- Receiver of taxes
Charles VIII., during a reign of fourteen years, continued to waste the public money. His disastrous expedition for the conquest of the kingdom of Naples forced him to borrow at the rate of forty-two per cent. A short time previous to his death he acknowledged his errors, but continued to spend money, without consideration or restraint, in all kinds of extravagances, but especially in buildings. During his reign the annual expenditure almost invariably doubled the revenue. In 1492 it reached 7,300,000 francs, about 244,000,000 francs of present money. The deficit was made up each year by a general tax, "which was paid neither by the nobles nor the Church, but was obtained entirely from the people" (letters from the ambassadors of Venice). The receiver of Taxes.--Fac-simile of a Woodcut in Damhoudere's "Praxis Rerum Civilium." - Ramparts
Ramparts of the Town of Aigues-Mortes, one of the Municipalities of Languedoc. - R. J. Dodd’s patent cupping apparatus
R. J. Dodd’s patent cupping apparatus. Figs. 4 and 5 are the tubes for cupping the uterus. Fig. 3 is the flexible match scarifier. (From patent specifications, U.S. patent no. 3537.) - Quilted Armour
Of the quilted armours we know very little. In the illuminations is often seen armour covered over with lines arranged in a lozenge pattern, which perhaps represents garments stuffed and sewn in this commonest of all patterns of quilting; but it has been suggested that it may represent lozenged-shaped scales, of horn or metal, fastened upon the face of the garments. In the wood-cut here given from the MS. Caligula A. vii., we have one of the clearest and best extant illustrations of this quilted armour. - Punishment by Fire
Punishment by Fire When a criminal had been condemned to be burnt, a stake was erected on the spot specially designed for the execution, and round it a pile was prepared, composed of alternate layers of straw and wood, and rising to about the height of a man. Care was taken to leave a free space round the stake for the victim, and also a passage by which to lead him to it. Having been stripped of his clothes, and dressed in a shirt smeared with sulphur, he had to walk to the centre of the pile through a narrow opening, and was then tightly bound to the stake with ropes and chains. After this, faggots and straw were thrown into the empty space through which he had passed to the stake, until he was entirely covered by them; the pile was then fired on all sides at once - Public Execution
Originally, decapitation was indiscriminately inflicted on all criminals condemned to death; at a later period, however, it became the particular privilege of the nobility, who submitted to it without any feeling of degradation. The victim--unless the sentence prescribed that he should be blindfolded as an ignominious aggravation of the penalty--was allowed to choose whether he would have his eyes covered or not. He knelt down on the scaffold, placed his head on the block, and gave himself up to the executioner. The skill of the executioner was generally such that the head was almost invariably severed from the body at the first blow. Nevertheless, skill and practice at times failed, for cases are on record where as many as eleven blows were dealt, and at times it happened that the sword broke. Public Executions.--Fac-simile of a Woodcut in the Latin Work of J. Millaeus, "Praxis Criminis Persequendi:" small folio, Parisis, Simon de Colines, 1541. - Psalterium
a very simple stringed instrument of a triangular shape, and a somewhat similar one of a square shape were designated by the name of psalterium - Provosts prison
The Provost's Prison.--Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Civilium." - Procession to meet the pope
The Jewish Procession going to meet the Pope at the Council of Constance, in 1417.--After a Miniature in the Manuscript Chronicle of Ulrie de Reichental, in the Library of the Mansion-house of Basle, in Switzerland. - Principle of the parachute, drawing by Leonardo da Vinci
If Leonardo da Vinci's aerial flight experiments do not seem to have been carried out on a large scale, it is perhaps not the same with the parachute, the use of which is much safer. The description of Leonardo da Vinci was reproduced later, not without a notable improvement in the mode of representation of the apparatus, in a collection of machines, due to Fauste Veranzio and published in Venice in 1617. - Principle of the helicopter, drawing by Leonardo da Vinci
