- State Carriage of the Fourteenth Century
The woodcut shows the style of carriage associated—grotesquely associated, it seems to our eyes—with the armour and costume of the Middle Ages. It might represent Duke Theseus going in state through the streets of Athens, hung with tapestry and cloth of gold, to the solemn deed of arms of Palamon and Arcite. - State Banquet
State Banquet.--Serving the Peacock.--Fac-simile of a Woodcut in an edition of Virgil, folio, published at Lyons in 1517. - Standards of the Church
Standards of the Church and the Empire.--Reduced from an Engraving of the "Entry of Charles V. and Clement VII. into Bologna," by Lucas de Cranach, from a Fresco by Brusasorci, of Verona. - Standard weight
Standard Weight in Brass of the Fish-market at Mans: Sign of the Syren (End of the Sixteenth Century). - St. Paula
The picture which we here give of an anchoress, is taken from a figure of St. Paula, one of the anchorite saints of the desert. - St. Damasus, Hermit
The best and clearest illustration which we have been able to find of the usual costume in which the hermits are represented, we here give to the reader. It is from the figure of St. Damasus, one of the group in the fine picture of “St. Jerome,” by Cosimo Roselli (who lived from 1439 to 1506), now in the National Gallery. The hermit-saint wears a light-brown frock, and scapular, with no girdle, and, over all, a cloak and hood of the same colour, and his naked feet are protected by wooden clogs. - St. Christopher, with the date 1423, from a cut in the possession of Earl Spencer
This cut is much better designed than the generality of those which we find in books typographically executed from 1462, the date of the Bamberg Fables, to 1493, when the often-cited Nuremberg Chronicle was printed. Amongst the many coarse cuts which “illustrate” the latter, and which are announced in the book itselfII.11 as having been “got up” under the superintendence of Michael Wolgemuth, Albert Durer’s master, and William Pleydenwurff, both “most skilful in the art of painting,” I cannot find a single subject which either for spirit or feeling can be compared to the St. Christopher. In fact, the figure of the saint, and that of the youthful Christ whom he bears on his shoulders, are, with the exception of the extremities, designed in such a style, that they would scarcely discredit Albert Durer himself. To the left of the engraving the artist has introduced, with a noble disregard of perspective what Bewick would have called a “bit of Nature.” In the foreground a figure is seen driving an ass loaded with 48a sack towards a water-mill; while by a steep path a figure, perhaps intended for the miller, is seen carrying a full sack from the back-door of the mill towards a cottage. To the right is seen a hermit—known by the bell over the entrance of his dwelling—holding a large lantern to direct St. Christopher as he crosses the stream. The two verses at the foot of the cut, Cristofori faciem die quacunque tueris, Illa nempe die morte mala non morieris, may be translated as follows: Each day that thou the likeness of St. Christopher shalt see, That day no frightful form of death shall make an end of thee. - St. Bridget, from an old cut in the possession of Earl Spencer
The figure writing is that of St. Bridget of Sweden, who was born in 1302 and died in 1373. From the representation of the Virgin with the infant Christ in her arms we may suppose that the artist intended to show the pious widow writing an account of her visions or revelations, in which she was often favoured with the blessed Virgin’s appearance. The pilgrim’s hat, staff, and scrip may allude to her pilgrimage to Jerusalem, which she was induced to make in consequence of a vision. The letters S. P. Q. R. in a shield, are no doubt intended to denote the place, Rome, where she saw the vision, and where she died. The lion, the arms of Sweden, and the crown at her feet, are most likely intended to denote that she was a princess of the blood royal of that kingdom. The words above the figure of the saint are a brief invocation in the German language, “O Brigita bit Got für uns!” “O Bridget, pray to God for us!” At the foot of the desk at which St. Bridget is writing are the letters M. I. Chrs., an abbreviation probably of Mater Jesu Christi, or if German, Mutter Iesus Christus. - St Marks Place
View of St. Mark's Place, Venice, Sixteenth Century, after Cesare Vecellio. - Spur maker
Spur Maker - Spectators of a Tournament
The woodcut, greatly reduced from one of the fine tournament scenes in the MS. history of the Roi Meliadus, shows the temporary gallery erected for the convenience of the ladies and other spectators to witness the sports. The tent of one of the knights is seen in the background, and an indication of the hurly-burly of the combat below - Spearing a Boar—XIV. Century
The above is a representation of the manner of attacking the wild boar, from a manuscript written about the commencement of the fourteenth century, in the possession of Francis Douce, Esq. - Somersaults
Somersaults.--Fac-simile of a Woodcut in "Exercises in Leaping and Vaulting," by A. Tuccaro: 4to (Paris, 1599). - Sixteenth-century Suit of Plate
- Sir Robert Shurland
In the monumental effigy of Sir Robert Shurland, who was made a knight-banneret in 1300, we seem to have a curious and probably unique effigy of a knight in the gameson. We give a woodcut of it, reduced from Stothard’s engraving. The smaller figure of the man placed at the feet of the effigy is in the same costume, and affords us an additional example. - Sir Percival at the Reclusorium
