- Hildegard’s second scheme of the universe
Reconstructed from her measurements. ab, cd, and ef are all equal to each other, as are also gh, hk, and kl. The clouds are situated in the outer part of the aer tenuis, and form a prolongation downwards from the aer aquosus towards the earth. - The Hildegard Country
The Hildegard Country - Dante’s scheme of the universe
Dante’s scheme of the universe Slightly modified from Michelangelo Caetani, duca di Sermoneta, La materia della Divina Commedia di Dante Allighieri dichiarata in VI tavole, Monte Cassino, 1855. - Hildegard’s first scheme of the universe
Hildegard’s First Scheme of the Universe (slightly simplified from the Wiesbaden Codex B, fo. 14 r) - The universe
The Universe (from the Heidelberg Codex of the Scivias) The scientific views of Hildegard are embedded in a theological setting, and are mainly encountered in the Scivias and the Liber divinorum operum simplicis hominis. To a less extent they appear occasionally in her Epistolae and in the Liber vitae meritorum. - Celestial influences on men animals and plants
Celestial influences on men animals and plants From THE LUCCA MS fo. 37 r - The First printed map of England
The First printed map of England - Hildegard receiving the light from Heaven
Hildegard receiving the Light from Heaven (Wiesbaden Codex B, fo. 1 r) - A dissection scene
A dissection scene - Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air
Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air - a lecture on anatomy
a lecture on anatomy - The first picture of dissection in an English-printed book
The first picture of dissection in an English-printed book - Leonardo Da Vincis diagram of the heart
Leonardo Da Vincis diagram of the heart - The figure shows the ten layers of the head
The figure shows the ten layers of the head - The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton.
The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton. - Illustrating the general ideas on anatomy current at the Renaissance
Illustrating the general ideas on anatomy current at the Renaissance - The layers of the head
The layers of the head - The first printed picture of dissection
The first printed picture of dissection - Diagram of the ventricles and the senses
Diagram of the ventricles and the senses with their relation to the intellectual processes according to the doctrine of the Renaissance anatomists. - The Anatomy of the Eye
The Anatomy of the Eye - Roger Bacons diagram of the Eye
Roger Bacons diagram of the Eye - An anatomical diagram of about 1298
An anatomical diagram of about 1298 - Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie
Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie - Venice, 1496, showing the ventricles of the brain
Venice, 1496, showing the ventricles of the brain - The Microcosm
The idea of a close parallelism between the structure of man and of the wider universe was gradually abandoned by the scientific, while among the unscientific it degenerated and became little better than an insane obsession. As such it appears in the ingenious ravings of the English follower of Paracelsus, the Rosicrucian, Robert Fludd, who reproduced, often with fidelity, the systems which had some novelty five centuries before his time. - The Anatomy of the Eye
From Vesalius, De humani corporis fabrica, Basel, 1543, p. 643. a, Crystalline humour; o, Albugineous humour; c, Vitreous humour; n, Cornea; q, Conjunctiva; m, Sclerotica; g, Secundina; h, Uvea; k, Arachnoidea; e, Retina.