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Image 10177
822 visits
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Image 10176
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Over on the North Side, on the west side of Clark street, a few doors north of Division street, there is an establishment which in some respects is unique. It is reached either by the North side cable cars or by hansom cab, the fare for the latter being fifty cents for each person. This resort is known as Engel’s, and for several seasons past it has been the favorite with the blooded youth of the North side as well as of a large clientele of chance visitors. It was formerly kept by a man named Matthai and adjoining it was a smaller resort kept by a Monsieur Andre. Andre is now dead and his place closed. On the site of Mr. Matthai’s triumphs Mr. Engel now lives and flourishes.
330 visits
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The Madison Street Opera House and the Park Theater, which were briefly mentioned in the preceding chapter, are two resorts that may be regarded as occupying a unique position in the amusement roster. The Madison Street Opera House gives two performances daily and its manager, the veteran Colonel Sam T. Jack, is reputed to be coining money. The size of the audiences that fill Col. Jack’s theater twice a day is attributable, possibly, to the fact that the house is devoted entirely to the presentation of burlesque.
334 visits
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Speaking of the peanut and lemonade men reminds one that the two great circuses, Barnum & Bailey’s and Forepaugh’s, exhibit in Chicago every summer. They generally appear for two weeks each, and of course parade in due form, according to custom, through the streets of the city on the opening day.
453 visits
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The carousel is a form of entertainment which has grown popular with a certain class of people within recent years. The term may be a little obscure to the uninitiated, but they will readily understand its meaning when it is explained that the carrousel is nothing more or less than the old-fashioned “merry-go-round” which we all easily remember as a feature of fairs, circuses and other out-door entertainments.
594 visits
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On the water
959 visits
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THE national love of horse-racing, which is growing in intensity year by year, finds nowhere a better ground for development than in Chicago. There are in active operation in this city during the months of summer and autumn three admirably equipped race tracks, where the fleetest horses in the world are entered in daily contests for fat purses.
350 visits
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Under this caption come the entertainments of a more or less unstilted character; that is to say, entertainments that, while being in no wise disreputable, are nevertheless arranged with a view of catering to the tastes of people of both sexes who do not care to spend the evening in the narrow confines and the matter-of-fact atmosphere of a regular theatre.
362 visits
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An Ideal Afternoon
758 visits
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If an ordinary dance or ball is enjoyable how much more so is a masquerade—that merry carnival in which identities are mysteriously hidden and all manner of pleasant pranks indulged in by the maskers, whose brilliant and variegated costumes transform the aspect of the thronging floor into a kaleidoscopic expanse of ever-changing beauty. The accompanying illustration depicts the sort of jolly scene to be encountered at a typical Chicago masquerade—a scene which, witnessed for the first time, is rarely forgotten until it is eclipsed perhaps, by another later and even more novel.
425 visits
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A French Court Ballet In The Early Seventeenth Century
434 visits
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The first theatre was built in 1570. Thirty years after there were seven. The Queen had companies of children to play before her. They were the boys of the choirs of St. Paul's, Westminster, Whitehall, and Windsor. The actors called themselves the servants of some great lord. Lord Leicester, Lord Warwick, Lord Pembroke, Lord Howard, the Earl of Essex, and others all had their company of actors—not all at the same time. The principal Houses were those at Southwark, and especially at Bank Side, where there were three, including the famous Globe
867 visits
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(From the Luttrell Psalter.)
808 visits
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Making it a jack pot.
1261 visits
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Image 7810
789 visits
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An observation train is often made up to follow the great college boat races, where the railroad runs along the river bank. Flat cars are used with seats fixed on them for the spectators.
