The Catcher
In catching a high ball the hands should be held in the position shown in the following cut of Bushong, the fingers all pointing upward. Some players catch with the fingers pointing toward the ball, but such men are continually being hurt. A slight foul-tip diverts the course of the ball just enough to carry it against the ends of the fingers, and on account of their position the necessary result is a break or dislocation. But with the hands held as in this cut there is a "give" to the fingers and the chances of injury are much reduced. For a low ball the hands should be held so that the fingers point downward, and for a waist ball, by crouching slightly it may be taken in the same manner as a high ball.
J. W. M. Turner
J. W. M. Turner, the greatest of English artists, and the hero of Mr. Ruskin's brilliant book entitled The Modern Painters, died in London on the 20th of December, at the age of 77. He had always a reluctance to have his portrait taken, but the engraving accompanying this article—from a sketch made without his knowledge—is said, by the Illustrated London News to be remarkably like him. It is understood that by his will he has left a million dollars (£200,000) for the purpose of founding an institution for the relief of decayed artists, and has given it also the chief part of his pictures, to adorn the building which is to be occupied by it.
Ladies' Fashions for February 1852
We are in the midst of the gay season, but its modes, until disturbed by the approach of spring, were fixed before the holidays, and for the most part have already been reported. The Paris journals, we may remark, however, dwell much on the unusual ascendency of black, in furs, velvets, cloths, and other heavy stuffs, for walking and carriage dresses, and on the greater demand than in recent winters for every species of embroidery.
Marshal Soult, Duke of Dalmatia
Nicholas Jean-de-Dieu Soult, the last of the great Marshals created by the Emperor Napoleon. He was unquestionably possessed of extraordinary abilities, fitting him for eminence in many and diverse capacities, but it cannot be said that he was of the first `rank` of illustrious generals, as the world has been led to suppose.
Going up a ladder
In teaching this trick two ladders should be provided about six feet in length and joined together at the top ends so as to form an angle when the other ends are placed on the ground. The bars of these ladders should be flat and sufficiently near together to enable the dog easily to step from one round to another. Standing at the side of this ladder with a switch in your right hand you whistle to the dog, or call him by name, and tap the first round of the ladder with your switch to indicate he is to step upon it. When he places his fore paws on this round, tap the next in the same manner, saying, “Go on,” to him.
M R Mitford
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist.
Constantine Phipps
Constantine Phipps, 1st Marquess of Normanby, author of "Matilda"
A Half-Crownation
Great fun was made of this meagre spectacle, as we may see by the satirical sketch, by H. B., entitled, "Going to a Half-Crownation," where the Dukes of Cumberland and Sussex are shown in a hack cab, the King and Queen in a hackney coach, on the box of which sits Lord Chancellor Brougham, bearing the great seal; whilst the omnibus behind contains the Fitzclarences, the King's family by Mrs. Jordan. The peers and peeresses are on foot; first, Lord Grey carrying the Sword of State, then Lord and Lady Durham, and last, Lady Grey. The gentleman on horseback is Mr. Lee, High Bailiff of Westminster.
Adieu, my moustachios
He [King William IV]next began to meddle with the uniforms, etc. in the army, doubtless with a view to save the pockets of the officers, for army dress, under George the Magnificent, had become very much gold belaced and expensive; but of all the orders issued on August 2nd from the Horse Guards, we will only take two. "The moustachios of the Cavalry (excepting in the Life Guards, the Horse Guards, and the Hussars) to be abolished, and the hair of the non-commissioned officer and soldier throughout the regular force to be cut close at the sides and back of the head, instead of being worn in that bushy and unbecoming fashion adopted by some regiments." The illustration is taken from a contemporary song called "Adieu, my Moustachios!"
Bargaining with Hussar Officers
Order ordered by the King William IV "The four regiments of Hussars to be dressed exactly alike. Their officers to have one dress only, and that of a less costly pattern, which will forthwith be prepared." Of course, this, like the former ukase, could not escape the satirist, and we have the accompanying illustration by R. S. entitled, "Raising the Wind by Royal Authority. His Majesty intends diminishing the extravagant expense of the Military Officer's dress. See the papers." Here we see the Jew old clothesmen chaffering against each other and bargaining with Hussar Officers for their compulsorily left-off finery.
