- Roumanian Peasants Selling Flowers and Fruit
Roumanian Peasants Selling Flowers and Fruit - Schokacz Types
Schokacz Types - Servian Women
Servian Women - Spectators
Spectators watching us set up camp - The Bell tower
The Bell tower, Lauingen. - The Ferry
Our afternoon cruise was not further remarkable except for the sight of various immense ferry-boats swinging across the stream attached to wire guys and bearing two great loads of hay, cattle and all, and for a visit to Ingolstadt, a military post of great importance and correspondingly unattractive aspect. - The Monks of Beuron
The rapid current hurried us on, not against our will, and we only paused to watch the monks haymaking in the meadows, wearing a dress which looked like a compromise between the costumes of a washerwoman and a Cape Cod fisherman. They must have suffered in the hot sun, with their gowns of heavy woollen stuff, but they suffered in silence, and did not deign to answer our greetings or even to turn their eyes upon us. - The Sketchbook
Showing the sketch-book to inhabitants of a town - The Watch-tower, Theben
The Watch-tower, Theben - The Wienerthor, Hainburg
The Wienerthor, Hainburg - Turkish Flat-Boat
The river life was mostly confined to the larger craft; very few small boats were seen, and almost no fishermen. The great clouds of canvas on the Turkish vessels gleamed above the trees behind the islands far in the perspective, and the black smoke of tow-boats with their trains of loaded lighters was a constant feature in the ever-changing landscape. Occasionally a huge flat-boat of the roughest build, piled high with a cargo of red and yellow earthen-ware, melons, sacks of charcoal, and other miscellaneous merchandise, floated down in the gentle current, steered by Turks in costumes of varied hue, the whole reflecting a mass of glowing color in the stream. - Turkish Sailing Lotka, Sulina
Turkish Sailing Lotka, Sulina - Turkish Vessels
Just below Widdin, at the Bulgarian town of Arčer Palanka, the general course of the Danube changes from the south to the east; and to the town of Cernavoda, in the Dobrudscha, about 300 miles below, the river keeps the latter direction with few and slight deviations. The long, straight reaches were here enlivened by many sailing-vessels of the fifteenth-century type, with high ornate sterns, and single mast set midway between the bow and stern. Sometimes we met them gayly ploughing their way up-stream, with every bellying sail drawing full, and again we saw them dragged slowly against the current by a long line of patient Turkish sailors harnessed to a tow-rope; or else we came across them tied to the trees in some quiet spot awaiting a favorable wind, the decks covered with sleeping sailors, no man on watch. - Washer-women
At every available point of the crowded river-front washerwomen, with their petticoats wet to the waist, stood knee-deep in the stream, and accompanied their lively chatter with the vigorous tattoo of their active mallets. In the shadow of the houses near the landing great piles of watermelons were the centres of groups of all ages, every individual busy with the luscious, juicy fruit. - Water-carriers, Duna Földvár
Women water carriers - Wildenstein
Ruins of castles crown almost every prominent summit, and the scenery grows wilder and more beautiful at every bend of the river. Kallenberg, Wildenstein, Wernwag, Falkenstein, and a half-score of other ruins, equally wonderful in situation, tempted us to sketch them, and we found the most delightful spots imaginable wherever we paused and exchanged the paddle for the pencil. - Wood-sawyer at Ulm
A woman sawing wood - A Family Wash
A Gypsy family washing in the river - A Gypsy Girl
A gypsy girl lights a gypsy mans cigarette - Divining Rod
I believe that the imagination is the principal motive force in those who use the divining rod; but whether it is so solely, I am unable to decide. The powers of nature are so mysterious and inscrutable that we must be cautious in limiting them, under abnormal conditions, to the ordinary laws of experience. - Positions of the Hands on Divining Rods
From “Lettres qui découvrent l’Illusion des Philosophes sur la Baguette.” Paris, 1693 - The Dude of the 17th Century
Avoid what is called the "ruffianly style of dress" or the slouchy appearance of a half-unbottoned vest, and suspenderless pantaloons. That sort of affectation is, if possible, even more disgusting than the painfully elaborate frippery of the dandy or dude. - They swoop down over the trenches
British plane flying over the trenches in the great war - A Lady at Play
The court of France was, at this period, the most depraved in morals, the grossest and most unpolished in manners, of any in Europe. The women of the bourgeoisie, envious of the great ladies, called them dames à gorge nue; and the latter retaliated by designating the women of the people as grisettes, because of their gray (grises) stockings,—a name retained almost down to the present day. In the sittings of the États Généraux, the President, Miron, complained bitterly of the excesses of the nobility, the contempt for justice, the open violences, the gambling, the extravagance, the constant duels, the "execrable oaths with which they thought it proper to ornament their usual discourse." - Carillon, Netherlands
The idea of forming of a number of bells a musical instrument such as the carillon is said by some to have suggested itself first to the English and Dutch; but what we have seen in Asiatic countries sufficiently refutes this. Moreover, not only the Romans employed variously arranged and attuned bells, but also among the Etruscan antiquities an instrument has been discovered which is constructed of a number of bronze vessels placed in a row on a metal rod. Numerous bells, varying in size and tone, have also been found in Etruscan tombs. Among the later contrivances of this kind in European countries the sets of bells suspended in a wooden frame, which we find in mediæval illuminations, deserve notice. In the British museum is a manuscript of the fourteenth century in which king David is depicted holding in each hand a hammer with which he strikes upon bells of different dimensions, suspended on a wooden stand. - Group of Western Lyres
Group of Western Lyres - Swords
Fig. 7. Norwegian Sword. The pommel and cross-piece are of iron. Figs. 8 to 11. From Livonian graves : the originals are in the British Museum. Fig. 10 is single-edged : its pommel and the chape of the scabbard are of bronze. Fig. 11 has its pommel and guard ornamented with silver - A Sprinkle or Hand-Flail of bronze
From the Museum of Mitau in Courland - Finns Singing.
The Finns love song and poetry. It is said that every village has one poet, or more, and that he prepares a new song whenever aught of importance occurs. Besides these new songs they have many ancient songs, of which they never tire. When they sing the songs of the olden time, two men seat themselves face to face upon a bench, join hands, and rock backward and forward in time to the song. First one sings a line or passage, and then the other repeats the same, and so they continue, rocking back and forth and singing the whole night through. Sometimes a third man plays upon the kantele, while the others sing. This kantele is somewhat like a zither; it has a flat sounding-body upon which are strung from three to eight strings of different lengths. It is usually picked with the fingers like a guitar. It is said that the first kantele was made of fish-bones, though it is not easy to see how that could be. - Laplander on Snow-runners
They have caps on their heads, and fishermen and herders may be distinguished by the style of these. Fishermen’s caps are pointed, while those of herders are square. In going out over the snow in winter, Lapps have long, narrow runners of wood fastened to their feet, and carry a pole in their hand. These runners are five feet or more in length, and only a few inches wide, and on them—aided by their poles—the Lapps glide along finely over the hard snow. - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures.