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- Enamelled Chinese Vase
Enamelled Chinese Vase with animals - The Barley-Sugar Stall
I have often noticed longing eyes watching the pan of boiling sugar at the corner of some thoroughfare, or under the porch of some well-frequented temple in China ; and as the desired consistency was attained, the sugar-stick drawn out to the proper thickness, the elegant spiral twist given by a dexterous movement of the hand, and as the long scissors snipped the transparent and fast-hardening stick into convenient inches, You notice that the figure in our sketch has two baskets, or rather tubs, the one containing his goods in the form of sweetmeats of various devices, the other the fire-pans and implements necessary for their manufac-ture. When he moves from place to place, that short pole which is resting by his side is laid upon his shoulder, and a tub hangs on a hook at either end. Listen ! He is striking with a flat piece of brass his little sounding gong, which, with its clang, clang, clang, invites customers. Each trade has its own particular cry or call, some vocal, some, as in this case, instrumental. See ! an urchin, whose fingers are evidently so burnt with the money that they can hold it no longer, is running forward to make a purchase. You may tell he is very young, for his tail is not yet grown, his head is entirely shaved, save two little tufts of hair, which are twisted and bound up into a soft horn, and orna-mented with a piece of crimson silk. Though so young, yet he has his own mind about his money, and very likely will prefer giving that funny-look-ing wheel in front of the sweetmeats a turn, to know whether he is to have double the worth of his money in sugar, or none at all. The gambling spirit is even strong in infancy, and though the chances are that the sweetmeat-seller will gain, yet he cannot resist the temptation ; only think, if he should get two pieces of sugar instead of one ! If he loses, he will stand there watching while others take their turn ; if he wins, he will run home delighted with his success. Children are children all the world over, they will have their fun and frolic, the sweet tooth can never be pulled out; if it could, what would become of the poor lollipop-makers ! - Chinese Jugglers
Chinese Jugglers - The Queens first council - Kensington Palace June 20 1837
Queen Victorias first council - Kensington Palace June 20 1837 The year 1837, except for the death of the old King and the accession of the young Queen, was a tolerably insignificant year. It was on June 20 that the King died. He was buried on the evening of July 9 at St. George’s Chapel, Windsor; on the 10th the Queen dissolved Parliament; on the 13th she went to Buckingham Palace; and on November 9 she visited the City, where they gave her a magnificent banquet, served in Guildhall at half past five, the Lord Mayor and City magnates humbly taking their modest meal at a lower table. - Leigh Hunt
Leigh Hunt - Sir Robert Peel
Sir Robert Peel - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The 1840 style
The 1840 style - The 1830 Effect
The 1830 Effect - French Restoration period - 1823
French Restoration period - 1823 - Early days of the crinoline - 1855
Early days of the crinoline - 1855 - Ball Costume 1825
Ball Costume 1825 - A Chinese sedan chair and bearers
A Chinese sedan chair and bearers - The Albuera
This mantilla is one of great beauty. It is made of blue glacé silk, but can be in any choice color. Lavender and lustrous pearl and mode colors look especially well, as also the greens, in this garment. Its chief peculiarity consists in its square front and its fitting so as to just cut the edge of the shoulder. It is fastened at the top by a bow; the back falls with an easy fulness; it is embroidered. - Spring Fashions 1854
Spring Fashions 1854 - Spring Fashions
LACE MANTILLA and TABLET MANTILLA LACE MANTILLA.—This mantilla has three capes—the first is in depth twenty-three inches, the second eighteen inches, and the third fourteen inches, with lace edging to match. The collar is six inches in depth, with a bow of ribbon behind. TABLET MANTILLA.—Material. Watered or plain silk. It is made with a yoke, and falls low on the shoulders. For trimming, it is cut in turrets, trimmed with narrow braid and netted fringe sewed underneath. - Practical Dress Instructor
Headdress of the Lady on the Right.—Hair in bandeaux à la Niobe; torsade of pearls. Moire dress, low body, with progressive revers opening over a modestie of embroidered muslin edged with lace; short open sleeves à la Watteau; undersleeves of embroidered muslin; half-long gloves; bracelets of pearls, or more often worn different, according to choice. The other Figure (Lady seated).—Cap of tulle trimmed with lace and ribbon. Low body, with revers open to waist; loose bell-shaped sleeves, edged with a bouillonne; two skirts trimmed with the same; modestie of embroidered muslin, edged with point de Venise; black velvet bracelets, half-long gloves, and Venetian fan. - Parisian Fashions
MARQUISE and NAVAILLES SHAWL-MANTELET. MARQUISE.—Silk Pelisse. The body is close; it is trimmed with three rows of goffered ribbons disposed in arcades, and terminated at each point by loops of ribbons one over the other. A row of ribbons runs round the bottom of the body, which has also a lace trimming that falls over the opening of the sleeve. The skirt falls in flutes; it has three rows of ribbons and a lace flounce. NAVAILLES.—Shawl-Mantelet, of taffetas trimmed with lace, fringe, and silk ribbons having velvet stripes. It opens like a shawl in front, and comes high behind. A lace of two inches in width turns down on the neck as far as the bow on the breast; a point falls behind like a little shawl, and is bordered with a ribbon sewed on flat, and a lace of about five inches, besides a fringe; in front this lace forms a bertha. The lower part of the garment, sewed on under the point, is rounded, and hangs in flutes behind. It is bordered with the same ribbon, accompanied by the same, and fringe. The ends in front are pointed. - Godeys Fashion - 1854
Godeys Fashion - 1854 - The latest French fashions