English Fashion - 1830-1831
English Fashion - bonnet, hat, turban, and caps, as worn during the year 1830-1831
bonnets worn in 1830
bonnets worn in England in 1830
bonnets, a turban, a cap, and various modes of dressing the hair. 1833
bonnets, a turban, a cap, and various modes of dressing the hair. 1833
Buy a broom girl
One of the features of the streets at that time was the "buy a broom girl," so called from her cry. Her costume was picturesque, and she was rather an ornament to the extremely prosaic street. "From Deutschland I come, with my light wares all laden, To dear, happy England, in summer's gay bloom; Then listen, fair ladies, and young pretty maidens, And buy of a wand'ring Bavarian, a broom. Buy a broom? Buy a broom?"
Coronation Day
During the procession to the Abbey the weather was fine, and the sight a brilliant one; but, soon after one o'clock, a very heavy rain descended; the wind, too, blew with great violence, and occasioned rattling and tearing among the canvas canopies of the newly erected stands. It ceased for a short time, between two and three, when it broke out afresh, and was particularly lively when the ceremony was over, at half-past three. It quite spoilt the return procession, some of the carriages driving straight away, and those that fell into `rank` had their windows up. The general public were in sorry plight, as we see in the accompanying illustration—
English Fashions 1832
a dinner, two ball, and a walking dress 1832
Hairstyles for 1837
Hairstyles for 1837
different modes of dressing the hair.in 1835
different modes of dressing the hair.in 1835
different styles of hair-dressing fashionable in 1830-31
different styles of hair-dressing fashionable in 1830-31
Duke of Wellington made Chancellor of the University of Oxford
At his installation on June 10th he wore his Chancellor's robes of black silk and gold, and H. B. has given us a very graphic portrait of him on this occasion: and he was attended by the Marquis of Londonderry, Lord Montague, Lord Apsley, Lord Hill, Lord Mohun, Sir George Murray, Sir Henry Hardinge, Sir S. Acland, Sir Robert Inglis, and Sir Charles Wetherell.
Duke of Wellington providing the people with beer
The illustration, by an anonymous artist, shows the Duke of Wellington providing the people with beer, in a popular manner. It is entitled "Opening the Beer Trade; or, Going into a New Line of Business."
English dress fashions worn in 1830
English dress fashions worn in 1830 Two walking dresses, one evening, and one ball dress.
hair dressing which were in vogue in 1832
hair styles which were in vogue in 1832
Hairstyles for 1836
Hairstyles for 1836
The costumes given for 1835 are a nursemaid and children
The costumes given for 1835 are a nursemaid and children
The costumes given for 1835 are indoor and walking dresses
The costumes given for 1835 are indoor and walking dresses
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses illustrated are two for walking, one dinner, and one for a ball 1834
English Fashions 1834 The dresses illustrated are two for walking, one dinner, and one for a ball. The front and back of a cap are also shown.
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
Hair fashions 1834 England
Hair fashions 1834 England
The Kentish Lady that did not go to the Coronation
One little thing marred the universality. The Duchess of Kent was not present at the coronation, neither was the Princess Victoria. It was an open secret that the King and the Duchess were not on friendly terms, but it was thought very bad taste on her part not to be present. The Duchess is saying to the weeping Princess, "Say no more about the Coronation, child. I have my particular reasons for not going to it."