The reclusorium, or anchorhold, seems sometimes to have been, like the hermitage, a house of timber or stone, or a grotto in a solitary place. In Sir T. Mallory’s “Prince Arthur” we are introduced to one of these, which afforded all the appliances for lodging and entertaining even male guests. - Sir Launcelot and a Hermit
Sir Launcelot and a Hermit - Shoe maker
Shoe maker - Ship of Richard Earl of Warwick
This engraving of the latter part of the fourteenth century, gives a very clear representation of a ship and its boat. The earl is setting out on his pilgrimage to the Holy Land. In the foreground we see him with his pilgrim’s staff in hand, stepping into the boat which is to carry him to his ship lying at anchor in the harbour. The costume of the sailors is illustrated by the men in the boat. The vessel is a ship of burden, but such a one as kings and great personages had equipped for their own uses; resembling an ordinary merchant-ship in all essentials, but fitted and furnished with more than usual convenience and sumptuousness. - Ship and Galley
The accompanying drawing is perhaps one of the clearest and best contemporary illustrations we have of these mediæval galleys. It will be seen that it consists of a long low open boat, with outrigger galleries for the rowers, while the hold is left[free for merchandise, or, as in the present instance, for men-at-arms. It has a forecastle like an ordinary ship; the shields of the men-at-arms who occupy it are hung over the bulwarks; the commander stands at the stern under a pent-house covered with tapestry, bearing his shield, and holding his leader’s truncheon. A close examination of the drawing seems to show that there are two men to each oar; we know from other sources that several men were sometimes put to each oar. The difference in costume between the soldiers and the sailors is conspicuous. The former are men-at-arms in full armour—one on the forecastle is very distinctly shown; the sailors are entirely unarmed, except the man at the stroke-oar, probably an officer, who wears an ordinary hat of the period, the rest wear the hood drawn over the head. The ship in the same illustration is an ordinary ship of burden, filled with knights and men-at-arms; the trumpeters at the stern indicate that the commander of the fleet is on board this ship; he will be seen amidships, with his visor raised and his face towards the spectator, with shield on arm and truncheon in hand. - Shepherd with Bagpipes
Besides the pipe and horn, the bagpipe was also a rustic instrument. The picture is a shepherd playing upon one. - Servants of the 14th Century
Costume of English Servants in the Fourteenth Century.--From Manuscripts in the British Museum. - Serf of Tenth Century
Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels). - Sedentary Occupations of the Peasants.
A small kitchen-garden, which he cultivated himself, was usually attached to the cottage, which was guarded by a large watch-dog. There was also a shed for the cows, whose milk contributed to the sustenance of the establishment; and on the thatched roof of this and his cottage the wild cats hunted the rats and mice. The family were never idle, even in the bad season, and the children were taught from infancy to work by the side of their parents - Secret meeting
Secret Meeting of the Jews at the Rabbi's House.--Fac-simile of a Miniature of the "Pèlerinage de la Vie Humaine," Manuscript of the Fourteenth Century, in the National Library of Paris. - Seat of Justice
Seat of Justice, held by King Philippe de Valois, on the 8th April, 1332, for the Trial of Robert, Comte d'Artois.--From a Pen-and-ink Sketch in an Original Manuscript (Arch. of the Empire) - Seal of King Chilperic
Seal of King Chilpéric, found in his Tomb at Tournay in 1654. - Sculptured Comb
Sculptured Comb, in Ivory, of the Sixteenth Century (Sauvageot Collection) - Scholar
During the reign of the other Carlovingian kings, in the midst of political troubles, of internal wars, and of social disturbances, they had neither time nor inclination for inventing new fashions. Monuments of the latter part of the ninth century prove, indeed, that the national dress had hardly undergone any change since the time of Charlemagne, and that the influence of Roman tradition, especially on festive occasions, was still felt in the dress of the nobles - Scholar
Costume of a Scholar of the Carlovingian Period (St. Matthew writing his Gospel under the Inspiration of Christ).--From a Miniature in a Manuscript of the Ninth Century, in the Burgundian Library, Brussels (drawn by Count H. de Vielcastel). - Scarification without cupping in Egypt
Scarification without cupping in Egypt in the 16th century. To obtain sufficient blood, 20 to 40 gashes were made in the legs and the patient was made to stand in a basin of warm water. (From Prosper Alpinus, Medicina Aegyptorum, Leyden, 1719. - Saxon Soldiers
Saxon freemen seem to have universally borne arms. Tacitus tells us of their German ancestors, that swords were rare among them, and the majority did not use lances, but that spears, with a narrow, sharp and short head, were the common and universal weapon, used either in distant or close fight; and that even the cavalry were satisfied with a shield and one of these spears. - Saxon Soldier, in Leather Armour
Saxon Soldier, in Leather Armour - Saxon soldier in armour
