The bloomers and middy blouse
The bloomers and middy blouse
The simple dress skirt and shirt waist
The simple dress skirt and shirt waist
Which arrangement of hair and bow do you think most appropriate for school wear
Which arrangement of hair and bow do you think most appropriate for school wear
Optical Illusion in dress
The two vertical lines are exactly the same length—measure them and see. Short lines turned back at either end make one seem short; extended lines make the other seem longer.
Optical Illusion in dress
These two illusions are almost duplicated in the dresses above. As a result one woman looks shorter and heavier, the other taller and slenderer than she really is.
Optical Illusion in dress
These unbroken parallel vertical lines give the definite impression of height. This principle, used in the design of the dress above, lends it a pleasing slender appearance because no other lines interfere with the straight line effect.
Optical Illusion in dress
Here, also, are two vertical parallel lines. They are straight—test them—but the other lines radiating from the center, make them appear “bowed.” In the dress above a similar design makes the wearer appear stouter and heavier than she really is.
Optical Illusion in dress
These two diamond-shaped figures are exactly the same size. The crosswise line makes one seem wider, the vertical line makes the other seem narrower.
Optical Illusion in dress
Now note how these same principles used in the dresses above effect the apparent size and weight of those wearing them, making one seem much stouter than the other.
Optical Illusion in dress
The middle lines in the two small diagrams are the same length. But on the left, shorter accompanying lines seem to shorten the one between. On the right longer accompanying lines seem to lengthen the one between.
Optical Illusion in dress
Now see how the woman in the other picture has unknowingly emphasized her stoutness while the one in this picure has properly gained a slender effect by using trimming in accordance with the principles of these optical illusions.
Optical Illusion in dress
The oblique line in the figure is made to seem longer and more graceful than the dress below by the parallel vertical lines of embroidery which intersect it and so emphasize its appearance of length and grace.
Plaits 1
When styles call for plaits, plaits may be used, but not in widening flares as shown here, rather in slenderizing length lines as shown below
Plaits 2
Hats and shoes in these two pictures also illustrate incorrect and correct choice. The wide hat and prominent straps below emphasize width and weight; the neat hat and cross-strap slippers here help to slenderize
Choice of fabric 1
These two pictures illustrate improper and proper choice of fabrics for a stout figure. Above, the large-figured material adds size, the fur trim shortens, the round beads shorten the neck. All conspire to emphasize weight.
Choice of fabric
Here a small all-over pattern minimizes size, the plaits and tassels lengthen, the necklace adds a slenderizing touch. The appearance as a whole is graceful and youthful.
Two looks - same pattern
Would you believe that the pattern of these two dresses is exactly the same? This illustrates how you can vary a dress once you find the foundation lines that are becoming to you. One pattern can suffice for both a tailored and an afternoon dress, as you see both effects are pleasing in their slenderness.
Hats 1
These two examples show how even a hat with drooping brim, if not too wide, can be worn by the stout person if trimming is adeptly used to direct the vision upward and lend an illusion of height.
Hats 2
Here trimming is used on two entirely different types of hats to give in each case added height to the figure and help in attaining a slenderizing appearance. Left—Hats with medium brims and high trimming are often becoming, especially if wide enough to avoid the pyramid effect. Right—High built trimming and delicate veils are advantageous where a double chin is the handicap.
Optical Illusion in dress
Note the diagonal line in the small diagram of the figure below. It is actually straight, but the vertical lines which break it give it a “going-down-steps” appearance. This principle is used in the dress below—the two vertical panels of trimming break the line of the tunic and give the whole figure a more slender appearance than in the figure above.
Lady in scarf and hat
Lady in scarf and hat
Greek Figure
From Hope's "Costume of the Ancients." With the Greeks the tunic was the principal article of attire. It was worn next to the skin, and was of a light tissue. In the earlier time it was composed of wool, in later periods of flax, and in the latest periods it was either of flax mixed with silk or of pure silk. The illustration given will serve to show its construction. It was a simple square bag, open at the two ends, made sufficiently wide to admit of the folds being ample, and sufficiently long to allow of its being gathered up about the waist and breasts. It was kept in its place by various means, either by a simple girdle round the waist or by cords drawn crosswise between the breasts, over the shoulders, looped at the back, and again drawn round the waist, or by an arrangement of cords or ribbons drawn over each shoulder and attached to the girdle.
Greek Figure
Anglo-Saxon dress
A somewhat remarkable feature of Anglo-Saxon dress of the eighth century was the long super-tunic with long sleeves, worn in travelling or during cold weather. The sleeves not only cover the hands, but reach considerably below the tips of the fingers.
Toga
From Hope's "Costume of the Ancients." The material of the toga was wool, in the earlier time and for the common people; afterwards silk and other materials were used, coloured or bordered according to the `rank` or station of the wearer.
Miracle
Paris on Mount Ida
An illustration is given, from Hope's "Costume of the Ancients," of Paris on Mount Ida, in which he is figured as wearing a closely fitting garment which covers the whole body and limbs, being buttoned all the way up the legs and arms; a short tunic, also buttoned up the front, being worn over this dress
Horned Head-dress Beatrice, Countess of Arundel, 1439
Tunic
The earliest made-up garment, that in which the art of the tailor was called into play, was doubtless a simple bag, more or less closely fitting to the body and of varying length, with holes for the arms and an opening for the neck. Such a primitive garment has been worn in varying forms at all periods of the world's history, and is in use at the present time in the form of the ordinary singlet. The modern singlet is, in fact, the simple, primeval type of the tunic.
Hunifer
Priest
The illustration shows a priest wearing nothing but a loin cloth and a leopard skin.