- At the Stage Entrance
At the Stage Entrance Men lined up at the stage entrance to a theatre - A Petit Souper
Man and woman eating in restaurant - It’s P. E.!
- They looked very terrible, all painted with the lower half of the face black
I remember one morning, just after breakfast, I heard singing, as of a dozen or more men coming toward our lodge. I started to run out to see what it was, but my mothers cried, “Do not go. It is the Black Mouths.” My mothers, I thought, looked rather scared. We were still speaking, when I heard the tramp of feet. The door lifted, and the Black Mouths came in. They looked very terrible, all painted with the lower half of the face black. Many, but not all, had the upper half of the face red. Some had eagles’ feathers in their hair, and all wore robes or blankets. Some carried guns. Others had sticks about as long as my arm. With these sticks they beat any woman who would not help in the clean-up. - Man and Woman
- Drunk with bottle
- A warped University Oarsman, imperfectly developed in Muscles not used in Rowing
With professional oarsmen, who for years have rowed far more than they have done anything else, and who have no especial care for their looks, or spur to develop harmoniously, the defects rowing leaves stand out most glaringly. The man in the figure is one of the most distinguished student-oarsmen America ever produced. - A warped Professional Sculler, imperfectly developed in Muscles not used in Rowing
The figure represents one of the swiftest and most skilful professional scullers of the country to-day. - 1806
- Banner
- A Spanish Flagellant
- Brother Brushes
First R.A. (who hates to be interrupted in his hobby but is doing his best to be polite).—“Done any work to-day?” Second R.A.—“No, confound it. That stupid ass Brown came to the studio and talked all the afternoon,—couldn’t do a stroke of work. What do you do when some idiot comes and interrupts your work?” First R.A.—“Oh, I go on weeding.” - Brother Brushes
“Do you want a Muddle. Sir.” - Costers and Cockneys
Fat Party (after a war of words).—“If you come down our court to-morrer and bring a bit o’ fat with yer, I’ll bloomin’ well eat yer.” - The finding of the infant St. George
CHARLES M. GERE. (From his painting in the New Gallery, 1893.) - An Odd Volume
A seated man reading a book - Three girls and an old man
- Catching The Cougar
- Queues
Among the earliest innovations after the Restoration to which the Japanese people took kindly was the clipping of their queues. In the old days men had little queues on the top of their heads. For this purpose they shaved the crown and gathering the hair around, tied it at the top with a piece of paper string; then, they bent the queue and bringing it down forward over the forehead, fastened it with the ends of the same string so that the queue was tied tightly to the first knot. The end of the queue was cut straight. Fashion often changed in the making of the queue, though its general form remained unaltered. The bend, for instance, between the two knots might vary in size and shape, and the queue itself in length and thickness, its girth being regulated by the extent of the tonsure at the crown. Or the hair might be full or tight at the sides and the back. The front was usually shaved. In short, there was a wide scope for taste in the dressing of the queue. These queues were untied and remade every second or third day, and the head was shaved at the same time. Hair-dressing was therefore a troublesome business, especially as one had generally to get assistance for it. Consequently, when the cropping of the hair came into vogue, people eagerly adopted it as it saved them time and expense. At first they cut the hair long, letting it half hide the ears and come down to the neck behind; but it became shorter by degrees until now the fashion is to crop it to about a quarter of an inch, presenting a head which is appropriately known as “chestnut-bur.” - A Visitor
When a visitor calls, even the cushion is brought from the anteroom for him to sit on, and then a small cup of tea set before him and a brazier if it is cold and if warm, a tabako-bon. The cushion is round or square; that for summer is made of matting, hide, or a thin wadding of cotton in a cover of hempen cloth, while for winter use the wadding is much thicker and the cover is silk or cotton. It is about sixteen inches at the side if square. The brazier is of various shapes and makes. It may be a wooden box with an earthenware case inside or with a false bottom of copper, or it may be a glazed earthenware case alone; the wooden box may be plain with two holes for handles, or it may be elaborately latticed; and sometimes a brazier is made of the trunk of a tree cut with the outside rough-hewn or only barked and highly polished. The tabako-bon, or “tobacco-tray,” is a small open square or oblong box of sandal-wood or other hard wood, which holds a small china or metal pan, three-quarters full of ashes, with a few tiny pieces of live charcoal in the middle to light a pipe with, and beside it a small bamboo tube with a knot at the bottom for receiving tobacco-ashes. - Man drinking
- Man seated sideways on a chair
- A New Zealander
A New Zealander with moko (tattoo) - John Montgomery Ward
