- The wrong way to mount a horse—facing forward
The wrong way to mount a horse—facing forward - Jumping fences is the highest art of horsemanship
Jumping fences is the highest art of horsemanship - The right way to mount—facing toward his tail
In mounting, stand on the left side and place the left foot in the stirrup. Swing the right leg over the horse and find the right stirrup with the toe just as quickly as possible. Do not jerk a restless horse or otherwise betray your excitement if he starts. Let him see by your calmness that he too should be calm. - The two wise cart-horses
Cart-horses, though heavy-looking animals, are more sagacious that their more gracefully formed relatives. A cart-horse had been driven from a farmyard to the neighbouring brook early one morning during winter to drink. The water was frozen over, and the horse stamped away with his fore-feet, but was unable to break the ice. Finding this, he waited till a companion came down, when the two, standing side by side, and causing their hoofs to descend together, broke through the ice, and were thus enabled to obtain the water they required. - Anglo-Saxon soldiers
Another group from Cotton MS., Claudius, B. iv. - Great Shield of William the Conqueror
Great Seal of King William the Conqueror : from the fine impression appended to a charter preserved at the Hotel Soubise in Paris. The charter is a grant to the Abbey of St. Denis of land at Teynton, in England. The king wears the hauberk of chain-mail over a tunic. The hemispherical helmet is surmounted by a small knob, and has laces to fasten it under the chin. The legs do not appear to have any armour : the spur has disappeared. A lance with streamer and a large kite-shield complete the warrior's equipment. The legend is + Hoc NORMANNORUM WILLELMUM ITOBCE PATRONUM sI(GNO). - From the Great Seal of Alexander I, King of Scotland
Seal of Alexander I., King of Scotland : 1107-1124. The figure is armed in hauberk with continuous coif, apparently of chain-mail ; worn over a tunic or gambeson, seen at the wrist and skirt. Conical nasal helmet, lance with streamer, kite-shield, and goad-spur, are the other items of the equipment. The leg does not shew any armour, though the softening of the wax may have obliterated markings which originally indicated a defensive provision at this part. The ornaments of the portrait are usual at this period. - Great Seal of King Henry the First
Great Seal of King Henry I., circa 1100. From Cotton Charter, ii. 2 (in British Museum). The instrument is a confirmation of the gift of Newton by "Radulfus filius Godrici," and is witnessed by Queen Matilda and others. The material of the hauberk is represented by that honeycomb-work so often observed in seals of this period, and which appears to be one of the many modes in use to imitate the web of interlinked chain-mail. The leg does not shew any markings as of armour, but these may have disappeared from the softening of the wax, and the prominence of the seal at this part. The helmet is a plain conical cap of steel, without nasal : the spur a simple goad. The lance-flag terminating in three points, is ensigned with a Cross. The shield is of the kite-form, shewing the rivets by which the wood and leather portions of it were held together. The peytrel of the horse has the usual pendent ornaments of the time. - Great Seal of King Stephen
Great Seal of King Stephen. Drawn from an impression among the Select Seals in the British Museum, and from that appended to Harleian Charter, 43, C. 13. The helmet seems to have had a nasal, but the seals at this part are so imperfect that it cannot be clearly traced. Behind is seen a portion of the lace which fastened the coif or the casque. - Thothmes IV. slaying Asiatics
When Thothmes IV. ascended the throne he was confronted by a very serious political problem. The Heliopolitan priesthood at this time was chafing against the power of Amon, and was striving to restore the somewhat fallen prestige of its own god Ra, who in the far past had been the supreme deity of Egypt, but had now to play an annoying second to the Theban god. Thothmes IV., as we shall presently be told by Akhnaton himself,[8] did not altogether approve of the political character of the Amon priesthood, and it may have been due to this dissatisfaction that he undertook the repairing of the great Sphinx at Gizeh, which was in the care of the priests of Heliopolis. The sphinx was thought to represent a combination of the Heliopolitan gods Horakhti, Khepera, Ra, and Atum, who have been mentioned above; and, according to a later tradition, Thothmes IV. had obtained the throne over the heads of his elder brothers through the mediation of the Sphinx—that is to say, through that of the Heliopolitan priests. By them he was called “Son of Atum and Protector of Horakhte, ... who purifies Heliopolis and satisfies Ra,” and it seems that they looked to him to restore to them their lost power. The Pharaoh, however, was a physical weakling, whose small amount of energy was entirely expended upon his army, which he greatly loved, and which he led into Syria and into the Sudan. His brief reign of somewhat over eight years, from 1420 to 1411 B.C., marks but the indecisive beginnings of the struggle between Amon and Ra, which culminated in the early years of the reign of his grandson Akhnaton. - Akhnaton driving with his Wife and Daughter
Akhnaton driving with his Wife and Daughter - In the Row
The old gentleman in the Row undoubtedly first appeared there on Shetland ponies under the watchful eye of the groom. It is not a thing to tire of, and Sunday after Sunday these well-dressed people attend church-parade as seriously as they attend church. - A Horse dancing to the Pipe and Tabor
A Horse dancing to the Pipe and Tabor - Justing.—XIV. Century
The figure is a representation of the just, taken from a manuscript in the Royal Library, of the thirteenth, or early in the fourteenth century, where two knights appear in the action of tilting at each other with the blunted spears. - Racing
Racing - Boating
Boating - Coaching
- Coursing
Coursing - Hunting
Hunting