792 visits
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At the commencement of the seventeenth century, the pastime of running at the ring was reduced to a science. Pluvinel, who treats this subject at large, says, the length of the course was measured, and marked out according to the properties of the horses that were to run: for one of the swiftest kind, one [Pg 125]hundred paces from the starting place to the ring, and thirty paces beyond it, to stop him, were deemed necessary; but for such horses as had been trained to the exercise, and were more regular in their movements, eighty paces to the ring, and twenty beyond it, were thought to be sufficient. The ring, says the same author, ought to be placed with much precision, somewhat higher than the left eyebrow of the practitioner, when sitting upon his horse; because it was necessary for him to stoop a little in running towards it
713 visits
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To the best of my recollection, Fitzstephen is the first of our writers who speaks of an exercise of this kind, which he tells us was usually practised by the young Londoners upon the water during the Easter holidays. A pole or mast, he says, is fixed in the midst of the Thames, with a shield strongly attached to it; and a boat being previously placed at some distance, is driven swiftly towards it by the force of oars and the violence of the tide, having a young man standing in the prow, who holds a lance in his hand with which he is to strike the shield: and if he be dexterous enough to break the lance against it and retain his place, his most sanguine wishes are satisfied: on the contrary, if the lance be not broken, he is sure to be thrown into the water, and the vessel goes away without him, but at the same time two other boats are stationed near to the shield, and furnished with many young persons who are in readiness to rescue the champion from danger. It appears to have been a very popular pastime; for the bridge, the wharfs, and the houses near the river, were crowded with people on this occasion, who come, says the author, to see the sports and make themselves merry. The water quintain, taken from a manuscript of the fourteenth century, in the Royal Library, where a square piece of board is substituted for the shield, is represented below.
900 visits
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The engraving is from a manuscript in the Royal Library, written about the commencement of the 14th century.
1023 visits
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Tilting or, as it is most commonly called, running at the ring, was also a fashionable pastime in former days; the ring is evidently derived from the quintain, and indeed the sport itself is frequently called running or tilting at the quintain.
In the figure is the form of the ring, with the sheath, and the manner in which it was attached to the upright supporter, from Pluvinel. The letter A indicates the ring detached from the sheath; B represents the sheath with the ring inserted and attached to the upright post, in which there are several holes to raise or lower the ring to suit the conveniency of the performer.
806 visits
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This drawing represents two men, equipped in martial habits, and each of them armed with a sword and a shield, engaged in a combat; the performance is enlivened by the sound of a horn; the musician acts in a double capacity, and is, together with a female assistant, dancing round them to the cadence of the music; and probably the actions of the combatants were also regulated by the same measure.
1326 visits
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This engraving represents a Saxon nobleman and his falconer, with their hawks, upon the bank of a river, waiting for the rising of the game. The delineation is from a Saxon manuscript written at the close of the ninth century, or at the commencement of the tenth; in the Cotton Library.
1197 visits
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Here we perceive a girl dancing upon the shoulders of the joculator, who at the same time is playing upon the bagpipes, and appears to be in the action of walking forwards.
1469 visits
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The magnificent pageants and disguisings frequently exhibited [Pg 160]at court in the succeeding times, and especially in the reign of Henry VIII., no doubt originated from the ludi. These mummeries, as a modern writer justly observes, were destitute of character and humour, their chief aim being to surprise the spectators "by the ridiculous and exaggerated oddity of the visors, and by the singularity and splendour of the dresses; every thing was out of nature and propriety. Frequently the masque was attended with an exhibition of gorgeous machinery, resembling the wonders of a modern pantomime."
951 visits
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The performance seems to have consisted chiefly in dancing, and the mummers are usually attended by the minstrels playing upon different kinds of musical instruments.
964 visits
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It is evident, however, that the ladies had hunting parties by themselves.
We find them, according to this representation, in the open fields winding the horn, rousing the game, and pursuing it, without any other assistance: this delineation, which is by no means singular, is taken from a manuscript in the Royal Library, written and illuminated early in the fourteenth century.
966 visits
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We may also here notice, that the ladies not only accompanied the gentlemen in pursuit of this diversion, but often practised it by themselves; and, if we may believe a contemporary writer, in the thirteenth century, they even excelled the men in knowledge and exercise of the art of falconry, which reason, he very ungallantly produces, in proof that the pastime was frivolous and effeminate.
Hawking was forbidden to the clergy by the canons of the church; but the prohibition was by no means sufficient to restrain them from the pursuit of this favourite and fashionable amusement. On which account, as well as for hunting, they were severely lashed by the poets and moralists; and, indeed, the one was rarely spoken of without the other being included; for those who delighted in hawking were generally proficients in hunting also.
1006 visits
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The figure is a representation of the just, taken from a manuscript in the Royal Library, of the thirteenth, or early in the fourteenth century, where two knights appear in the action of tilting at each other with the blunted spears.