Principle of the helicopter, drawing by Leonardo da Vinci - Princess
Costume of a Princess dressed in a Cloak lined with Fur.--From a Miniature of the Thirteenth Century. - Presenting the sword
"How the King-at-Arms presents the Sword to the Duke of Bourbon."--From a Miniature in "Tournois du Roi René," Manuscript of the Fifteenth Century (Imperial Library of Paris). - Preliminaries of Combat in Green Court of Castle
Every castle offered hope, not only of hospitality, but also of a trial of arms; for in every castle there would be likely to be knights and squires glad of the opportunity of running a course with bated spears with a new and skilful antagonist. Here is a picture from an old MS. which represents the preliminaries of such a combat on the green between the castle walls and the moat. - Preliminaries of a Combat
Men who are in the constant habit of bearing arms are certain to engage in friendly contests with each other; it is the only mode in which they can acquire skill in the use of their weapons, and it affords a manly pastime. That such men should turn encounters with an enemy into trials of skill, subject to certain rules of fairness and courtesy, though conducted with sharp weapons and in deadly earnest, is also natural. - Prelate
Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris. - Prelate
Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris. - Pork Butcher
The Pork-butcher (Charcutier).--Fac-simile of a Miniature in a Charter of the Abbey of Solignac (Fourteenth Century). - Pope, Cardinal, and Bishop
A woodcut of the fifteenth century, from a manuscript life of Richard Beauchamp, Earl of Warwick, in the British Museum; the subject is the presentation of the pilgrim earl to the pope, and it enables us to bring into one view the costumes of pope, cardinal, and bishop. - Ploughmen
From a very ancient Anglo-Saxon Manuscript published by Shaw, with legend "God Spede ye Plough, and send us Korne enow." - Playing at Jousting
The woodcut shows us a group of pages imbibing chivalrous usages even in their childish sports, for they are “playing at jousting.” It is easy to see the nature of the toy. A slip of wood forms the foundation, and represents the lists; the two wooden knights are movable on their horses by a pin through the hips and saddle; when pushed together in mimic joust, either the spears miss, and the course must be run again, or each strikes the other’s breast, and one or other gives way at the shock, and is forced back upon his horse’s back, and is vanquished. - Pin and Needle maker
Pin and Needle maker - Pillage
A Village pillaged by Soldiers.--Fac-simile of a Woodcut in Hamelmann's "Oldenburgisches Chronicon." in folio, 1599. - Pilgrims
- Pilgrim on Horseback
Pilgrim on Horseback - Pilgrim Monk
Pilgrim Monk - Pilgrim in Hair Shirt and Cloak
Pilgrim in Hair Shirt and Cloak - Pilgrim
Pilgrim, from Erasmus’s “Praise of Folly.” The staff, or bourdon, was not of an invariable shape. On a fourteenth-century grave-stone at Haltwhistle, Northumberland, it is like a rather long walking-stick, with a natural knob at the top. In the cut from Erasmus’s “Praise of Folly” ” it is a similar walking-stick; but, usually, it was a long staff, some five, six, or seven feet long, turned in the lathe, with a knob at the top, and another about a foot lower down. - Pikeman
Picture represents very clearly the half-armour worn by the pikeman and the weapon from which they took their name. - Phillip the Good
Costume of Philip the Good, with Hood and "Cockade."--From a Miniature in a Manuscript of the Period. - Peasant 15th Century
- Paying a toll
The tolls on roads, bridges, fairs, and markets, and the harbour dues were kept up, notwithstanding their obstruction to commerce, with the exception that free passage was given to corn passing from one province to another. The exemptions from taxes which had been dearly bought were removed; and the nobles were bound not to divert the revenue received from tolls for any purposes other than those for which they were legitimately intended. The nobles were also required to guard the roads "from sunrise to sunset," and they were made responsible for robberies committed upon travellers within their domains. - Patent for a complex cupping pump
Patent for a complex cupping pump, J. A. Maxam, 1916. (From patent specifications, U.S. patent 1179129.) - Passengers paying Toll