The New Bishop of Derry
Apropos of this, there was a little joke, in the shape of a drawing by H. B., which can neither be placed as a satirical print, nor a caricature, but is a simple bit of pure fun. About the time of this discussion, the Bishopric of Derry was vacant, value about £11,000 a year, and it was humorously suggested that, to save the nation the £10,000, the Princess Victoria should be made the bishop of Derry
The Unknown Tongues—Daybreak at the National Scotch Church
About this time there was great talk of one Edward Irving, pastor of the Scotch National Church, in Regent Square, and the miraculous gift of tongues. In London, at all events, this peculiar manifestation seems to have commenced on Sunday, October 9th, when Mr. Irving delivered two sermons on the extraordinary gifts of the Spirit, on which occasions the congregation was disturbed by individuals speaking in unknown language. During the morning's sermon, a lady (Mrs. Hall), thus singularly endowed, was compelled to retire to the vestry, where she was unable (so she said) to restrain herself, and spoke for some time in the unknown tongue, to the great surprise of the congregation. In the evening a Mr. Tamplin did the same, creating great confusion. Next Sunday a Mr. Carsdale was similarly affected, and these manifestations, afterwards, became common. The accompanying illustration is by Seymour, and purported to be sketched from life. It is called, "The Unknown Tongues—Daybreak at the National Scotch Church, Regent Square. Refrain from these Men, etc., Acts iv." Irving is seated, Mr. Tamplin is standing with an open book, Mrs. Hall is one of the ladies, and Mr. Carsdale leans his head on his hand.
two walking dresses as well as an indoors and evening dress 1836
two walking dresses as well as an indoors and evening dress 1836
William IV
William IV
London Cab
The royal assent was given on September 22, 1831, to "An Act to amend the laws relating to Hackney Carriages," etc., by which it was enacted that, up to January 5, 1833, they should be limited to twelve hundred, and, after that date, there was to be no limitation to their number, except that caused by the law of demand and supply. The hackney coach was a cumbrous vehicle with two horses, and, in 1823, one-horsed vehicles were introduced, called cabriolets, speedily shortened into cabs.
London cabriolet
On December 23, 1834, Joseph Aloysius Hansom, an architect, took out a patent, No. 6733, for "a vehicle for conveying loads, etc.," and from that time to this his name has been inseparably connected in England with cabs. Not that his cab was like the present "hansom," which is a product of much evolution. There was no back seat for the driver, and its "safety" consisted in its cranked axle. He sold his rights to a company for £10,000, but never got a penny piece of it. The only money he ever got out of it was £300, which, when the company had got into a muddle, was paid him to take temporary management and put things straight again.
London Cabriolet
The hackney coach was a cumbrous vehicle with two horses, and, in 1823, one-horsed vehicles were introduced, called cabriolets, speedily shortened into cabs. They began modestly with twelve, and in 1831 had increased to one hundred and sixty-five.
London Postman
But it was a very noisy city, this London. The watchmen, not altogether done away with, would croak out his "Past twelve o'clock, and a frosty morning;" the milkwoman made the early morning hideous with her shrieks, as also did the chimneysweep and the newsman, who brought your morning paper; the peripatetic vendor of fish, or cats' meat, cried out, the dustman rang a bell and yelled, whilst all sorts of street hawkers helped to swell the din. Muffin men not only cried out but rang a bell, as did also the postman; but then his bell was legalized and useful, as, on hearing it, people could rush to the door and give him the letters needing posting instead of going to a post-office, which might be some distance off, and there were no pillar-boxes in those days.
New Police
Here is a sketch of the uniform of the "New Police" as they were called, copied from a satirical print of Sir Robert Peel, by the celebrated H. B. (John Doyle, father of Richard Doyle, to whom Punch owed so much). The hats were worn until a comparatively recent period, and in summer-time they wore white trousers.
Paganini
In a notice of his first concert, the Times says— "The personal appearance of Paganini is remarkable. He is a tall, thin man, with features rather emaciated, pale complexion, a sharp, aquiline nose, and a keen eye, the expression of which is greatly heightened when he is animated by his performance. His hair, which is dark, is worn long behind, and combed off the forehead and temples, in a manner which gives an air of great simplicity to his countenance. He seems to be about fifty years of age. "The enthusiasm which his performance excited last night among the audience certainly surpassed anything of the kind within these walls. Every tour de force and striking passage was not only applauded, but cheered by the whole audience, and some of the variations were encored. At the end of every performance, and especially after the last, the applause, cheering, and waving of handkerchiefs and hats, altogether presented a most extraordinary scene. Foreigners, who have been present at his concerts in several other parts of Europe, remarked that the applause bestowed, and the enthusiasm excited last night, were greater than they had ever witnessed before."
