- Donkey
Donkey - Man riding horse
Man riding horse - Mother hen with her chicks
Mother hen with her chicks - Long-nosed sheep looking through the hedge
Long-nosed sheep looking through the hedge - Man leading a horse
Man leading a horse - Man and horse outside a house
Man and horse outside a house - Going through the gate
Going through the gate - Trotting across a field
Trotting across a field - Feeding time
Feeding time - Birds waiting for feeding time
Birds waiting for feeding time - Horse and Dog
`Horse and Dog - Dog and Shoe
Dog and Shoe - Dog chasing a rabbit
Dog chasing a rabbit - Two dogs and a horse
Two dogs and a horse - Two children riding ponies on the beach
Two children riding ponies on the beach - Man putting coins into a bag
Man putting coins into a bag - Two horses
Two horses - Two horses looking at their food
Two horses looking at their food - Lady driving in a horse and cart
Lady driving in a horse and cart - Horse and chickens
Horse and chickens - Boy and girl feeding the horses
Boy and girl feeding the horses - Plan of the foetal circulation
- A cross section of the skin
- Lymphatics of the head and neck. B, the thoracic duct
- Lymphatics of the leg.
- Skeleton
- The Spine
- Front view of the thorax
- The Skull
- The cartilages of the larynx; the trachea and bronchi
- The root of the left lung
- The right auricle and ventricle laid open
- Passage into trachea and esophagus; Pharynx
- The regions of the abdomen and their contents
- Superficial veins of the head and neck
- The arch of the aorta and its branches
- Vertical section of the skull, showing the sinuses of the dura mater
Vertical section of the skull - Reducing Dislocated Shoulder
Reducing Dislocated Shoulder - Reducing Dislocated Jaw
Reducing Dislocated Jaw - Painting of fish on plates
Sargus vulgaris In Attica, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - Lioness and young, from an Ionian vase of the sixth century B. C
Lioness and young from an Ionian vase of the sixth century b. c. found at Caere in Southern Etruria (Louvre, Salle E, No. 298), from Le Dessin des Animaux en Grèce d’après les vases peints, by J. Morin, Paris (Renouard), 1911. The animal is drawing itself up to attack its hunters. The scanty mane, the form of the paws, the udders, and the dentition are all heavily though accurately represented. - Illustrating Galen’s physiological teaching
The basic principle of life, in the Galenic physiology, is a spirit, anima or pneuma, drawn from the general world-soul in the act of respiration. It enters the body through the rough artery (τραχεῖα ἀρτηρία, arteria aspera of mediaeval notation), the organ known to our nomenclature as the trachea. From this trachea the pneuma passes to the lung and then, through the vein-like artery (ἀρτηρία φλεβώδης, arteria venalis of mediaeval writers, the pulmonary vein of our nomenclature), to the left ventricle. Here it will be best to leave it for a moment and trace the vascular system along a different route. - Achilles bandaging Patroclus,
A kylix from the Berlin Museum of about 490 b. c. It bears the inscription ΣΟΣΙΑΣ ΕΠΟΙΗΣΕΝ, Sosias made (me), and represents Achilles bandaging Patroclus, the names of the two heroes being written round the margin. The painter is Euphronios, and the work is regarded as the masterpiece of that great artist. The left upper arm of Patroclus is injured, and Achilles is bandaging it with a two-rolled bandage, which he is trying to bring down to extend over the elbow. The treatment of the hands, a department in which Euphronios excelled, is particularly fine. Achilles was not a trained surgeon, and it will be observed, from the position of the two tails of the bandage, that he will have some difficulty when it comes to its final fastening! - A Greek Clinic of 400 BC
A Greek Clinic of 400 BC In the centre sits a physician holding a lancet and bleeding a patient from the median vein at the bend of the right elbow into a large open basin. Above and behind the physician are suspended three cupping vessels. To the right sits another patient awaiting his turn; his left arm is bandaged in the region of the biceps. The figure beyond him smells a flower, perhaps as a preservative against infection. Behind the physician stands a man leaning on a staff; he is wounded in the left leg, which is bandaged. By his side stands a dwarfish figure with disproportionately large head, whose body exhibits deformities typical of the developmental disease now known as Achondroplasia; in addition to these deformities we note that his body is hairy and the bridge of his nose sunken; on his back he carries a hare which is almost as tall as himself. Talking to the dwarf is a man leaning on a long staff, who has the remains of a bandage round his chest. - Paintings of fish on plates
Crenilabrus mediterraneus. Uranoscopus scaber? In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. From the latter period a number of dishes and vases have come down to us bearing a large variety of fish forms, portrayed with an exactness that is interesting in view of the attention to marine creatures in the surviving literature of Aristotelian origin - Billy the Kid
Billy the Kid - A Texas Cowboy
A Texas Cowboy - Mariahof Cow, Styria
- Hereford Bull, 'Tredegar'
- Heads of aye-aye, marmoset and East Indian Red Monkey
- Devon Yearling Heifer, shown at Croydon, 1875
- Prize Short-horn, 'Pride of Windsor' , shown at Islington
- Angora Goats
- Podolian Cow, Galicia
- Group of African Cattle
- Small Breed White pig, Shown at Bedford
- Thelemark cows of Norway
- The Berkshire
- Siamese War Elephant
- Llama