Saxon soldier in armour - Saxon Horse Soldiers
Saxon Horse Soldiers - Saxon Band of Minstrels
In the accompanying woodcut from a Late Saxon MS. in the British Museum we have a curious evidence of the way in which custom blinded men to any incongruity there may be in the association of the harper and the juggler, for here we have David singing his Psalms and accompanying himself on the harp, the dove reminding us that he sang and harped under the influence of inspiration. He is accompanied by performers who must be Levites; and yet the Saxon illuminator was so used to see a mime form one of a minstrel band, that he has introduced one playing the common feat of tossing three knives and three balls. - sat for its portrait to Matthew Paris
- Sandal and Buskin
Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis. - Sallad with cover
- Sale by Town-Crier
Sale by Town-Crier. Preco, the Crier, blowing a trumpet; Subhastator, public officer charged with the sale. In the background is seen another sale, by the Bellman.--Fac-simile of a Woodcut in the Work of Josse Damhoudere, "Praxis Rerum Civilium," 4to: Antwerp, 1557. - Saints in the costume of the sixth century
Saints in the costume of the sixth century - Saint Liedwi, Of Scheidam, Holland, A. D. 1396
The First known skating Illustration - Saint George
- Saint Dominic and Saint Francis
The Dominicans and Franciscans arose simultaneously at the beginning of the thirteenth century. Dominic, an Augustinian canon, a Spaniard of noble birth, was seized with a zeal for converting heretics, and having gradually associated a few ecclesiastics with himself, he at length conceived the idea of founding an order of men who should spend their lives in preaching. Simultaneously, Francis, the son of a rich Italian merchant, was inspired with a design to establish a new order of men, who should spend their lives in preaching the Gospel and doing works of charity among the people. These two men met in Rome in the year 1216 a.d. - Rustic Merry-making
It is curious to find that even at so late a period as the time of Queen Mary, the shepherds still officiated at weddings and other merrymakings in their villages, so as to excite the jealousy of the professors of the joyous science. The accompanying wood-cut, from a MS. in the French National library, may represent such a rustic merry-making. - Royal Harper
Royal Harper - Royal Dinner of the time of Edward IV
The picture is of a royal dinner of about the time of our Edward IV., “taken from an illumination of the romance of the Compte d’Artois, in the possession of M. Barrois, a distinguished and well-known collector in Paris - Royal Costume
Royal Costume.--From a Miniature in a Manuscript of the Twelfth Century, in the Burgundian Library, Brussels. - Rotta
A representation of David playing on the rotta, from a psalter of the seventh century in the British museum (Cott. Vesp. A. I). According to tradition, this psalter is one of the manuscripts which were sent by pope Gregory to St. Augustine. In the rotta the ancient Asiatic lyre is easily to be recognized. - Roman Soldiers
Costumes of Roman Soldiers - Robert Braunche,of Lynn
Robert Braunche,of Lynn - Robert Berewold in the pillory
- Richard crucified
The Infant Richard crucified by the Jews, at PontoiseFrom a Woodcut, with Figures by Wohlgemuth, in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493. - Ricardus de Threton, Sacerdos
Sir Richard de Threton, priest,who was executor of Sir Robert de Thorp, knight, formerly chancellor of the king, and who gave twenty marks to the convent. Our woodcut gives only the outlines of the full-length portrait. In the original the robe and hood are of full bright blue, lined with white; the under sleeves, which appear at the wrists, are of the same colour; and the shoes are red. the grateful monks of St. Alban’s have recorded the names and good deeds of those who had presented gifts or done services to the convent. - Regals or Organ
Regals or Organ (Royal, 14 E iii). - Regals and Double Pipe
Regals and Double Pipe (Royal 2 B vii). - Rectory House, West Deane, Sussex - plan
The humble life of the country rectors and vicars. There is an ancient rectory house of the fourteenth century at West Deane, Sussex, of which we give a ground-plan and north-east view on the following page; but the rectory belonged to the prior and convent of Benedictine Monks of Wilmington, and this house was probably their grange, or cell, and may have been inhabited by two of their monks, or by their tenant, and not by the parish pries - Rectory House, West Deane, Sussex
The humble life of the country rectors and vicars. There is an ancient rectory house of the fourteenth century at West Deane, Sussex, of which we give a ground-plan and north-east view on the following page; but the rectory belonged to the prior and convent of Benedictine Monks of Wilmington, and this house was probably their grange, or cell, and may have been inhabited by two of their monks, or by their tenant, and not by the parish priest. - Reclusorium, or Anchorhold, at Rettenden, Essex
In a reclusorium, or anchorhold, there was always a “cell” of a certain construction, to which all things else, parlours or chapels, apartments for servants and guests, yards and gardens, were accidental appendages. - Receiving tithe
The Bishop of Tournai receiving the Tithe of Beer granted by King Chilpéric.--From the Windows of the Cathedral of Tournai, Fifteenth Century.