis of land at Teynton, in England. The king wears the hauberk of chain-mail over a tunic. The hemispherical helmet is surmounted by a small knob, and has laces to fasten it under the chin. The legs do not appear to have any armour : the spur has disappeared. A lance with streamer and a large kite-shield complete the warrior's equipment. The legend is + Hoc NORMANNORUM WILLELMUM ITOBCE PATRONUM sI(GNO). - From the Great Seal of Alexander I, King of Scotland
Seal of Alexander I., King of Scotland : 1107-1124. The figure is armed in hauberk with continuous coif, apparently of chain-mail ; worn over a tunic or gambeson, seen at the wrist and skirt. Conical nasal helmet, lance with streamer, kite-shield, and goad-spur, are the other items of the equipment. The leg does not shew any armour, though the softening of the wax may have obliterated markings which originally indicated a defensive provision at this part. The ornaments of the portrait are usual at this period. - Prince Albert as a child
Prince Albert at the age of four - Prince Albert as a young man
Prince Albert at the age of 20 From a miniature by Sir W Ross