2532 visits
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The hunting dresses, as they appeared at the commencement of the fifteenth century, are given from a manuscript of that time, in the Harleian Collection.
1119 visits
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We see a party of both sexes hawking by the water side; the falconer is frightening the fowls to make their rise, and the hawk is in the act of seizing upon one of them. From a manuscript of the 14th century
1041 visits
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Here, we find a young man dancing singly to the music of two flutes and a lyre; and the action attempted to be expressed by the artist is rather that of ease and elegancy of motion, than of leaping, or contorting of the body in a violent manner.
1297 visits
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The following representation of a lad mounted on a wooden horse with four wheels, and drawn by two of his comrades tilting at the immoveable quintain, is taken from a MS. in the Bodleian Library at Oxford, dated 1344.
622 visits
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Here we may also add the boat justs, or tilting upon the water. The representation of a pastime of this kind is given, from a manuscript of the fourteenth century in the Royal Library.
The conqueror at these justs was the champion who could dexterously turn aside the blow of his antagonist with his shield, and at the same time strike him with his lance in such a manner as to overthrow him into the river, himself remaining unmoved from his station; and perhaps not a little depended upon the skill of the rowers. When queen Elizabeth visited Sandwich in 1573, she was entertained with a tilting upon the water, "where certain wallounds that could well swym had prepared two boates, and in the middle of each boate was placed a borde, upon which borde there stood a man, and so they met together, with either of them a staff and a shield of wood; and one of them did overthrowe another, at which the queene had good sport."
793 visits
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A tutored bear and monkey performing
1294 visits
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The man in this engraving, from a drawing in a MS. book of prayers possessed by Francis Douce, esq., is performing a very difficult operation: he has placed one sword upright upon the hilt, and is attempting to do the like with the second; at the same time his attitude is altogether as surprising as the trick itself.
666 visits
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This engraving, from a MS. in the Bodleian Library, represents a girl, as the length of the hair seems to indicate, habited like a boy, and kneeling on a large broad board, supported horizontally by two men; before her are three swords, the points inclined to each other, and placed in a triangular form; she is pointing to them with her right hand, and holds in her left a small instrument somewhat resembling a trowel, but I neither know its name nor its use.
620 visits
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Man balancing a sword on his hand
857 visits
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Here we see a youth playing upon a harp with only four strings, and apparently singing at the same time, while an elderly man is performing the part of a buffoon or posture master, holding up one of his legs, and hopping upon the other to the music.
978 visits
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One part of the gleeman's profession, as early as the tenth century, was, teaching animals to dance, to tumble, and to put themselves into variety of attitudes, at the command of their masters.
This engraving is the copy of a curious though rude delineation, being little more than an outline, which exhibits a specimen of this pastime. The principal joculator appears in the front, holding a knotted switch in one hand, and a line attached to a bear in the other; the animal is lying down in obedience to his command; and behind them are two more figures, the one playing upon two flutes or flageolets, and elevating his left leg while he stands upon his right, supported by a staff that passes under his armpit; the other dancing, in an attitude exceedingly ludicrous. This performance takes place upon an eminence resembling a stage made with earth; and in the original a vast concourse are standing round it in a semicircle as spectators of the sport, but they are so exceedingly ill drawn, and withal so indistinct, that I did not think it worth the pains to copy them. The dancing, if I may so call it, of the flute player, is repeated twice in the same manuscript.
2025 visits
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We here see a man throwing three balls and three knives alternately into the air, and catching them one by one as they fall, but returning them again in a regular rotation. To give the greater appearance of difficulty to this feat, it is accompanied with the music of an instrument resembling the modern violin.
1014 visits
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This engraving represents two persons dancing to the music of the horn and the trumpet, and it does not appear to be a common dance in which they are engaged; on the contrary, their attitudes are such as must have rendered it very difficult to perform
2313 visits
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Other rewards, no doubt, were sometimes proposed, as we may see upon the engraving below, where two men are wrestling for a cock: the original drawing, from a manuscript in the Royal Library, is certainly more ancient than the time of Chaucer.
746 visits
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A tumbling Ape
1114 visits
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The display of his abilities consisted in twisting and contorting his body into strange and unnatural attitudes. This art was, in doubt, practised by the jugglers in former ages; and a singular specimen of it, delineated on the last mentioned Bodleian MS., in the reign of Edward III., is here represented.
