- Egyptian Female Costume
Egyptian Female Costume - Egyptian Queen
Egyptian queen - Egyptian king
Egyptian king - Sewn Sleeveless Kalasiris
Sewn Sleeveless Kalasiris - Ethiopian Noble Lady
- Later Costume of Ethiopian Nobles
- Bradlaugh
- Frame
- Divider
- Divider
- Divider
- Triangular divider
Triangular divider - Divider
- Divider
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- Horses in the fire station
The fire horses stand ready in their stalls, and at the sound of the alarm gong the stall chains are let down and each horse goes quickly to his place at the engine, and the big iron collars are clamped around their necks and off they go to the fire, with the engine, at break-neck speed. - The Alarm
- The Automobile Fire Engine
The Automobile Fire Engine can go to the fires very swiftly. Many times the saving of a few minutes by the firemen in reaching a fire means stopping the blaze before it becomes too great. - The brave fireman
The brave fireman rescues many people who are caught in burning buildings, in this way risking his life that others may be saved from the smoke and flames. Many people owe their lives to the bravery of the firemen. - The Hoze nozzle
The Hoze nozzle has been taken up to the roof of a building next the one afire and the firemen are sending the water into the upper floors of the burning building. The hose nozzle is very difficult for the firemen to hold. - The Fire Alarm
The Fire Alarm is sounded by a big gong in the station from street alarm boxes near where the fire occurs. The firemen know these alarm stations so well that they seldom look for the address, but dash off quickly to the correct place. - The Fireman's dog
The Fireman's dog goes to every fire, running beside the horses, barking a command to hurry. He gets to the fire hydrant first and sits there panting until the Firemen come up to attach the hose and turn on the water. - The Round House
The Round House is the place where the railroad engines are kept when they are not working. The engines are turned around on a big turn table so each can be run on the different tracks which all lead to the turn-table in the centre. - Abraham Lincoln
Abraham Lincoln - Model of Roman Catapult
Weight 1 1/2 tons , Range with a 6 lb stone ball, 300 yards 1 Twisting up the skein of cord by means of the winches 2 Winding down the arm 3 Releasing the arm when fully wound down - Hunters with crossbows
- Crossbowman, about 1430
- Hunters with crossbows
- Norman Crossbowmen
- Burgmote Horns
Beautiful horns of hammered and embossed bronze belonging to the Corporations of Canterbury and Dover. The right-hand one is from Dover, where it was formerly used for the calling together of the Corporation at the order of the mayor. The minutes of the town proceedings were constantly headed "At a common Horn blowing" (comyne Horne Blowying). This practice continued until the year 1670, and is not yet entirely done away with, as it is still blown on the occasion of certain Municipal ceremonies. The motto on this horn is:— JOHANNES DE · ALLEMAINE · ME · FECIT · preceded by the talismanic letters A·G·L·A, which stand for the Hebrew אַתָּה גִּבּוֹר לְעוֹלָם אֲדֹנָי and mean, "Thou art mighty for ever, O Lord!" The horn, which is 31¾ inches long, with a circumference at the larger end of 15½ inches, is of brass, and is deeply chased with a spiral scrollwork of foliage chiefly on a hatched ground. The inscription is on a band that starts four inches from the mouth and continues spirally. The maker's name is now nearly effaced, but the inscription shows that he was a German, and the date is assigned to the thirteenth century. - Lamont Harp
The extreme length of the Lamont Harp is 38 inches, and the extreme width 18½ inches. The sound chest, as with other ancient harps, is hollowed out of one piece of wood, but the back has been in this instrument renewed, although probably a long time ago. The sound chest is 30 inches long, 4 inches in breadth at the top, and 17 at the bottom. The comb projects 15½ inches. The broken parts of the bow are held together by iron clamps. - Queen Mary's Harp
This venerable instrument, the least impaired Gaelic Harp existing, is known as Queen Mary's Harp. It is small, being only 31 inches high and 18 inches from back to front. It was played resting upon the left knee and against the left shoulder of the performer, whose left hand touched the upper strings. The comb is from 2½ to 3¼ inches high. It is inserted obliquely in the sound chest, and projects about 14 inches. - Cornemuse, Calabrian Bagpipe, Musette
The Calabrian Bagpipe or Zampogna is a rudely carved instrument of the eighteenth century. It has four drones attached to one stock, hanging downwards from the end of the bag: two of them are furnished with finger-holes. The reeds are double like those of the oboe and bassoon. The bag is large; it is inflated by the mouth and pressed by the left arm against the chest of the performer. The Zampogna is chiefly used as an accompaniment to a small reed melody pipe called by the same name, and played by another performer. The quality of the tone produced is not unpleasing. It has five holes only, and consequently the seventh of the scale is absent, but this can be easily got by octaving the open note of the pipe and covering part of the lower opening of the chanter with the little finger. The Musette, Zampogna, and Cornemuse here shown are from specimens belonging to Messrs. J. & R. Glen, Edinburgh. - Silhoette - Right Hand pointing
- Title Border
- Title Border
Title Border - Hand holding Card
Hand holding Card - Left Hand holding a card
- Left Hand Pointing - Fine detail
- Left Hand Pointing Coarse detail
- Left hand pointing
- Ornament
- Right Hand Pointing - Coarse Detail
- Right Hand Pointing - Fine detail
- Right Hand Pointing
- Scroll Title
Scroll Title - Scroll
- Silhoette - Left Hand pointing
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Transparent PNG - Scepters
His gods (a) carry a staff as a scepter, which every Bedouin still cuts today, and his goddesses (b) are content with a stalk of reeds. - The Sun-God of Edfu
Another important centre of the worship of the sun god, was Edfu in Upper Egypt, where even now his temple stands complete. Here originated the remarkable figure of the god which represents him as the sun with multicoloured wings as he flies across the heavens triumphant over his enemies. This figure of Horus of Edfu (or, as he was usually styled, he of Edfu) is placed over the gateways of the temples to keep out all evil things. - The bark of the sun
To the Egyptians there was no god of higher than the sun god, who was regarded as the sole creator, and ruler of the world; from the bark in which he traversed the heavens, the great god, the gor of heaven governed all things, and who-soeve in daily life merely speaks of the god, he will think of him.