Home / Albums / Places / America / United States / Indigenous People 152
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The mask of Ahole, who flogs the children during the Powamû celebration, has the same two lateral horns and representation of radiating feathers over the crown of the head, but instead of sagittaform marks on the forehead there is a colored band from ear to ear across the face.
278 visits
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Image 10700
250 visits
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Image 10701
259 visits
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Image 10698
256 visits
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The symbolism of Alósaka is shown in a rude drawing made by one of the Hopi to illustrate a legend, and it represents this being on a rainbow, on which he is said to have traveled from his home in the San Francisco mountains to meet an Awatobi maid. Above the figure of Alósaka is represented the sun, which is drawn also on the screen above described, for Alósaka is intimately associated with the sun, as are all the other horned gods, Ahole, Calako, Tuñwup, and the Natackas.
251 visits
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Serpent. Osborn Ruin. (Osborn collection. E. D. O. Jr. del.)
The head shown has a horn curving forward almost identical with that on the head of a horned serpent on a bowl from Casas Grandes in the Heye collection. Its gracefully sinuous body is decorated with alternating geometric figures, curves and 45straight lines.49 Accompanying the figure of a serpent is a well-drawn picture of a turtle which is decorated on the carapace with a rectangular area on which is painted a geometric figure recalling that on bodies of birds and some other animals.
336 visits
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Problematical Animal (Unidentified animal)
Black and White ware
15 by 6 inches
Osborn Ruin
377 visits
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Rabbit. Oldtown Ruin. Diam. 7½″.
The author excavated at Oldtown a food bowl, the figure on which was undoubtedly intended for a rabbit. The head, ears, body, legs, and tail are well made, leaving no question of the intention of the artist; but if there were any doubt of the identification it is dispelled by the representation of the mouth, on which the sensitive hairs or bristles are represented.
180 visits
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The third human figure, found on a black and white bowl from a Mimbres ruin, is duplicated by another of the same general character depicted on the opposite side of the bowl. These figures are evidently naked men with bands of white across the faces. The eyes are represented in the Egyptian fashion. In one hand each figure holds a tube, evidently a cloud-blower or a pipe, with feathers attached to one extremity, and in the other hand each carries a triangular object resembling a Hopi rattle or tinkler. The posture of these figures suggest sitting or squatting, but the objects in the extended left hand would indicate dancing. The figure is identified as a man performing a ceremonial smoke which accompanies ceremonial rites.
341 visits
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Problematic Animal
Red Decoration
Osborn Ruin
It is difficult to tell exactly what animal was intended to be represented by that shown. Its head and mouth are not those of any of the horned animals already considered, although it has some anatomical features recalling a mountain sheep. The extension back of the body has a remote likeness to a fish, but may be a bird or simply a conventional design.
374 visits
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Mountain Sheep.—It is evident from the form of the unbranched horns, the slender legs, and the head, that either a mountain sheep or mountain goat was intended to be represented. The markings on the body are symbolic, suggesting lightning, and it may be added that the Hopi depict the lightning on the artificial horns mounted on caps and worn by them in presentations of dances in which they personate mountain sheep.
496 visits
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About seven miles northwest of Deming, in a field on the north side of the Southern Pacific Railroad, there is a small tract of land showing aboriginal artifacts strewn over the surface, affording good evidence of prehistoric occupation. There are no house walls visible at this place, and only a few fragments of food bowls, but in the course of an hour's search several small mortars , paint grinders and other objects were procured at this place
256 visits
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Pictographs occur at several localities along the Mimbres. As these have a general likeness to each other and differ from those of other regions, they are supposed to be characteristic of the prehistoric people. They are generally pecked on the sides of boulders or on the face of the cliffs in the neighborhood of prehistoric sites of dwellings. Although there is only a remote likeness between these pictographs and figures on pottery, several animal forms are common to the two.
The most important group of pictographs seen by the author are situated about nine miles from Deming in the western foot-hills of Cook's Peak.21 Some of the pictographs recall decorations on bowls from Pajarito Park.