Evangeline and Annoinette EVANGELINE.—Silk embroidered, and trimmed with two rows of guipure lace—one row of lace round the yoke, and one about ten inches from the bottom, each row headed with a narrow quilling of ribbon, which also goes down the front and round the neck. On the yoke and between the rows of lace there is handsome embroidery. ANTOINETTE. An entirely new pattern.—The mantilla is entirely formed of rows of lace or pinked silk on a silk or thin foundation. - Spring Bonnets
The peculiar trait of the hats of the present season is the great quantity of mixed materials, as crape, silk, lace, flowers, and ribbon, on one very small structure. Great taste is to be exercised in mingling these judiciously—ornamenting, not overloading; in the first place, selecting a good model as to shape and style. No. 1 we have chosen for its simplicity. It is composed of three rows of pink crape or silk, drawn in a puffing, with a blonde edging rather wide on each. The crown is entirely of lace, and there is a fall of the same on the cape. A knot of pink satin bows, to the right, is all the decoration of the exterior. A full cap of blonde, with one or two pink bows, carelessly disposed, inside the brim. No. 2 shows the extreme of the shallow brim, and two-thirds of the wearer's head at the same time. It is, notwithstanding, a neat and modest-looking dress bonnet of pomona green silk, the crown piece, which is in full flutings, extending almost to the edge of the brim. This is crossed by a band of the same with bound edges (old style). The front is a very full double ruche of blonde, between the two green silk cordings. A full cap of the same fills the space between the face and the brim, with a spray of flowers set very high to the right. No. 3.—A more elaborate hat of straw-colored silk and white guipure lace. It has a small plume on the left, and has a full spray of bridal roses inside the brim. No. 4 shows the disposition of lace and bow at the back of a crown, a great point in the millinery of the present season; a stiff crown will ruin a graceful brim. - Henry Wadsworth Longfellow
Henry Wadsworth Longfellow - The coronation of her majesty Queen Victoria
The coronation of her majesty Queen Victoria - Her majesty leaving Buckingham Palace on the morning of the coronation
Her majesty leaving Buckingham Palace on the morning of the coronation - Her majesty leaving her private apartments in Westminster Abbey
Her majesty leaving her private apartments in Westminster Abbey - The procession approaching Westminster Abbey
The procession approaching Westminster Abbey - Marshall Soult's State Carriage
Marshall Soult's State Carriage - Her majesty’s State Carriage
Her majesty’s State Carriage - Queen Victoria
Queen Victoria - Australian Natives Burning their Dead
Australian Natives Burning their Dead - Sections of an English Coal Mine
In some English and Scotch mines, and also in some of the French mines, where the seams of coal are thin, boys, who are called “putters,” are employed to draw small carts along a railway. They fasten themselves to the cart with belts around their waists, and draw it along, going sometimes on their hands and feet where the road is wet and rough. Sometimes one of them pulls the cart while the other pushes it. In some of the Scotch mines girls formerly performed this work; but of late the laws do not allow women to work under ground. Girls used to carry on their backs a basket fastened to a leather strap which passed around their foreheads. A lamp was attached to the strap, and in this way they carried their loads up the long ladders and through the inclines, sometimes a distance of several hundred feet. If a strap broke, a block of coal fell, or a bearer missed her footing, those below were seriously hurt, and many fatal accidents occurred. This primitive mode of raising coal was abolished by law. The owners of the mines had become so careless in regard to the management of their laborers that the government was obliged to interfere. - The Typist
Lynde Pyne watched the graceful movements of Leonie's fingers over the key board - Hunting
Hunting - Golf
Golf - Fishing
Fishing - Cricket
Cricket - Coursing
Coursing - Coaching
- Boxing
Boxing - Boating
Boating - Archery
Archery - Skating
Skating - Shooting
Shooting - Racing
Racing - An Experimental Airship
...it was followed in due course by the use of small steam engines and electric motors, which were made to turn propellers such as are used in aeroplanes. For such experimental craft, the rounded form of gas-container was abandoned and a cigar-shaped envelope adopted, pointed at both ends, which could be more easily driven through the air. An airship of a crude and early type is seen here. It was built by an experimenter named Gifford, and in 1852 it flew at the rate of seven miles an hour. A. Gas-containing envelope; B. Car suspended below envelope, which carried the aeronaut and a 3-horse-power steam engine; C. Two-bladed propeller driven by the engine; D. Rudder (in the form of a sail) by which the machine could be steered from side to side. - Japanese Girl with Baby
Japanese Girl with Baby - Hindu Snake Charmers
Almost as wonderful as these juggler’s tricks are the performances of the snake charmers. They carry the dreaded, poisonous cobras around in baskets and handle them, playing at the same time on their little flutes, quite as if the creatures were entirely harmless. - Fish-girl of Scheveningen, Holland
The fishing towns of Holland are interesting. Every traveller wants to see Vollendam and Scheveningen and the hamlets on the Island of Marken. The men and women in these towns are kind-hearted, simple people, who are proud of their own village and think their own dress finer than that of other towns. Each of these fishing villages has its characteristic costume. The men of the Island of Marken wear a close-fitting jacket which ends at the waist and great, baggy, knee pants. Marken women wear round, white caps, fitting the head closely, with an open-work border, and a bright waist, with striped sleeves, over the front of which is a square of handsomely embroidered cloth. Little girls all through Holland dress exactly like women. But for her child face you would take the little girl from Scheveningen to be a grown person. She wears a dainty white cap pinned on with two great round-headed pins. Her ample dress quite reaches the ground; her white apron is neatly tied, and her purple shawl, tightly wrapped about her shoulders, is demurely crossed, and the ends are tucked under her apron strings. She wears the common wooden shoes of the country - Finns Singing.
