Home / Albums / Tags Century:19th + Place:England 34
- Jane Austen
Twenty years after Evelina, the novel of femininity took a further step in technique and breadth of design. Miss Austen, who in the last decade of the eighteenth century was writing the novels that were not to be published till after the first decade of the nineteenth, learnt from both her precursors. She was a proper follower of Richardson, but dispensed altogether with the artifice of letters, although the whole of her work is so intimate and particular in expression that it would almost seem to be written in a letter to the reader. - Fanny Burney
Fanny Burney took more material with a lighter hand, stealing away the business of The Tatler, The Spectator, The Citizen of the World, and trying not only to 'draw characters from nature' but also to 'mark the manners of the time.' - Chimney Sweeping Described
A number of flues concentrated, forms a stack of chimneys, as represented in the engraving. Flues, at a distance from the stack, are conveyed to it either in a horizontal or sloping form, as at A and G. The size of flues generally is nine inches by fourteen inches; a space sufficiently large to convey the smoke, but not large enough to be ascended, except by little children, for the purpose of cleansing them. The plan adopted by the climbing-boy to ascend chimneys is, by pressing his feet, back, and knees against the sides of the flue, by which means he propels or hitches himself up by degrees, having one arm above his head, holding a brush, and the other arm by his side, as described in B. At C the boy is represented as putting his brush out of the top of the chimney-pot, but generally he rattles it with his brush, to satisfy the parties below that he has been to the top. This accomplished, he gradually slides down to the stove or grate. It has frequently occurred, that boys have, either through fear or inattention, got into the form of nose and knees together, as described at E; sometimes they remain in this cramped and painful position for hours before they are liberated, being totally unable to extricate themselves. - The Great Balloon of Nassau
he vessel selected for that famous cruise was The Great Balloon of Nassau, then recently built by Mr. Green and representing all that his skill and experience could devise. It was of pear shape, formed of the finest crimson and white silk, “spun, wove and dyed expressly for the purpose,” and comprising when distended a volume of 85,000 cubic feet. From its stout balloon-ring six feet in diameter was suspended a wicker car measuring nine feet long by four wide, having a seat across either end, and a cushioned bottom to serve as a bed, if such should be needed. Across the middle of the car was a plank supporting a windlass for raising or lowering the guide-rope, that is a heavy rope which could be trailed over land, or water, to keep the balloon at a nearly constant level without expenditure of ballast, and to check its speed on landing. This valuable device invented by Mr. Green in 1820, was now to receive adequate trial, which, indeed, formed one of the chief purposes of the cruise. Other paraphernalia of the voyage were food and drink, warm clothing, lamps, trumpets, telescopes, barometers, a quicklime coffee-heater, a grapnel and cable, and a ton of sand ballast in bags. - House in Stoke Newington in which Edgar Allan Poe Lived
Stoke Newington is connected with the name of Edgar Allan Poe. It was here that he was at school, where he was brought over by the Allans as a child. The house still stands; it is at the corner of Edward’s Lane, which runs out of Church Street. Let us hope that the eccentricities of this wayward poet were not due to the influences of Nonconformist Newington. - The Shooting-Gallery
- Toynbee Hall and St. Jude’s Church
- The East London Mission
- Dr. Barnardo’s Home, Stepney Causeway
Those who have read Defoe’s “Colonel Jack” will remember the wonderful picture which he presents of the London street boy. That boy has never ceased to live in and about the streets. Sometimes he sleeps in the single room rented by his father, but the livelong day he spends in the streets; he picks up, literally, his food; he picks it up from the coster’s barrow, from the baker’s counter, from the fishmonger’s stall, when nobody is looking. For such boys as these there are Barnardo’s Homes, where waifs and strays to any number are admitted, brought up, trained to a trade, and then sent out to the colonies. Five thousand children are in these homes. The history is very simple. Dr. Barnardo, a young Irish medical student, came to London with the intention of giving up his own profession and becoming a preacher. He began by preaching in the streets; he picked up a child, wandering, homeless and destitute, and took it home to his lodgings; he found another and another, and took them home too. So it began; the children became too many for his own resources; they still kept dropping in; he took a house for them, and let it be known that he wanted support. The rest was easy. He has always received as much support as he wanted, and he has already trained and sent out to the colonies nearly ten thousand children. - Mile End Almshouses