The performer bends himself backwards, with his head turned up between his hands, so as nearly to touch his feet; and in this situation he hangs by his hams upon a pole, supported by two of his confederates.
1126 visits
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A manuscript of the fourteenth century, in the Royal Library, contains the following cruel diversion: horse baiting with dogs
758 visits
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The fool's dance, or a dance performed by persons equipped in the dresses appropriated to the fools, is very ancient, and originally, I apprehend, formed a part of the pageant belonging to the festival of fools. This festival was a religious mummery, usually held at Christmas time; and consisted of various ceremonials and mockeries, not only exceedingly ridiculous, but shameful and impious. A vestige of the fool's dance, preserved in a MS. in the Bodleian Library, written and illuminated in the reign of king Edward III. and completed in 1344, is copied below.
771 visits
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Two boys are depicted holding the hoop, and the third preparing to leap through it, having deposited his cloak upon the ground to receive him.
718 visits
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A man balancing a wheel on his shoulder
1027 visits
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Below is a representation from a MS. in the Bodleian Library, dated 1343, of three boys tilting jointly, at a tub full of water, which is to be struck in such a manner as not to throw it over them. I presume they are learners only, and that therefore they are depicted without their clothes; they undressed themselves, I apprehend, in order to save their garments from being wetted in case the attempt should prove unsuccessful.
784 visits
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Two Saxon Archers
The one accompanied by his dog, is in search of the wild deer; the other has no companion, but is depicted in the act of shooting at a bird; and from the adornment of his girdle, appears to have been no bad marksman.
The first represents Esau going to seek venison for his father, and the second, Ishmael, after his expulsion from the house of Abraham, and residing in the desert.
973 visits
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One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes.
917 visits
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One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes.
776 visits
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In this second representation a man is performing the same feat (as in picture below), but in a more extraordinary manner. The original is contained in a MS. in the library of sir Hans Sloane.
559 visits
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This engraving represents a woman bending herself backwards, from a MS. of the thirteenth century, in the Cotton Library
809 visits
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“Looping the loop,” which has made so great a sensation, has taught airmen one definite lesson; and it is this: no matter how their machines may be beaten and tossed by the wind, they need not fear a fall—provided they are high enough above ground. The movements of a machine, as it makes a series of “loops,” are shown in the figure. The pilot reaches a high speed before he rears up his machine to begin the “loop,” and this downward velocity is attained by diving; then, when he estimates his pace sufficient, he pulls his elevating-lever back and the machine leaps upward, rearing itself vertically towards the sky, turning over on its back, then diving again and coming right-side-up—thus achieving a complete somersault. A skilled trick-flyer, also, will allow his machine to drop sideways or tail first, deliberately working the controls so that it shall do so. Then, just as it seems to spectators that he is falling to destruction, he will dive or twist, regain the mastery of his machine, and descend in a normal glide.
347 visits
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Air-racing, as made popular by the proprietors of the Hendon aerodrome, forms so fascinating a sight that, on a day of public holiday, as many as 50,000 people will assemble in the enclosures.
To stand near one of the pylons—wooden towers which mark the turning-points of the course—and see the air-racers come rushing by, is to gain such an impression of speed as almost makes the watcher hold his breath. The pilot in a flying race has one chief aim: to fly the shortest way. Every fraction of a second is of importance; and if he can circle the pylons more skilfully than his rivals, he may win the race, even though his machine—in its actual speed—may be no faster than theirs.
493 visits
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A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night.
1060 visits
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A Music Hall audience is the most demonstrative and amusing. It will applaud the longest, hiss the loudest, and sometimes join in the chorus. From the moment the numbers are posted announcing the next turn, it is easy to tell what the performer’s reception will be. On both sides of the orchestra are bars, and when a London barmaid stops work to listen and laugh you may be sure that the turn is a good one. Last winter they paid Dan Leno this compliment. The air is filled with tobacco-smoke, and the calcium-light, on its way from the gallery to the stage, looks like a sunbeam in a dusty hayloft.
