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- The Anatomy of the Eye
From Vesalius, De humani corporis fabrica, Basel, 1543, p. 643. a, Crystalline humour; o, Albugineous humour; c, Vitreous humour; n, Cornea; q, Conjunctiva; m, Sclerotica; g, Secundina; h, Uvea; k, Arachnoidea; e, Retina. - The Anatomy of the Eye
The Anatomy of the Eye - Diagram of the ventricles and the senses
Diagram of the ventricles and the senses with their relation to the intellectual processes according to the doctrine of the Renaissance anatomists. - Illustrating the general ideas on anatomy current at the Renaissance
Illustrating the general ideas on anatomy current at the Renaissance - Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie
Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie - The layers of the head
The layers of the head - Venice, 1496, showing the ventricles of the brain
Venice, 1496, showing the ventricles of the brain - The figure shows the ten layers of the head
The figure shows the ten layers of the head - Leonardo Da Vincis diagram of the heart
Leonardo Da Vincis diagram of the heart - Roger Bacons diagram of the Eye
Roger Bacons diagram of the Eye - a lecture on anatomy
a lecture on anatomy - The first picture of dissection in an English-printed book
The first picture of dissection in an English-printed book - A dissection scene
A dissection scene - Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air
Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air - The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton.
The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton. - The first printed picture of dissection
The first printed picture of dissection - An anatomical diagram of about 1298
An anatomical diagram of about 1298 - The Microcosm
The idea of a close parallelism between the structure of man and of the wider universe was gradually abandoned by the scientific, while among the unscientific it degenerated and became little better than an insane obsession. As such it appears in the ingenious ravings of the English follower of Paracelsus, the Rosicrucian, Robert Fludd, who reproduced, often with fidelity, the systems which had some novelty five centuries before his time. - Billy the Kid
Billy the Kid - Illustrating Galen’s physiological teaching
The basic principle of life, in the Galenic physiology, is a spirit, anima or pneuma, drawn from the general world-soul in the act of respiration. It enters the body through the rough artery (τραχεῖα ἀρτηρία, arteria aspera of mediaeval notation), the organ known to our nomenclature as the trachea. From this trachea the pneuma passes to the lung and then, through the vein-like artery (ἀρτηρία φλεβώδης, arteria venalis of mediaeval writers, the pulmonary vein of our nomenclature), to the left ventricle. Here it will be best to leave it for a moment and trace the vascular system along a different route. - Vertical section of the skull, showing the sinuses of the dura mater
Vertical section of the skull - Superficial veins of the head and neck
- The arch of the aorta and its branches
- The regions of the abdomen and their contents
- Passage into trachea and esophagus; Pharynx
- The right auricle and ventricle laid open
- The root of the left lung
- The cartilages of the larynx; the trachea and bronchi
- Front view of the thorax
- The Skull
- The Spine
- Skeleton
- Lymphatics of the head and neck. B, the thoracic duct
- Lymphatics of the leg.
- A cross section of the skin
- Plan of the foetal circulation
- Young Naturalist
Young girl and with a butterfly net - Lady Cook
Lady Cook - Henry Wadsworth Longfellow
Henry Wadsworth Longfellow - An Egyptian Woman
An Egyptian Woman - Lilies
Three women in a boat picking lilies - Feet
Feet - Hand
Right Hand - The latest French fashions
Evangeline and Annoinette EVANGELINE.—Silk embroidered, and trimmed with two rows of guipure lace—one row of lace round the yoke, and one about ten inches from the bottom, each row headed with a narrow quilling of ribbon, which also goes down the front and round the neck. On the yoke and between the rows of lace there is handsome embroidery. ANTOINETTE. An entirely new pattern.—The mantilla is entirely formed of rows of lace or pinked silk on a silk or thin foundation. - Godeys Fashion - 1854
Godeys Fashion - 1854 - Parisian Fashions
MARQUISE and NAVAILLES SHAWL-MANTELET. MARQUISE.—Silk Pelisse. The body is close; it is trimmed with three rows of goffered ribbons disposed in arcades, and terminated at each point by loops of ribbons one over the other. A row of ribbons runs round the bottom of the body, which has also a lace trimming that falls over the opening of the sleeve. The skirt falls in flutes; it has three rows of ribbons and a lace flounce. NAVAILLES.—Shawl-Mantelet, of taffetas trimmed with lace, fringe, and silk ribbons having velvet stripes. It opens like a shawl in front, and comes high behind. A lace of two inches in width turns down on the neck as far as the bow on the breast; a point falls behind like a little shawl, and is bordered with a ribbon sewed on flat, and a lace of about five inches, besides a fringe; in front this lace forms a bertha. The lower part of the garment, sewed on under the point, is rounded, and hangs in flutes behind. It is bordered with the same ribbon, accompanied by the same, and fringe. The ends in front are pointed. - Practical Dress Instructor
Headdress of the Lady on the Right.—Hair in bandeaux à la Niobe; torsade of pearls. Moire dress, low body, with progressive revers opening over a modestie of embroidered muslin edged with lace; short open sleeves à la Watteau; undersleeves of embroidered muslin; half-long gloves; bracelets of pearls, or more often worn different, according to choice. The other Figure (Lady seated).—Cap of tulle trimmed with lace and ribbon. Low body, with revers open to waist; loose bell-shaped sleeves, edged with a bouillonne; two skirts trimmed with the same; modestie of embroidered muslin, edged with point de Venise; black velvet bracelets, half-long gloves, and Venetian fan. - Preparing For Church
Preparing For Church - Spring Fashions
LACE MANTILLA and TABLET MANTILLA LACE MANTILLA.—This mantilla has three capes—the first is in depth twenty-three inches, the second eighteen inches, and the third fourteen inches, with lace edging to match. The collar is six inches in depth, with a bow of ribbon behind. TABLET MANTILLA.—Material. Watered or plain silk. It is made with a yoke, and falls low on the shoulders. For trimming, it is cut in turrets, trimmed with narrow braid and netted fringe sewed underneath. - Spring Fashions 1854
Spring Fashions 1854 - The Albuera
This mantilla is one of great beauty. It is made of blue glacé silk, but can be in any choice color. Lavender and lustrous pearl and mode colors look especially well, as also the greens, in this garment. Its chief peculiarity consists in its square front and its fitting so as to just cut the edge of the shoulder. It is fastened at the top by a bow; the back falls with an easy fulness; it is embroidered. - Utensils for Canning Fruit
Utensils for Canning Fruit - Girl playing with a kitten
Girl playing with a kitten - Girl playing with her doll
Girl playing with her doll - Girl reaching for a book
Girl reaching for a book - Girl standing under a tree in the rain
Girl standing under a tree in the rain - Girl walking heel to toe
Girl walking heel to toe - Girl washing her doll
Girl washing her doll - Hide-then go seek
Hide-then go seek - Litle girl dancing
Litle girl dancing