184 visits
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One of the most instructive food bowls found at Oldtown, now owned by Mr. Osborn, has on it a picture of two hunters, one on each side of an animal (fig. 15). One of these hunters carries in his hand a stick crooked at the end, its form suggesting a throwing stick. Both hunters have laid aside their quivers, bows, and arrows, which are shown behind them. The picture of an animal between them has been so mutilated by "killing" or breaking the bowl that it is impossible28 to identify it. From the end of this crook to the body of the animal there extend two parallel lines of dots indicating the pathway of a discharged weapon. Near the body of the animal these rows of dots take a new direction, as if the weapon had bounded away or changed its course. The rows of dots are supposed to represent lines of meal by which Pueblos are accustomed to symbolically indicate trails or "roads."
369 visits
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Hunters. Oldtown Ruin. (Osborn collection.)
An instructive group of human figures is drawn on a deep red and white food bowl, which measures ten inches in diameter. It is evident that this design represents three hunters following the trail of a horned animal, probably a deer. This trail is represented on the surface of the bowl by a row of triangles, while the footprints of the hunters extend along its side. It may be noted that although there are three hunters, the trails of two only are represented, and that the hunters are barefoot. They have perhaps lost the trail and25 are looking the opposite way, while the animal has turned back on his path. The footprints of the deer in advance of the hunters are tortuous, showing want of decision on the part of the animal. The three hunters are dressed alike, wearing the close-fitting jacket probably made of strips of skin woven together like that found by Dr. Hough in a sacrificial cave at the head of the Tulerosa, New Mexico.
507 visits
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A figure on a bowl here represented is painted in "black or brown on a background of bluish wash over a yellow color." This bowl is eleven inches in diameter, five inches in depth. The figure is a remarkable one, having features of several animals, but none of these are more pronounced than its insectiform characters, among which may be mentioned the antennæ, three legs on one side (evidently three pairs of legs, for that in the back is simply introduced in violation of perspective), and an extended segmented abdomen attached to the thorax and terminating in a recurved tip. The character of the appendages to the thorax, or the wings, leaves no doubt that a flying animal was intended, and the legs and head being like an orthopterous insect, it may be provisionally identified as a "grasshopper."
360 visits
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Handled mortar. (Swope collection.) Length 10¾″
Lateral and top views of one of the characteristic forms of small stone mortars with a handled projection on one side is shown in figure. This specimen is in the Swope collection in the Deming High School. In the same collection there are also two beautiful tubular pipes, or cloud-blowers, from the same spring.
253 visits
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Hopi curved stick. Length 8″.
We find a survival of a similar crook used as sacred paraphernalia in several of the Hopi ceremonies, where they play an important rôle. As the author has pointed out, crooked sticks or gnelas (fig. 16) identified as ancient weapons surround the sand picture of the Antelope altar in the Snake Dance at Walpi, and in Snake altars of other Hopi pueblos, but it is in the Winter Solstice Ceremony, or the Soyaluña, at the East Mesa of the Hopi, that we find special prominence given to this warrior emblem. During this elaborate festival every Walpi and Sitcomovi kiva regards one of these gnelas as especially efficacious for the warriors, and it is installed in a prominent place on the kiva floor, as indicated in the author's account of that ceremony.
248 visits
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Frog fetish. Black Mountain Ruin. (Swope collection.) Length 3½″.
These idols represent frogs, bears, mountain lions, and other quadrupeds, and have much the same form as those from ancient ruins in Arizona. On the backs of several of these stone idols are incised figures, like arrowheads tied to Zuñi fetishes, or possibly rain-cloud figures.
339 visits
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Frogs and Birds.
Black and White Ware. Diameter about 12 inches. Oldtown Ruin
240 visits
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Fishes. Black and White ware. 11 by 4½ inches.
The most problematical of all the life figures on the Mimbres pottery is shown. This figure occurs on a black and white food bowl, eleven inches in diameter, four and one-half inches in depth. In support of the theory that the two figures here depicted represent fishes, we have the pointed head without neck, the operculum as a white crescentic design, two fins (pectoral, ventral, and anal), the median (adipose?) dorsal fin unpaired, and a long tail bifurcated at the extremity. The resemblance of these figures to the undoubted fishes on bowls previously mentioned is conclusive evidence that they represent the same animal.
