- Emperor William II
By one of those accidents in history that personify and precipitate catastrophes, the ruler of Germany, the emperor William II, embodied the new education of his people and the Hohenzollern tradition in the completest form. He came to the throne in 1888 at the age of twenty-nine; his father, Frederick III, had succeeded his grandfather, William I, in the March, to die in the June of that year. William II was the grandson of Queen Victoria on his mother’s side, but his temperament showed no traces of the liberal German tradition that distinguished the Saxe-Coburg-Gotha family. His head was full of the frothy stuff of the new imperialism. He signalized his accession by an address to his army and navy; his address to his people followed three days later. A high note of contempt for democracy was sounded: “The soldier and the army, not parliamentary majorities, have welded together the German Empire. My trust is placed in the army.” So the patient work of the German schoolmasters was disowned, and the Hohenzollern declared himself triumphant. - Bismarck
Prussian affairs were then very much in the hands of a minister of the seventeenth-century type, Von Bismarck (count in 1865, prince in 1871), and he saw brilliant opportunities in this trouble. He became the champion of the German nationality in these duchies—it must be remembered that the King of Prussia had refused to undertake this rôle for democratic Germany in 1848—and he persuaded Austria to side with Prussia in a military intervention. Denmark had no chance against these Great Powers; she was easily beaten and obliged to relinquish the duchies. Then Bismarck picked a quarrel with Austria for the possession of these two small states. So he brought about a needless and fratricidal war of Germans for the greater glory of Prussia and the ascendancy of the Hohenzollern dynasty in Germany. German writers of a romantic turn of mind represent Bismarck as a great statesman planning the unity of Germany; but indeed he was doing nothing of the kind. - Ballet
Representation of a Ballet before Henri III. and his Court, in the Gallery of the Louvre.--Fac-simile of an Engraving on Copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.) - The Flight to Varennes
One June night in 1791, between eleven o’clock and midnight, the king and queen and their two children slipped out of the Tuileries disguised, threaded their palpitating way through Paris, circled round from the north of the city to the east, and got at last into a travelling-carriage that was waiting upon the road to Chalons. They were flying to the army of the east.[439] The army of the east was “loyal,” that is to say, its general and officers at least were prepared to betray France to the king and court. Here was adventure at last after the queen’s heart, and one can understand the pleasurable excitement of the little party as the miles lengthened between themselves and Paris. Away over the hills were reverence, deep bows, and the kissing of hands. Then back to Versailles. A little shooting of the mob in Paris—artillery, if need be. A few executions—but not of the sort of people who matter. A White Terror for a few months. Then all would be well{v2-323} again. Perhaps Calonne might return too, with fresh financial expedients. He was busy just then gathering support among the German princes. There were a lot of chateaux to rebuild, but the people who burnt them down could hardly complain if the task of rebuilding them pressed rather heavily upon their grimy necks.... All such bright anticipations were cruelly dashed that night at Varennes. The king had been recognized at Sainte Menehould by the landlord of the post house, and as the night fell, the eastward roads clattered with galloping messengers rousing the country, and trying to intercept the fugitives. - King Louis le Jeune
King Louis le Jeune Miniature of the "Rois de France," by Du Tillet (Sixteenth Century), in the National Library of Paris. - Charles the Simple
Charles the Simple (Charles III) of Francia - Charlotte of Savoy
Charlotte of Savoy second Wife of Louis XI. - Louis XIV
On such terms of unrighteousness what we may call “Grand Monarchy” established itself in France. Louis XIV, styled the Grand Monarque, reigned for the unparalleled length of seventy-two years (1643-1715), and set a pattern for all the kings of Europe. At first he was guided by his Machiavellian minister, Cardinal Mazarin; after the death of the Cardinal he himself in his own proper person became the ideal “Prince.” He was, within his limitations, an exceptionally capable king; his ambition was stronger than his baser passions, and he guided his country towards bankruptcy through the complication of a spirited foreign policy, with an elaborate dignity that still extorts our admiration. - Entry of Loius XI
The Entry of Louis XI. into Paris From the "Chroniques" of Monstrelet, Manuscript of the Fifteenth Century - Charles V of France
Charles V of France - Coronation of Charlemagme
Coronation of Charlemagne.--Fac-simile of a Miniature in the "Chroniques de Saint-Denis," Manuscript of the Fourteenth Century (Imperial Library of Paris). - Imperial Procession
Imperial Procession. From an Engraving of the "Solemn Entry of Charles V. and Clement VII. into Bologna," by L. de Cranach, from a Fresco by Brusasorci, of Verona. - King Childebert
King Childebert III (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés. - Jeanne de Bourbon
