- Fashionable lady 1920's
Fashionable lady 1920's - 1806
- 1806
- 1807
- 1808
- 1804
1804 - 1805
1805 - 1805
1805 - 1803
- 1799
- Ashes of Roses
This careful drawing, from the painting by Mr. Boughton, in the Royal Academy, reproduced by the Dawson process, is interesting for variety of treatment and indication of textures in pen and ink. It is like the picture, but it has also the individuality of the draughtsman, as in line engraving. Size of drawing about 6½ x 3½ in - 1916 Woman
- Hats 1
These two examples show how even a hat with drooping brim, if not too wide, can be worn by the stout person if trimming is adeptly used to direct the vision upward and lend an illusion of height. - Hats 2
Here trimming is used on two entirely different types of hats to give in each case added height to the figure and help in attaining a slenderizing appearance. Left—Hats with medium brims and high trimming are often becoming, especially if wide enough to avoid the pyramid effect. Right—High built trimming and delicate veils are advantageous where a double chin is the handicap. - Lady in scarf and hat
Lady in scarf and hat - Woman in hat
Woman in hat - Horn Headdress
The horn-shaped head-dress appears in no pictorial documents or monuments older than the reign of Henry IV. In a volume entitled "Jougleurs et Trouvères," by M. Jubinal, is a satire on horned head-dresses, under the title of "Des Cornetes," from a MS. in the Bibliothèque Royale at Paris, of the beginning of the fourteenth century. In this poem it appears that the Bishop of Paris had preached a sermon directed against extravagance in women's dress, their horns and the bareness of their necks. "If we do not get out of the way of the women we shall be killed; for they carry horns with which to kill men." - lady with hat
- Lady
Lady in Hat