540 visits
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Frog. Diameter 10 inches. Osborn Ruin
On another bowl there is depicted a frog very like that last mentioned. The frog being an amphibian was undoubtedly greatly reverenced by the ancient people of the Mimbres Valley.
469 visits
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Fetish. Byron Ranch. (Swope collection.) Length 6¾″
302 visits
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Fetish. Byron Ranch. (Swope collection.) Length 5¾″.
315 visits
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Fish. Oldtown Ruin. Diam. 9″
One of the bowls from the Oldtown ruin has two fishes depicted on opposite sides of the inner surface. These fishes resemble trout and are of different colors, black and reddish brown figures painted on a white ground. They are represented as hanging from two parallel lines surrounding the rim of the bowl. These fishes are so well drawn that there is no doubt what animal was intended to be here represented.
511 visits
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Fawn. Oldtown Ruin.
Another figure referred to as an antelope appears to represent a young fawn, since, while it has all the characteristics of this animal, 34the horns are wanting. This specimen was found at Oldtown. The rectangular shape so often given to the bodies of animals drawn on Mimbres pottery is well shown in this specimen.
482 visits
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The comparatively large number of vases, food bowls, and other forms of decorated smooth ware in collections from the Mimbres is largely due to their use in mortuary customs, and the fact that almost without exception they were found placed over the skulls of the dead. Although the largest number of vessels are food bowls, there are also cups with twisted handles, vases, dippers, and other ceramic forms found in pueblo ruins.
260 visits
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Cloud blowers. Faywood Hot Springs. (Swope collection.)
The pipes from the Mimbres take the form of tubular cloud-blowers, specimens of which are shown. Apparently these pipes were sometimes thrown into sacred springs, but others have been picked up on the surface of village sites or a few feet below the surface.
102 visits
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The well-drawn figure painted on a bowl from Oldtown ruin represents a man with knees extended and arms raised as if dancing. This picture has characteristic markings on the face, but otherwise is not distinctive.
506 visits
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Bird C occurs on a black and white bowl that measures ten inches in diameter, five and one-half inches in depth. The figure occupies the circular zone in the middle of the bowl and is enclosed by parallel lines which surround the bowl near the rim. The top of the head, which is globular, is white in color, the beak projecting and the eyes comparatively large. The body is likewise globular and is covered by a square geometrical design the details of which are considerably obscured by the hole in the middle of the jar. A number of parallel lines of unequal length, turned downward, hang from the rear of the body and form the tail. The long legs suggest a wading bird, and the widely extended claws point to the same identification.
603 visits
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The bird shown is different from any of the above and is distinguished readily by the four curved lines on the head suggesting the quail. The pointed tail is marked above and below with dentations, formed by a series of rectangular figures which diminish in size from body attachment to tip. The body itself is marked posteriorly with parallel lines, rectangular and curved figures suggesting wings.
552 visits
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The figure shown is represented by two designs, practically the same, repeated so far as appendages go, but quite different in the ornamentation of their bodies. One of these has the same geometrical figure on its body as on one of the quadruped pictures, the second has a different design. Both birds have wings outspread as if in flight, in which the feathers are well drawn in detail, especially the wing on the side turned toward the observer. That on the opposite side is simply uniformly black. The feathers of its companion on the other side of the bowl are indicated by parallel lines. The tail is long and forked at the extremity, suggesting a hawk, and is decorated for two-thirds of its length with cross-hatched and parallel lines.
581 visits
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Bird B is painted on the interior of a food bowl of black and white ware, ten inches in diameter by five inches deep. Its body is oval, the head erect and undecorated, and the tail twisted from a horizontal into a vertical plane as is customary in representation of lateral views of birds from Pueblo ruins.
579 visits
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Arrow polisher. Length 3¼″, breadth 2½″.