Jeanne de Bourbon, Wife of Charles V From a Statue formerly in the Church of the Célestins, Paris. A fact worthy of remark is, that whilst male attire, through a depravity of taste, had extended to the utmost limit of extravagance, women's dress, on the contrary, owing to a strenuous effort towards a dignified and elegant simplicity, became of such a character that it combined all the most approved fashions of female costume which had been in use in former periods. The statue of Queen Jeanne de Bourbon, wife of Charles V., formerly placed with that of her husband in the Church of the Célestins at Paris, gives the most faithful representation of this charming costume, to which our artists continually have recourse when they wish to depict any poetical scenes of the French Middle Ages - Henry VIII
Henry VIII of England, who had begun his career with a book written against heresy, and who had been rewarded by the Pope with the title of “Defender of the Faith,” being anxious to divorce his first wife in favour of an animated young lady named Anne Boleyn,and wishing also to turn against the Emperor in favour of Francis I and to loot the vast wealth of the church in England, joined the company of Protestant princes in 1530. Sweden, Denmark, and Norway had already gone over to the Protestant side. - King Clovis
Costume of King Clovis (Sixth Century).--From a Statue on his Tomb, formerly in the Abbey of St. Geneviève. - Young Nobles
Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris. - Costume of Emperors at their Coronation
Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio. - Sandal and Buskin
Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis. - Tournaments
Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris). - Philip of Macedon
When Philip became king of Macedonia in 359 B.C., his country was a little country without a seaport or industries or any considerable city. It had a peasant population, Greek almost in language and ready to be Greek in sympathies, but more purely Nordic in blood than any people to the south of it. Philip made this little barbaric state into a great one; he created the most efficient military organization the world had so far seen, and he had brought most of Greece into one confederacy under his leadership at the time of his death. And his extraordinary quality, his power of thinking out beyond the current ideas of his time, is shown not so much in those matters as in the care with which he had his son trained to carry on the policy he had created. He is one of the few monarchs in history who cared for his successor. Alexander was, as few other monarchs have ever been, a specially educated king; he was educated for empire. Aristotle was but one of the several able tutors his father chose for him. Philip confided his policy to him, and entrusted him with commands and authority by the time he was sixteen. He commanded the cavalry at Chæronea under his father’s eye. He was nursed into power—generously and unsuspiciously. - Presenting the sword
"How the King-at-Arms presents the Sword to the Duke of Bourbon."--From a Miniature in "Tournois du Roi René," Manuscript of the Fifteenth Century (Imperial Library of Paris). - Phillip the Good
Costume of Philip the Good, with Hood and "Cockade."--From a Miniature in a Manuscript of the Period. - Francis I
Charles realized that his great empire was in very serious danger both from the west and from the east. On the west of him was his spirited rival, Francis I; to the east was the Turk in Hungary, in alliance with Francis and clamouring for certain arrears of tribute from the Austrian dominions. - Napoleon as Emperor
He was scheming to make himself a real emperor, with a crown upon his head and all his rivals and school-fellows and friends at his feet. This could give him no fresh power that he did not already exercise, but it would be more splendid—it would astonish his mother. What response was there in a head of that sort for the splendid creative challenge of the time? But first France must be prosperous. France hungry would certainly not endure an emperor. - Princess
Costume of a Princess dressed in a Cloak lined with Fur.--From a Miniature of the Thirteenth Century. - Mary of Burgundy
Costume of Mary of Burgundy, Daughter of Charles the Bold, Wife of Maximilian of Austria (end of the Fifteenth Century). From an old Engraving in the Collection of the Imperial Library, Paris. - An Assyrian King and His Chief Minister
It was out of those two main weaknesses of all priesthoods, namely, the incapacity for efficient military leadership and their inevitable jealousy of all other religious cults, that the power of secular kingship arose. The foreign enemy either prevailed and set up a king over the people, or the priesthoods who would not give way to each other set up a common fighting captain, who retained more or less power in peace time. This secular king developed a group of officials about him and began, in relation to military organization, to take a share in the priestly administration of the people’s affairs. So, growing out of priestcraft and beside the priest, the king, the protagonist of the priest,appears upon the stage of human history, and a very large amount of the subsequent experiences of mankind is only to be understood as an elaboration, complication, and distortion of the struggle, unconscious or deliberate, between these two systems of human control, the temple and the palace. And it was in the original centres of civilization that this antagonism was most completely developed.