1080 visits
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In a notice of his first concert, the Times says—
"The personal appearance of Paganini is remarkable. He is a tall, thin man, with features rather emaciated, pale complexion, a sharp, aquiline nose, and a keen eye, the expression of which is greatly heightened when he is animated by his performance. His hair, which is dark, is worn long behind, and combed off the forehead and temples, in a manner which gives an air of great simplicity to his countenance. He seems to be about fifty years of age.
"The enthusiasm which his performance excited last night among the audience certainly surpassed anything of the kind within these walls. Every tour de force and striking passage was not only applauded, but cheered by the whole audience, and some of the variations were encored. At the end of every performance, and especially after the last, the applause, cheering, and waving of handkerchiefs and hats, altogether presented a most extraordinary scene. Foreigners, who have been present at his concerts in several other parts of Europe, remarked that the applause bestowed, and the enthusiasm excited last night, were greater than they had ever witnessed before."
758 visits
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The woodcut, greatly reduced from one of the fine tournament scenes in the MS. history of the Roi Meliadus, shows the temporary gallery erected for the convenience of the ladies and other spectators to witness the sports. The tent of one of the knights is seen in the background, and an indication of the hurly-burly of the combat below
2042 visits
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In the accompanying woodcut from a Late Saxon MS. in the British Museum we have a curious evidence of the way in which custom blinded men to any incongruity there may be in the association of the harper and the juggler, for here we have David singing his Psalms and accompanying himself on the harp, the dove reminding us that he sang and harped under the influence of inspiration. He is accompanied by performers who must be Levites; and yet the Saxon illuminator was so used to see a mime form one of a minstrel band, that he has introduced one playing the common feat of tossing three knives and three balls.
1137 visits
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It is curious to find that even at so late a period as the time of Queen Mary, the shepherds still officiated at weddings and other merrymakings in their villages, so as to excite the jealousy of the professors of the joyous science.
The accompanying wood-cut, from a MS. in the French National library, may represent such a rustic merry-making.
4052 visits
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Royal Harper
3106 visits
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The picture is of a royal dinner of about the time of our Edward IV., “taken from an illumination of the romance of the Compte d’Artois, in the possession of M. Barrois, a distinguished and well-known collector in Paris
3491 visits
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Every castle offered hope, not only of hospitality, but also of a trial of arms; for in every castle there would be likely to be knights and squires glad of the opportunity of running a course with bated spears with a new and skilful antagonist. Here is a picture from an old MS. which represents the preliminaries of such a combat on the green between the castle walls and the moat.
1314 visits
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Men who are in the constant habit of bearing arms are certain to engage in friendly contests with each other; it is the only mode in which they can acquire skill in the use of their weapons, and it affords a manly pastime. That such men should turn encounters with an enemy into trials of skill, subject to certain rules of fairness and courtesy, though conducted with sharp weapons and in deadly earnest, is also natural.
1080 visits
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We may say here that it was not unusual for people in fine weather to pitch a tent in the courtyard or garden of the castle, and live there instead of indoors, or to go a-field and pitch a little camp in some pleasant place, and spend the time in justing and feasting, and mirth and minstrelsy.
1517 visits
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The picture is an exceedingly interesting representation of a grand imperial banquet, from one of the plates of Hans Burgmair, in the volume dedicated to the exploits of the Emperor Maximilian, contemporary with our Henry VIII. It represents the entrance of a masque, one of those strange entertainments, of which our ancestors, in the time of Henry and Elizabeth, were so fond. The band of minstrels who have been performing during the banquet, are seen in the left corner of the picture.
2827 visits
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The woodcut represents “howe a mighty Duke chalenged Erle Richard for his lady sake, and in justyng slewe the Duke and then the Empresse toke the Erle’s staff and bear from a knight shouldre, and for great love and fauvr she sette it on her shouldre. Then Erle Richard made one of perle and p’cious stones, and offered her that, and she gladly and lovynglee reseaved it.” The picture shows the Duke and Earl in the crisis of the battle.
1317 visits
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The custom of having instrumental music as an accompaniment of dinner is still retained by her Majesty and by some of the greater nobility, by military messes, and at great public dinners. But the musical accompaniment of a mediæval dinner was not confined to instrumental performances. We frequently find a harper introduced, who is doubtless reciting some romance or history, or singing chansons of a lighter character. He is often represented as sitting upon the floor.