A beautiful arrow polisher found near Deming.
99 visits
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There is considerable evidence of "pottery hunting" by amateurs in the mounds of Oldtown, and it is said that several highly decorated food bowls adorned with zoic figures have been taken from the rooms. It appears that the ancient inhabitants here, as elsewhere, practised house burial and that they deposited their dead in the contracted position, placing bowls over the crania.
218 visits
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Two Wolves Black and White Ware. 11 by 5½ inches. Osborn Ruin.
354 visits
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Unidentified animal. Oldtown Ruin. (Osborn collection.)
The presence of only two legs in this figure would seem to indicate that a bird was intended, but no bird has a tail like this figure; and the prehistoric potters of the Mimbres certainly knew how to draw a bird much better than this would imply. The exceptional features of this drawing, doubtless intentional, belong neither to flesh, fish, nor fowl, rendering its identification doubtful.
370 visits
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The comparatively large number of vases, food bowls, and other forms of decorated smooth ware in collections from the Mimbres is largely due to their use in mortuary customs, and the fact that almost without exception they were found placed over the skulls of the dead. Although the largest number of vessels are food bowls, there are also cups with twisted handles, vases, dippers, and other ceramic forms found in pueblo ruins.
248 visits
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Stone axe. Length 8¾″
The stone axes are not very different from those of the Rio Grande and the Gila, but it is to be noticed that they are not so numerous as in the latter region, and are probably inferior in workmanship, fine specimens indeed being rare. The majority of the axes are single grooved, but a few have two grooves. In Dr. Swope's collection, now in the Deming High School, there is a fairly good double-bladed axe.
249 visits
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Image 9077
894 visits
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Image 9076
776 visits
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Our camp on a summer’s evening was a cheerful scene. At this hour, fires burned before most of the tepees; and, as the women had ended their day’s labors, there was much visiting from tent to tent. Here a family sat eating their evening meal. Yonder, a circle of old men, cross-legged or squat-on-heels in the firelight, joked and told stories. From a big tent on one side of the camp came the tum-tum tum-tum of a drum. We had dancing almost every evening in those good days.
830 visits
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“Do the spirits eat the food?” I asked. I had seen my grandfather set food before the two skulls of the Big Birds’ ceremony.
“No,” said my grandfather, “They eat the food’s spirit; for the food has a spirit as have all things. When the gods have eaten of its spirit, we often take back the food to eat ourselves.”
571 visits
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“At this hour fires burned before most of the tepees.” In fall or winter the fire was within the tepee, under the smoke hole.
575 visits
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Autumn came; my mothers harvested their rather scanty crops; and, with the moon of Yellow Leaves, we struck tents and went into winter camp. My tribe usually built their winter village down in the thick woods along the Missouri, out of reach of the cold prairie winds. It was of earth lodges, like those of our summer village, but smaller and more rudely put together. We made camp this winter not very far from Like-a-Fishhook Point.
633 visits
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To eke out our store of corn and keep the pot boiling, my father hunted much of the time. To hunt deer he left the lodge before daybreak, on snowshoes, if the snow was deep. He had a flintlock gun, a smoothbore with a short barrel. The wooden stock was studded with brass nails. For shot he used slugs, bits of lead which he cut from a bar, and chewed to make round like bullets. Powder and shot were hard to get in those days
666 visits
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My father stabled his horses at night in our lodge, in a little corral fenced off against the wall. “I do not want the Sioux to steal them,” he used to say. In the morning, after breakfast, he drove them out upon the prairie, to pasture, but brought them in again before sunset. In very cold weather my mothers cut down young cottonwoods and let our horses browse on the tender branches.
859 visits
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Turtle was old-fashioned in her ways and did not take kindly to iron tools. “I am an Indian,” she would say, “I use the ways my fathers used.” Instead of grubbing out weeds and bushes, she pried them from the ground with a wooden digging stick. I think she was as skillful with this as were my mothers with their hoes of iron.
