Queen Mary's Harp
This venerable instrument, the least impaired Gaelic Harp existing, is known as Queen Mary's Harp. It is small, being only 31 inches high and 18 inches from back to front. It was played resting upon the left knee and against the left shoulder of the performer, whose left hand touched the upper strings. The comb is from 2½ to 3¼ inches high. It is inserted obliquely in the sound chest, and projects about 14 inches.
Lamont Harp
The extreme length of the Lamont Harp is 38 inches, and the extreme width 18½ inches. The sound chest, as with other ancient harps, is hollowed out of one piece of wood, but the back has been in this instrument renewed, although probably a long time ago. The sound chest is 30 inches long, 4 inches in breadth at the top, and 17 at the bottom. The comb projects 15½ inches. The broken parts of the bow are held together by iron clamps.
Cornemuse, Calabrian Bagpipe, Musette
The Calabrian Bagpipe or Zampogna is a rudely carved instrument of the eighteenth century. It has four drones attached to one stock, hanging downwards from the end of the bag: two of them are furnished with finger-holes. The reeds are double like those of the oboe and bassoon. The bag is large; it is inflated by the mouth and pressed by the left arm against the chest of the performer. The Zampogna is chiefly used as an accompaniment to a small reed melody pipe called by the same name, and played by another performer. The quality of the tone produced is not unpleasing. It has five holes only, and consequently the seventh of the scale is absent, but this can be easily got by octaving the open note of the pipe and covering part of the lower opening of the chanter with the little finger. The Musette, Zampogna, and Cornemuse here shown are from specimens belonging to Messrs. J. & R. Glen, Edinburgh.
Burgmote Horns
Beautiful horns of hammered and embossed bronze belonging to the Corporations of Canterbury and Dover. The right-hand one is from Dover, where it was formerly used for the calling together of the Corporation at the order of the mayor. The minutes of the town proceedings were constantly headed "At a common Horn blowing" (comyne Horne Blowying). This practice continued until the year 1670, and is not yet entirely done away with, as it is still blown on the occasion of certain Municipal ceremonies. The motto on this horn is:— JOHANNES DE · ALLEMAINE · ME · FECIT · preceded by the talismanic letters A·G·L·A, which stand for the Hebrew אַתָּה גִּבּוֹר לְעוֹלָם אֲדֹנָי and mean, "Thou art mighty for ever, O Lord!" The horn, which is 31¾ inches long, with a circumference at the larger end of 15½ inches, is of brass, and is deeply chased with a spiral scrollwork of foliage chiefly on a hatched ground. The inscription is on a band that starts four inches from the mouth and continues spirally. The maker's name is now nearly effaced, but the inscription shows that he was a German, and the date is assigned to the thirteenth century.