John Montgomery Ward of the New York Base-Ball Club - John Clarkson
The next point is to acquire a correct position in the "box," and an easy, yet deceptive, style of delivery. The position is, to a great extent, prescribed by the rules, and so much of it as is not can be learned by observing the different pitchers. The position which seems most natural should be chosen. The ball should be held in exactly the same way, no matter what kind of curve is to be pitched. Being obliged by rule to keep the ball before the body, in sight of the umpire, any difference in the manlier of holding it will be quickly noticed by a clever batter, and if for a particular curve it is always held in a certain way, he will be forewarned of the kind of ball to expect. Some batters pay no attention to these little indications; but the majority are looking for them all the time, and once they detect any peculiarities, they will be able to face the pitcher with much greater confidence. The correct manner of holding the ball for every kind of delivery is between the thumb and the first and middle fingers, as shown in the accompanying cut of Clarkson. - Catching a ground ball
In fielding ground hits the short-stop should observe the general principles for such plays. He should, if possible, get directly and squarely in front of every hit, making his feet, legs, and body assist in stopping the ball, in case it gets through his hands. If the ball comes on a "short bound," he should not push the hands forward to meet it, hut, having reached forward, "give" with the ball by drawing back the hands in the direction the ball should bound. In this way if the ball does not strike the hands fairly, its force will at least be deadened so that it will fall to the ground within reach of the player; whereas, if he pushes his hands forward and the ball does not strike fairly, it will be driven too far away. - Ball hit high to the in-field
By far the most difficult catch on a ball field is that of a ball hit high to the in-field, because of the great "twist" to the ball. The slightest failure to get the ball fairly in the hands will result in a miss, and yet this is always greeted by derisive howls from certain among the spectators. There are various styles of catching these hits, but the position of the hands shown in the accompanying cut is believed to be the best. The hands should be reached well up to meet the ball and then brought down easily in the line of its course. If the hands and arms are held stiff, the ball will rebound from them as though it had struck a stone. The use of a glove on one hand may be found helpful in counteracting the effect of the twist. The short-stop is expected to try for all such hits falling in his own position, and also all falling back of the third baseman and in short left-field. - William Ewing
The accompanying cut of Ewing is an excellent representation of a batter, in the act of hitting. He not only swings the bat with the arms, but pushes it with the weight of the shoulders. The position is a picture of strength. In hitting at a high ball the bat should be swung overhand, in an almost perpendicular plane, and so, also, for a low ball, the batter should stand erect and cut underhand. If the bat is swung in a horizontal plane the least miscalculation in the height of the ball will be fatal. If it strikes above or below the centre line of the bat, it will be driven either up into the air or down to the ground. Whereas, if the bat is swung perpendicularly, the same mistake will only cause it to strike a little farther up or down on the bat, but still on the centre line, and if it misses the centre line it will be thrown off toward first or third, instead of up or down. - The Catcher
In catching a high ball the hands should be held in the position shown in the following cut of Bushong, the fingers all pointing upward. Some players catch with the fingers pointing toward the ball, but such men are continually being hurt. A slight foul-tip diverts the course of the ball just enough to carry it against the ends of the fingers, and on account of their position the necessary result is a break or dislocation. But with the hands held as in this cut there is a "give" to the fingers and the chances of injury are much reduced. For a low ball the hands should be held so that the fingers point downward, and for a waist ball, by crouching slightly it may be taken in the same manner as a high ball. - Lord Lyndhurst
Lord Lyndhurst - Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640 - The Incroyable of the Revolution Period - 1795