575 visits
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Turtle’s hoe was made of the shoulder bone of a buffalo set in a light-wood handle, the blade firmly bound in place with thongs. The handle was rather short, and so my grandmother stooped as she worked among her corn hills.
She used to keep the hoe under her bed. As I grew a bit older my playmates and I thought it a curious old tool, and sometimes we tried to take it out and look at it, when Turtle would cry, “Nah, nah! Go away! Let that hoe alone; you will break it!”
533 visits
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Indians, when journeying, made the campfire outside the lodge in summer; inside the lodge, in winter. Usually a slight pit was dug for the fireplace, thus lessening danger of sparks, setting fire to prairie or forest. The fire was smothered with earth when camp was forsaken.
602 visits
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Old Turtle made me a dolly of deer skin stuffed with antelope hair. She sewed on two white bone beads for eyes. I bit off one of these bone beads, to see if it was good to eat, I suppose. For some days my dolly was one-eyed, until my grandmother sewed on a beautiful new eye, a blue glass bead she had gotten of a trader. I thought this much better, for now my dolly had one blue eye and one white one.
515 visits
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Image 9065
506 visits
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“We had a hard time,” he said. “Perhaps the gods, for some cause, were angry with us. We had gone five days; evening came and it began to rain. We were on the prairie, and our young men sat all night with their saddles and saddle skins over their heads to keep off the rain.
“In the morning, the rain turned to snow. A heavy wind blew the snow in our faces, nearly blinding us.
1274 visits
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The next morning when I went out of the lodge, I saw that the black-bear skin was bound to one of the posts at the entrance. This was a sign that my father was going to lead out a war party. I was almost afraid to pass the bear skin, for I knew it was very holy.
799 visits
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Image 9062
813 visits
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Image 9061
721 visits
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Image 9060
740 visits
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One evening in the corn planting moon, she was making ready her seed for the morrow’s planting. She had a string of braided ears lying beside her. Of these ears she chose the best, broke off the tip and butt of each, and shelled the perfect grain of the mid-cob into a wooden bowl. Baby-like, I ran my fingers through the shiny grain, spilling a few kernels on the floor.
“Do not do that,” cried my grandmother. “Corn is sacred; if you waste it, the gods will be angry.”
588 visits
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I was too little to note very much of what was done. I remember that my father set up boundary marks—little piles of earth or stones, I think they were—to mark the corners of the field we claimed. My mothers and Turtle began at one end of the field and worked forward. My mothers had their heavy iron hoes; and Turtle, her old-fashioned digging stick.
587 visits
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Image 9057
608 visits
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One morning, having come to the field quite early, I grew tired of my play before my grandmother had ended her work. “I want to go home,” I begged, and I began to cry. Just then a strange bird flew into the field. It had a long curved beak, and made a queer cry, cur-lew, cur-lew.
I stopped weeping. My grandmother laughed.
“That is a curlew,” she said.
678 visits
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The small lodges we built for winter did not stand long after we left them in the spring. Built on low ground by the Missouri, they were often swept away in the June rise; for in that month the river is flooded by snows melting in the Rocky Mountains.
The loss of our winter lodges never troubled us, however; for we thought of them as but huts. Then, too, we seldom wintered twice in the same place. We burned much firewood in our winter lodges, and before spring came the women had to go far to find it. The next season we made camp in a new place, where was plenty of dead-and-down wood for fuel.
We looked upon our summer lodges, to which we came every spring, as our real homes. There were about seventy of these, earth lodges45 well-built and roomy, in Like-a-Fishhook village. Most of them were built the second summer of our stay there.
649 visits
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The beds of the rest of the family stood in the back of the lodge, against the wall. They46 were less simply made than my father’s, being each covered with an old tent skin drawn over a frame of posts and poles. The bedding was of buffalo skins. As these could not be washed, my mothers used to take them out and hang them on the poles of the corn stage on sunny days, to air.
Most of the earth lodges—at least most of the larger ones—had each a bed like my father’s before the fireplace; for this was the warmest place in the lodge. Usually the eldest in the family, as the father or grandfather, slept in this bed.