Battle of Palo Alto 8th. May 1846
Battle of Palo Alto 8th. May 1846
Battle of Resaca de la Palma 9th May 1846
Battle of Resaca de la Palma 9th May 1846
Antonio López de Santa Anna
Of all the officers who have commanded the army and enjoyed the presidency, Santa Anna has occupied the most distinguished position since the death of Iturbidé.
A Dinka Dandy
The portrait represents what might be styled a Dinka dandy, distinguished for unusually long hair. By continual combing and stroking with hair-pins, the hair of the negro loses much of its close curliness. Such was the case here: the hair, six inches long, was trained up into points like tongues of flame, and these, standing stiffly up all round his head, gave the man a fiendish look, which was still further increased by its being dyed a foxy red. This tint is the result of continual washing with cow-urine; a similar effect can be produced by the application for a fortnight of a mixture of dung and ashes.
Costume for young girl. Period, 1821
Costume for young girl. Period, 1821
Lady in house-robe. Period, 1816
Lady in house-robe. Period, 1816
The break in the South Forks Dam
The valley of the Conemaugh in which Johnstown stood lies between the steep walls of lofty hills. The gathering of the rain into torrents in that region is quick and precipitate. The river on one side roared out its warning, but the people would not take heed of the danger impending over them on the other side—the great South Fork dam, two and a half miles up the valley and looming one hundred feet in height from base to top. Behind it were piled the waters, a great, ponderous mass, like the treasured wrath of fate. The South Fork Reservoir was the largest in the United States, and it contained millions of tons of water. When its fetters were loosened, crumbling before it like sand, a building or even a rock that stood in its path presented as much resistance as a card house. The dread execution was little more than the work of an instant.
Ruins in Main Street, Johnstown
The eastern end of Main street, through which the waters tore most madly and destructively, and in which they left their legacy of wrecked houses, fallen trees and dead bodies in a greater degree than in any other portion of the city, has been cleared and the remains of over fifty have been taken out.
Frightful struggles for life
The losses, however, are as nothing compared to the frightful sacrifices of precious human lives. During Sunday Johnstown has been drenched with the tears of stricken mortals, and the air is filled with sobs that come from breaking hearts. There are scenes enacted here every hour and every minute that affect all beholders profoundly. When brave men die in battle, for country or for principle, their loss can be reconciled to the stern destinies of life. When homes are torn asunder in an instant, and the loved ones hurled from the arms of loving and devoted mothers, there is an element of sadness connected with the tragedy that touches every heart.
Ball Costume 1825
Ball Costume 1825
Early days of the crinoline - 1855
Early days of the crinoline - 1855
French Restoration period - 1823
French Restoration period - 1823
The 1830 Effect
The 1830 Effect
The 1840 style
The 1840 style
The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume.
The Grecian Bend
The Grecian Bend , a feature of the late 70's
The more practical gown of the Empire Period
The more practical gown of the Empire Period
Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures.
John Clarkson
The next point is to acquire a correct position in the "box," and an easy, yet deceptive, style of delivery. The position is, to a great extent, prescribed by the rules, and so much of it as is not can be learned by observing the different pitchers. The position which seems most natural should be chosen. The ball should be held in exactly the same way, no matter what kind of curve is to be pitched. Being obliged by rule to keep the ball before the body, in sight of the umpire, any difference in the manlier of holding it will be quickly noticed by a clever batter, and if for a particular curve it is always held in a certain way, he will be forewarned of the kind of ball to expect. Some batters pay no attention to these little indications; but the majority are looking for them all the time, and once they detect any peculiarities, they will be able to face the pitcher with much greater confidence. The correct manner of holding the ball for every kind of delivery is between the thumb and the first and middle fingers, as shown in the accompanying cut of Clarkson.