Homes and schools for the boys and girls, hospitals for the adult, there remain the aged. Dotted about all over London there are about a hundred and fifty almshouses; of these about half are situated in and about East London. Not that the people of East London have been more philanthropic in their endowments than those of the west, but, before there was any city of East London, almshouses were planted here on account of the salubrity and freshness of the air and the cheapness of the ground. Some of these have been moved farther afield, their original sites being built over. The People’s Palace, for instance, is built upon the site of the Bancroft almshouses, founded in 1728 for the maintenance and education of one hundred poor. Their original house has gone, but the charity is still maintained. - The Bridge of Hope
“The Bridge of Hope,” a Well-known East End Night Refuge. - Costers and Cockneys
“I ’ear as you don’t walk hout with ’Arry Smith any more.” “No, ’e wanted me to meet ’im incandescently, and I wouldn’t do such a thing, so I chucked ’im.” - Bell’s ‘Comet,’ off Dumbarton on the Clyde, 1812
Nothing more was heard of the steamboat in Britain until 1812, when Henry Bell surprised the natives of Strathclyde by the following advertisement in the Greenock Advertiser: STEAM PASSAGE BOAT, “THE COMET,” Between Glasgow, Greenock and Helensburgh, for Passengers Only. The subscriber having, at much expense, fitted up a handsome vessel, to ply upon the River Clyde, between Glasgow and Greenock, to sail by the power of wind, air and steam, he intends that the vessel shall leave the Broomielaw on Tuesdays, Thursdays and Saturdays, about mid-day, or at such hour thereafter as may answer from the state of the tide; and to leave Greenock on Mondays, Wednesdays and Fridays, in the morning, to suit the tide. The elegance, comfort, safety and speed of this vessel requires only to be proved to meet the approbation of the public; and the proprietor is determined to do everything in his power to merit public encouragement. The terms are, for the present, fixed at 4s. for the best cabin, and 3s. for the second; but beyond these rates nothing is to be allowed to servants, or any other person employed about the vessel. The subscriber continues his establishment at Helensburgh Baths, the same as for years past, and a vessel will be in readiness to convey passengers to the Comet from Greenock to Helensburgh. Henry Bell. Helensburgh Baths, 5th August, 1812. - Mrs Hemans
- Horses in a heap, Leader down, Wheelers falling over him
I have twice had three out of the four horses in a heap, from a leader coming down and the two wheelers falling over him; but in such a case as this there is very little danger if the coachman has the presence of mind not to leave his box till there is sufficient strength at the horses' heads to prevent them jumping up and starting off frightened. - The Queens first council - Kensington Palace June 20 1837
Queen Victorias first council - Kensington Palace June 20 1837 The year 1837, except for the death of the old King and the accession of the young Queen, was a tolerably insignificant year. It was on June 20 that the King died. He was buried on the evening of July 9 at St. George’s Chapel, Windsor; on the 10th the Queen dissolved Parliament; on the 13th she went to Buckingham Palace; and on November 9 she visited the City, where they gave her a magnificent banquet, served in Guildhall at half past five, the Lord Mayor and City magnates humbly taking their modest meal at a lower table. - Leigh Hunt
Leigh Hunt - Sir Robert Peel
Sir Robert Peel - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The 1840 style
The 1840 style - The 1830 Effect
The 1830 Effect - French Restoration period - 1823
French Restoration period - 1823 - Early days of the crinoline - 1855
Early days of the crinoline - 1855 - Ball Costume 1825
Ball Costume 1825 - The coronation of her majesty Queen Victoria
The coronation of her majesty Queen Victoria - Her majesty leaving Buckingham Palace on the morning of the coronation
Her majesty leaving Buckingham Palace on the morning of the coronation - Her majesty leaving her private apartments in Westminster Abbey
Her majesty leaving her private apartments in Westminster Abbey - The procession approaching Westminster Abbey
The procession approaching Westminster Abbey - Marshall Soult's State Carriage
Marshall Soult's State Carriage - Her majesty’s State Carriage
Her majesty’s State Carriage - Queen Victoria
Queen Victoria