568 visits
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Her face washed, Red Blossom sat on the edge of her bed and finished her toilet. She had a little fawn-skin bag, worked with red porcupine quills. From this bag she took her hairbrush, a porcupine tail mounted on a stick, with the sharp points of the quills cut off. She brushed her hair smooth, parting it in two braids that fell over each shoulder nearly hiding her ears. Red Blossom was no longer young, but her black tresses had not a grey hair in them.
638 visits
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Image 9052
577 visits
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But if the weather was cold, we did not go to the river to bathe. An earthen pot full of water stood by one of the posts near the fire. It rested in a ring of bark, to keep it from falling. My mothers dipped each a big horn spoon full of water, filled her mouth, and, blowing the water over her palms, gave her face a good rubbing.
625 visits
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My mothers dipped each a big horn spoon full of water, filled her mouth, and, blowing the water over her palms, gave her face a good rubbing.
527 visits
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I remember one morning, just after breakfast, I heard singing, as of a dozen or more men coming toward our lodge. I started to run out to see what it was, but my mothers cried, “Do not go. It is the Black Mouths.” My mothers, I thought, looked rather scared. We were still speaking, when I heard the tramp of feet. The door lifted, and the Black Mouths came in.
They looked very terrible, all painted with the lower half of the face black. Many, but not all, had the upper half of the face red. Some had eagles’ feathers in their hair, and all wore robes or blankets. Some carried guns. Others had sticks about as long as my arm. With these sticks they beat any woman who would not help in the clean-up.
597 visits
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My little half sister was my usual playmate. She was two years younger than I, and I loved her dearly. She had a pretty name, Cold Medicine. On our prairies grows a flower with long, yellow root. In old times, if a warrior was running from enemies and became wearied he chewed a bit of the root and rubbed it on his eyelids. It made his eyes and tongue feel cold and kept him awake. The flower for this reason was called cold medicine. When my father spoke my sister’s name, it made him think of this flower and of the many times he had bravely gone out with war parties.
741 visits
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We had a game of ball much like shinny. It was a woman’s game, but we little girls played it with hooked sticks. We also had a big, soft ball, stuffed with antelope hair, which we would bounce in the air with the foot. The game was to see how long a girl could bounce the ball without letting it touch the ground. Some girls could bounce it more than a hundred times. It was lots of fun.
744 visits
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A girl now lay downward on the hide. With a quick pull, the others tossed her into the air, when she was expected to come down on her feet, to be instantly tossed again. The game was to see how many times she could be tossed without falling. A player was often tossed ten or more times before she lost her balance.59 Each time, as she came down, she kept turning in one direction, right or left. When at last she fell, the pile of weeds saved her from any hurt.
779 visits
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Until I was about nine years old, my hair was cut short, with a tuft on either side of my head, like the horns of an owl. Turtle used to cut my hair. She used a big, steel knife. In old times, I have heard, a thin blade of flint was 60used. I did not like Turtle’s hair cutting a bit, because she pulled.
693 visits
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“Do the spirits eat the food?” I asked. I had seen my grandfather set food before the two skulls of the Big Birds’ ceremony.
“No,” said my grandfather, “They eat the food’s spirit; for the food has a spirit as have all things. When the gods have eaten of its spirit, we often take back the food to eat ourselves.”
831 visits
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“Once in Five Villages,” my grandfather went on, “there lived a brave man who owned a gun. One day a storm blew up. As the man sat in his lodge, there came a clap of thunder and lightning struck his roof, tearing a great hole.
“This did not frighten the man at all. Indeed, it angered him. He caught up his gun and fired it through the hole straight into the sky. ‘You thunder bird,’ he shouted, ‘stay away from my lodge. See this gun. If you come, I will shoot at you again!’”
752 visits
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Image 9042
841 visits
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We Hidatsas do not reckon our kin as white men do. If a white man marries, his wife is called by his name; and his children also, as Tom Smith, Mary Smith. We Indians had no family names. Every Hidatsa belonged to a clan; but a child, when he was born, became a member of his mother’s, not his father’s clan.