3921 visits
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In a MS. volume of romances of the early part of the fourteenth century in the British Museum, the title-page of the romance of the “Quête du St. Graal” is adorned with an illumination of a royal banquet; a squire on his knee (as in the illustration given on opposite page) is carving, and a minstrel stands beside the table playing the violin
3367 visits
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In the illustration, reproduced from Mr. Wright’s “Domestic Manners of the English,” we have a curious picture of a dance, possibly in the gallery, which occupied the whole length of the roof of most fifteenth-century houses; it is from a MS. of fifteenth-century date.
In all these instances the minstrels are on the floor with the dancers, but in the latter part of the Middle Ages they were probably—especially on festal occasions—placed in the music gallery over the screens, or entrance-passage, of the hall.
2471 visits
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We went on for some distance beyond the north gate of the city to witness cricket-fighting, a favourite pastime of the Chinese. As we approached the field where it took place, we saw crowds of men standing about some sheds erected on the spot. Most of the company were of the lowest order, but there were some respectable men, including Tartar officers and mandarins. Much money is lost in this form of gambling. On entering the largest shed, we saw a raised platform on which some men sat behind a counter, who were employed in weighing the crickets, in weighing the dollars, in recording the bets, in receiving the money laid by both sides on each match, and in paying the winner of each particular fight, after deducting a percentage for the expenses of the building. In this shed numbers of men were collected, each holding in his hand a little round earthenware basin covered with a cloth. These basins contained the fighting-crickets. The matches are played for large as well as small sums of money, and many hundred dollars changed hands during the short time we were present.
813 visits
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The Chinese are most inveterate gamblers and I have noticed small boys gambling at stalls where nuts, oranges, or other fruits are sold. In the streets and squares one often sees groups of four or five Chinese squatting, who are engaged in playing cards and dominoes, whilst other stand and look on at the game.
979 visits
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In teaching this trick two ladders should be provided about six feet in length and joined together at the top ends so as to form an angle when the other ends are placed on the ground. The bars of these ladders should be flat and sufficiently near together to enable the dog easily to step from one round to another. Standing at the side of this ladder with a switch in your right hand you whistle to the dog, or call him by name, and tap the first round of the ladder with your switch to indicate he is to step upon it. When he places his fore paws on this round, tap the next in the same manner, saying, “Go on,” to him.
572 visits
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After the horse has learned to take hold readily of anything offered to him, which knowledge he will have acquired if he has already learned to perform the tricks heretofore mentioned, the only additional instruction necessary will be to initiate him into the mysteries of turning the handle. When he has taken hold of the handle, gently move his head so as to produce the desired motion. If, when you let go of his head, he ceases the motion, speak sharply to him and put his head again in motion. With almost any horse a few lessons, and judicious rewards when he does what is required, will accomplish the object, and he will soon both be able and willing to grind out Old Dog Tray, or Norma, if not in exact time at least with as much correctness as many performers on this instrument.
774 visits
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Preforming tricks with Jars
This engraving exhibits a posture-master balancing two large China vases, and throwing himself into most extraordinary attitudes.
2258 visits
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It is, perhaps, more proper to call the annexed figure, the representation of a person in the character of a female comedian, than “a female comedian,” as women have been prohibited from appearing publicly on the stage since the late Emperor, Kien Lung, took an actress for one of his inferior wives. Female characters are now therefore performed either by boys or eunuchs. The whole dress is supposed to be that of the ancient Chinese, and indeed is not very different from that of the present day. The young ladies of China display considerable taste and fancy in their head-dresses which are much decorated with feathers, flowers, and beads as well as metallic ornaments in great variety of form. Their outer garments are richly embroidered, and are generally the work of their own hands, a great part of their time being employed in this way. If it was not a rigid custom of the country, to confine to their apartments the better class of females, the unnatural cramping of their feet, while infants, is quite sufficient to prevent them from stirring much abroad, as it is with some difficulty they are able to hobble along; yet such is the force of fashion, that a lady with her feet of the natural size would be despised, and at once classed among the vulgar.
1125 visits
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The Chinese have full as great a variety of musical instruments as most other nations, but they are all of them indifferent, and the music, if it may be so called, produced out of them, execrable.
1397 visits