The annexed woodcut represents passengers paying toll on landing at a foreign port. The reader will notice the picturesque custom-house officers, the landing-places, and the indications of town architecture. - Part of a single bookcase in the Library
Part of a single bookcase in the Library showing a book chained to the bookcase - Paris 1607
Perspective View of Paris in 1607.--Fac-simile of a Copper-plate by Léonard Gaultier. (Collection of M. Guénebault, Paris.) - Paris
Paris - Paré’s scarificator
Paré’s scarificator, 16th century. (From The Workes of that Famous Chirurgeon, Ambrose Parey, translated by Thomas Johnson, London, 1649.) - Padded 'harnische-kappe' and helm showing the attachment of the cap, after Dürer
- Orphans
-Orphans, Callots, and the Family of the Grand Coesre.--From painted Hangings and Tapestry from the Town of Rheims, executed during the Fifteenth Century. The Grand Coesre levied a tax of twenty-four sous per annum upon the young rogues, who went about the streets pretending to shed tears, as "helpless orphans," in order to excite public sympathy. - Nœud Gordien
How to tie the cravat. A. The Cravat folded. B. The Cravat à la Byron. S. The Cravat Sentimentale. "The Cravat Sentimentale." - Nun and Friar with Musical Instruments
The picture is a curious illumination from the Royal MS. 2 B vii., representing a friar and a nun themselves making minstrelsy. - Nobleman Merchant and lady
Costumes of Bourgeois or Merchant, of a Nobleman, and of a Lady of the Court or rich Bourgeoise, with the Head-dress (escoffion) of the Fifteenth Century.--From a Painted Window of the Period, at Moulins (Bourbonnais), and from a Painting on Wood of the same Period, in the Musee de Cluny. - Nobleman Hunting
- Nobleman and Bourgeois
Costumes of a young Nobleman and of a Bourgeois in the Fourteenth Century.--From a painted Window in the Church of Saint-Ouen at Rouen, and from a Window at Moulins (Bourbonnais). - Nobility 9th Century
Costumes of the Nobility from the Seventh to the Ninth Centuries, from Documents gathered by H. de Vielcastel from the great Libraries of Europe. - Nobility 7th - 9th Century
Nobility 7th - 9th Century - Nobility
Costumes of the Nobility from the Seventh to the Ninth Centuries, from Documents gathered by H. de Vielcastel from the great Libraries of Europe. - Nicholas Flamel and wife
Nicholas Flamel and Pernelle, his Wife, from a Painting executed at the End of the Fifteenth Century, under the Vaults of the Cemetery of the Innocents, in Paris. - Musicians
Musicians accompanying the Dancing.--Fac-simile of a Wood Engraving in the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588). - Musical Instruments of the 15th Century
A group of musical instruments from one of the illustrations of “Der Weise König,” a work of the close of the fifteenth century. - Mr Bensley's Machine
- Movable iron cage
Movable Iron Cage.--From a Woodcut in the "Cosmographie Universelle" of Munster, in folio, Basle, 1552. - Monumental Brass of Alderman Field and his Son, a.d. 1474
Monumental Brass of Alderman Field and his Son, a.d. 1474 - Monks and Lawyers in Chapter-house
The Chapter-house was always on the east side of the court. In establishments of secular canons it seems to have been always multi-sided[72] with a central pillar to support its groining, and a lofty, conical, lead-covered roof. In these instances it is placed in the open space eastward of the cloister, and is usually approached by a passage from the east side of the cloister court - Monk in Scriptorium
The Scriptorium is said to have been usually over the chapter-house. It was therefore a large apartment, capable of containing many persons, and, in fact, many persons did work together in it in a very business-like manner at the transcription of books. - Miracle
- Merchant Nobleman and lady
Costumes of Bourgeois or Merchant, of a Nobleman, and of a Lady of the Court or rich Bourgeoise, with the Head-dress (escoffion) of the Fifteenth Century.--From a Painted Window of the Period, at Moulins (Bourbonnais), and from a Painting on Wood of the same Period, in the Musee de Cluny. - Mens Italian Hat
From Fra Angelico, Florence. - Men-at-Arms, Fourteenth Century
Next, round plates of metal, called placates or roundels, were applied to shield the armpits from a thrust; and sometimes they were used also at the elbow to protect the inner side of the joint where, for the convenience of motion, it was destitute of armour. An example of a roundel at the shoulder will be seen in one of the men-at-arms in the woodcut