An Indian calls all members of his clan his brothers and sisters. The men of his father’s clan he calls his clan fathers; and the women, his clan aunts. Thus I was born a member of the Tsistska[8], or Prairie Chicken clan, because my mother was a Tsistska. My father was a member of the Meedeepahdee,[9] or Rising Water clan. Members of the Tsistska clan are my brothers and sisters; but my father’s clan brothers, men of the Meedeepahdee, are my clan fathers, and his clan sisters are my clan aunts.
744 visits
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But it is never good for a man not to know his faults, and so we let one’s clan cousins tease him 68for any fault he had. Especially was this teasing common between young men and young women. Thus a young man might be unlucky in war. As he passed the fields where the village women hoed their corn, he would hear some mischievous girl, his clan cousin, singing a song taunting him for his ill success. Were any one else to do this, the young man would be ready to fight; but, seeing that the singer was his clan cousin, he would laugh and call out, “Sing louder cousin, sing louder, that I may hear you.”
787 visits
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In those days, when a man mourned he cut off his hair, painted his body with white clay, and threw away his moccasins. He also cut his flesh with a knife or some sharp weapon. Now when a man sought a vision from the gods, he wept and mourned, that the gods might have pity on him; and for this he went away from the village, alone, into the hills. So it happened, that Snake Head-Ornament, on his way to the hills, went mourning and crying past a field where sat a woman, his clan cousin, on her watch-stage. Seeing him, she began a song to tease him:
He said, “I am a young bird!”
If a young bird, he should be in his nest;
But he comes here looking gray,
And wanders about outside the village!
He said, “I am a young snake!”
If a young snake, he should be in the hills among the red buttes;
But he comes here looking gray and crying,
And wanders aimlessly about!
783 visits
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Not long after, he was made a member of the Black Mouth society. It happened one day, that the women were building a fence of logs, set upright around the village, to defend it from enemies. Snake Head-Ornament, as a member of the Black Mouths, was one of the men overseeing the work. This woman, his clan cousin, was slow at her task; and, to make her move more briskly, Snake Head-Ornament came close to her and fired off his gun just past her knees. She screamed, but seeing it was Snake Head-Ornament who had shot, and knowing he was her clan cousin, she did not get angry. Nevertheless, she did not forget! And, years after, she had revenge in her taunting song.
555 visits
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In old times we Indian people had no horses, and not many families of my tribe owned them when I was a little girl. But I do not think there ever was a time when we Hidatsas did not own dogs. We trained them to draw our tent poles and our loaded travois. We never used dogs to chase deer, as white men do.
When the puppies were ten days old my grandmother brought in some fresh sage, the kind we Indians use in a sweat lodge. She laid the sage by the fireplace and fetched in the puppies, barring the door so that the mother dog could not come in. I could hear the poor dog whining pitifully.
“What are you going to do, grandmother?” I asked.
“I am going to smoke the puppies.”
“Why, grandmother?” I cried.
“Because the puppies are old enough to eat cooked meat, for their teeth have come through. The sage is a sacred plant. Its smoke will make the puppies hungry, so that they will eat.”
While she was speaking, she opened my little pet’s jaws. Sure enough, four white teeth were coming through the gums.
Turtle raked some coals from the ashes, and laid on them a handful of the sage. A column of thick white smoke arose upward to the smoke hole.
My grandmother took my puppy in her hands and held his head in the smoke. The poor puppy struggled and choked. Thick spittle, like suds, came out of his mouth. I was frightened, and thought he was going to die.
“The smoke will make the puppy healthy,” said Turtle. “Now let us see if he will grow up strong, to carry my little granddaughter’s tent.”
She lifted the puppy, still choking, from the floor, and let him fall so that he landed on his feet. The puppy was still young and weak, and he was strangling; but his little legs stiffened, and he stood without falling.
“Hey, hey,” laughed my grandmother. “This is a strong dog! He will grow up to carry your tent.” For in old times, when traveling, we Hidatsas made our dogs drag our tents on poles, like travois.
627 visits