The Incroyable of the Revolution Period - 1795 "Incroyable" (incredible) was the sobriquet given to the fops or dandies of the later Revolutionary period. Here is the description of one of these remarkably dressed personages as given by the French writer, Honore de Balzac: The costume of his unknown presented an exact picture of the fashion which at that time called forth the caricatures of the Incroyables. Imagine a person muffled in a coat so short in front that there showed beneath five or six inches of the waistcoat and with skirts so long behind that they resembled a codfish tail, a term then commonly employed to designate them. An immense cravat formed round his neck such innumerable folds that the little head emerging from a labyrinth of muslin almost justified Captain Merle's kitchen simile. [Merle had described the Incroyable as looking "like a duck with its head protruding from a game pie."] The stranger wore tight breeches and boots a la Suwarrow; a huge white and blue cameo was stuck, as a pin, in his shirt. Two watch chains hung in parallel festoons at his waist, and his hair, hanging in corkscrew curls on each side of the face, almost hid his forehead. Finally, as a last touch of decoration, the collars of his shirt and his coat rose so high that his head presented the appearance of a bouquet in its paper wrappings. If there be added to these insignificant details, which formed a mass of disparities with no ensemble, the absurd contrast of his yellow breeches, his red waistcoat, his cinnamon brown coat, a faithful portrait will be given of the height of fashion at which dandies aimed at the beginning of the Consulate Preposterous as the costume was, it seemed to have been invented as a sort of touchstone of elegance to show that nothing can be too absurd for fashion to hallow it. - Morning costume of Dandy of the early Revolutionary period - 1791
Morning costume of Dandy of the early Revolutionary period - 1791 - Men's street costume Late Revolution and early Empire
Men's street costume Late Revolution and early Empire - Louis XIV Period - about 1670
Louis XIV Period - about 1670 - Later Louis XIV Period 1700 - 1715
Later Louis XIV Period 1700 - 1715 - Henry IV or early Stuart Period
Henry IV or early Stuart Period - Gentleman of the early Louis XV Period
Gentleman of the early Louis XV Period - Evening dress of Directoire and early first Empire 1798 - 1804
Evening dress of Directoire and early first Empire 1798 - 1804 - Court Dress 1550 - Tudor or Francis I
Court Dress 1550 - Tudor or Francis I - Costume of Manservant - reign of Louis XIII
Costume of Manservant - reign of Louis XIII - Citizens Dress of 1545
Citizens Dress of 1545 - Noble of the Tudor or Louis XI Period
Noble of the Tudor or Louis XI Period - Citizen of Early tudor or Louis XI Period
Citizen of Early tudor or Louis XI Period - Young Gentleman of the 14th Century
Young Gentleman of the 14th Century - Nobleman of the 13th Century
Nobleman of the 13th Century - The Crinkled Chiton and the Clamys (left) and the Chiton (right)
The later chiton. Approximately at the beginning of the fifth century B.C., the chiton was made on the same principle as the women's Ionic chiton using wider material; and was bound or worked at the top edge, with the portion covering the upper arms slightly gathered. This part was buttoned or clasped back to front, and. later on sometimes sewn together, to form a sleeve. It was girded at the waist and under the arms. It eventually became customary to sew up the open side, thus making the garment a cylinder in shape. The figure on left is a young man wearing a crinkled chiton under the chlamys. His long hair is twisted up and banded. He carries his petasos in his hand. The figure on right represents a young man dressed in accordance with the fashion of the fifth century B.C., but his hair is of the sixth and fifth centuries. The lyre is a development of the more primitive instrument of an earlier Age. - Cornelius Caton
- Ainu—a Hairy Specimen
Ainu clothing is generally made of elm bark, and that worn by men and women is much alike. The bark is stripped from the tree in spring, when it is full of sap. It is soaked in water to separate the inner and outer bark. Fibres are secured from the inner bark, which can be woven like thread into cloth. The men’s garments of this fibre cloth are adorned with patterns embroidered with colored threads; those of women are generally plain. - Two men in Top hats
Two men in Top hats - Going to Church
A young man and his mother walking to church - Lady sitting by the side of a man in bed
Lady sitting by the side of a man in bed - The lineup
The position of the men on a team is generally as the diagram shows but for various plays other formations are used, provided that they do not violate the rules, which specify just how many men must be in the lineup and how many are permitted behind the line. - The hockey player's costume
The hockey player's costume - The football uniform
The football uniform - A landing net should be a part of every fisherman's outfit
A landing net should be a part of every fishing outfit. More fish are lost just as they are about to be lifted from the water than at any other time. A gaff is used for this same purpose with fish too large to go into a landing net. A gaff is a large hook without a barb fastened into a short pole. If you have no net or gaff and have succeeded in bringing a large fish up alongside the boat, try to reach under him and get a firm grip in his gills before you lift him on board. If it is a pickerel, look out for his needle-like teeth. - Young man kneeling in front of a woman
Young man kneeling in front of a woman - Scientific proof
Man explaining some scientific principle to another man who is not yet convinced - Man coming to the door in a snowstorm
Man coming to the door in a snowstorm - Jerry watched him closely
Man intently watching something