The Finns love song and poetry. It is said that every village has one poet, or more, and that he prepares a new song whenever aught of importance occurs. Besides these new songs they have many ancient songs, of which they never tire. When they sing the songs of the olden time, two men seat themselves face to face upon a bench, join hands, and rock backward and forward in time to the song. First one sings a line or passage, and then the other repeats the same, and so they continue, rocking back and forth and singing the whole night through. Sometimes a third man plays upon the kantele, while the others sing. This kantele is somewhat like a zither; it has a flat sounding-body upon which are strung from three to eight strings of different lengths. It is usually picked with the fingers like a guitar. It is said that the first kantele was made of fish-bones, though it is not easy to see how that could be. - Corean Hat
But the most curious part of Corean dress is the hat. There are many different kinds. There are hats for young and hats for old, hats for out-doors and hats for the house, hats for people of different occupations. The commonest out-door hat is round, square-topped, and with the wide, flat, brim halfway up the crown. The hats worn at the royal court are like high skull-caps, with wide flaps or wings projecting at the sides. The straw hats worn by drovers and people in mourning are shaped like the top of a parasol and measure two feet and a half across. - Chinese Mandarin
Chinese Mandarin - Boys’ Festival, Japan
The fifth day of the fifth month is the Boys’ Festival. Then they are selling bows and arrows and other toy weapons everywhere. Everywhere they hang out great paper fishes, shaped like carp, and brightly painted. These are hung to tall bamboo poles of which there is one set in front of every house where they have a boy in the family. One fish is hung for each boy, and it is a gay sight to see the hundreds of bright fish waving and tossing in the wind. The reason 92why the carp is represented is because it swims up the river against the current; so it is hoped “the sturdy boy, overcoming all obstacles, will make his way in the world and rise to fame and fortune.” - Andaman Mincopies
East of British India and south of Cochin-China in the Bay of Bengal are the Andaman Islands, on which the Mincopies live. They are small in stature, black or dark brown, with broad round heads, and crinkly or woolly hair. They are often called negritos, or little negroes. - Ainu—a Hairy Specimen
Ainu clothing is generally made of elm bark, and that worn by men and women is much alike. The bark is stripped from the tree in spring, when it is full of sap. It is soaked in water to separate the inner and outer bark. Fibres are secured from the inner bark, which can be woven like thread into cloth. The men’s garments of this fibre cloth are adorned with patterns embroidered with colored threads; those of women are generally plain. - A Greenland Eskimo Fishing
Much of his hunting is done from his canoe or kayak. This is narrow, sharp-pointed at both ends, and light. It consists of a slight framework over which skins are tightly stretched. The opening above is but large enough for him to get his legs and body through. When he has crept in, he ties a collar of skin, that surrounds the opening, about his body, below his arms, to prevent the water dashing into the kayak, and paddles away. His different weapons are all fastened in their proper places on top of the canoe, where he can seize them when wanted. The Eskimo are wonderful boatmen and drive their kayaks over the waves like seabirds. If they tip over, they easily right themselves. - Victorio—an Apache Warrior
Mr. Lummis has written of the Apache warrior and described the war led by Geronimo. It was a daring thing. There was but a handful of the Indians. “Thirty-four men, eight well-grown boys, ninety-two women and children”—that was all. Only forty-two who could be called fighters. On May 17, 1885, the little band broke forth from their reservation and headed for Mexico. It took the United States a year and a half of useless trouble and expense to pursue them. Time after time, when it seemed certain that the Indians were trapped, they 14vanished. They never stood for a pitched battle. But anywhere, concealed behind rocks or hidden in brush, they picked off the soldiers sent to capture them. The forces of the United States and Mexico were both kept constantly upon the move. When a year had passed about sixty of the Indians returned home. Twenty warriors, with fourteen women, kept up the battle, when they too went home. During the year and a half of fighting more than four hundred whites and Mexicans were killed; only two of the Indian band were destroyed. During that time Arizona and New Mexico and all the northern part of Mexico were kept in constant terror. These Apaches were truly “wild Indians.” - Outside Morley's
Outside Morley's