Amphitheater
Amphoræ, Rhytons, etc.
(British Museum) The modern jars in any of the wine districts of Italy, such as Asti Montepulciano or Montefiascone, thin earthen two-handled vessels holding some twenty quarts, are almost identical with the ancient amphoræ. Suetonius speaks of a candidate for the quæstorship who drank the contents of a whole amphora at a dinner given by Tiberius. This amphora was probably of a smaller size.
Apollo
Arch of Titus
Ares
Ariadne from the Vatican
Artemis
Athena
Atrium
Augustus
Augustus When Augustus entered upon secure possession of absolute power, the Roman Empire included the fairest and most famous lands on the face of the globe and all the civilised peoples of the ancient world found a place in its ample bosom.
Bacchus
Bacchus
Bacchus was the Roman god of agriculture, wine and fertility, equivalent to the Greek god Dionysus.
Balneum (Roman Bath)
Balteus
Basterna
Battle of the Lapiths and Centaurs (Apollo temple at Bassa
Bronze Hermes statue of Herculaneum
Cerae (closed and sealed)
Cerae (open)
Chlamys
Circus Maximus
Circus Maximus - Plan
Colobium
Shape. This garment varied in width across the shoulders. The greater the distance between the neck-hole and the edge of the top corner (see A B), the more the upper arm was hidden. This has the misleading effect of a sleeve to the elbow. The Romans had a great aversion to anything in the nature of a close arm covering, so the fashion of wearing long shaped separate sleeves, set by Alexander the Great, was not followed at Rome, as it was considered unmanly; besides, such sleeves were worn by foreigners and barbarians, so naturally this mode was distasteful to the patriotic intolerance of a Roman citizen. The Greek " kolobus," called by the Romans the "colobium." Another name for this garment was the "tunica". When more than one was worn, the under ones were called the "tunica interior" or "subucula." A long tunica was called "tunica talaris."
Columbarium
Demeter
Dionysis
Dionysus from the Louvre Museum
Discovery of loaves of bread baked 1800 years ago, at Pompeii
Pompeii was preserved, and not destroyed. To its inhabitant, on the day of the eruption it was destroyed; but for us who now look upon it, and study its history, it has been preserved. ... There was one oven which remained uninjured. It had two openings; the loaves went into one of these, in the shape of dough, and were taken out at the other opening baked. Everything seemed to be in a fine state of preservation, and the oven could be made use of again for a repetition of its work of eighteen centuries ago. The oven when found was full of bread. Some of the loaves were stamped to indicate that they were of wheat flour, and others to indicate that they were of bran flour. The oven had been carefully sealed, and there were no ashes in it. Eighty-one loaves were found in it, a little stale, to be sure, and very hard and black, but lying in the same order in which they were placed on the 23d of November in the year 79.
Floor plan of the Erechtheum
Floor plan of the theatrum at Herculane
Gladiator barracks at Pompeii
Gladiators
Gladiators (from a wall-painting at Pompeii) In 264 B.C., the very year in{v1-490} which Asoka began to reign and the First Punic War began, the first recorded gladiatorial combat took place in the forum at Rome, to celebrate the funeral of a member of the old Roman family of Brutus. This was a modest display of three couples, but soon gladiators were fighting by the hundred. The taste for these combats grew rapidly, and the wars supplied an abundance of captives. The old Roman moralists, who were so severe upon kissing and women’s ornaments and Greek philosophy, had nothing but good to say for this new development. So long as pain was inflicted, Roman morality, it would seem, was satisfied.
Groups from Titus' triumphal procession over the Jews (Arch of Titus)
Hannibal's Elephants crossing the Rhone on rafts
The animals are steadying themselves by gripping a special rail with their trunks.
Hercules
Hestia
House of Pansa at Pompei
Hydraulic Organ
To the Etruscans is also attributed by some the invention of the hydraulic organ. The Greeks possessed a somewhat similar contrivance which they called hydraulos, i.e. water-flute, and which probably was identical with the organum hydraulicum of the Romans. The instrument ought more properly to be regarded as a pneumatic organ, for the sound was produced by the current of air through the pipes; the water applied serving merely to give the necessary pressure to the bellows and to regulate their action. The pipes were probably caused to sound by means of stops, perhaps resembling those on our organ, which were drawn out or pushed in. The construction was evidently but a primitive contrivance, contained in a case which could be carried by one or two persons and which was placed on a table. The highest degree of perfection which the hydraulic organ obtained with the ancients is perhaps shown in a representation on a coin of the emperor Nero, in the British museum. Only ten pipes are given to it and there is no indication of any key board, which would probably have been shown had it existed. The man standing at the side and holding a laurel leaf in his hand is surmised to represent a victor in the exhibitions of the circus or the amphitheatre. The hydraulic organ probably was played on such occasions; and the medal containing an impression of it may have been bestowed upon the victor.
Italy after 275 B.C
Map of Italy after 275 BC
Julius Caesar
Julius Caesar (From the Bust in the British Museum.)
Julius Cæsar
It is the custom of historians to treat these struggles with extreme respect. In particular the figure of Julius Cæsar is set up as if it were a star of supreme brightness and importance in the history of mankind. Yet a dispassionate consideration of the known facts fails altogether to justify this demi-god theory of Cæsar. Not even that precipitate wrecker of splendid possibilities, Alexander the Great, has been so magnified and dressed up for the admiration of careless and uncritical readers.
Laocoon
Mausoleum
Natural amphitheater
Niobe with her youngest daughter
North end of the Forum, with the Temple of Jupiter
North end of the Forum, with the Temple of Jupiter
Outline plan of Pompeii
The Regions are given as they were laid out by Fiorelli, the boundaries being marked by broken lines. The Insulae are designated by Arabic numerals. Stabian Street, between Stabian and Vesuvius gates, separating Regions VIII, VII, and VI, from I, IX, and V, is often called Cardo, from analogy with the cardo maximus (the north and south line) of a Roman camp. Nola Street, leading from the Nola Gate, with its continuations (Strada della Fortuna, south of Insulae 10, 12, 13, and 14 of Region VI, and Strada della Terme, south of VI, 4, 6, 8), was for similar reasons designated as the Greater Decuman, Decumanus Maior; while the street running from the Water Gate to the Sarno Gate (Via Marina, Abbondanza Street, Strada dei Diadumeni) is called the Lesser Decuman, Decumanus Minor. The only Regions wholly excavated are VII and VIII; but only a small portion of Region VI remains covered. The towers of the city wall are designated by numbers, as they are supposed to have been at the time of the siege of Sulla, in 89 B.C.
Pantheon, seen in section from the inside
Parthenon
Pilum
Plan of House of Pansa - Pompeii
Plan of Parthenon
Poseidin
Roamn Brothel- Imperial era
Another is afforded by the account of the two men whom Joshua sent out as spies. They came into a harlot’s house at Rabbah—a brothel, in fact, where, as at Rome in the Imperial age, the woman sat impudently, without a veil, at the door, and solicited the passers by. They wore peculiar clothing.
Roman
Roman As
Roman As (bronze, 4th Cent. B.C.)
Roman Atrium
Roman Coin Celebrating the Victory over Pyrrhus
Roman Coin Struck to Commemorate the Victory over Pyrrhus and His Elephants.
Roman General
Roman General
Roman girl and tibia
The British museum contains a mosaic figure of a Roman girl playing the tibia, which is stated to have been disinterred in the year 1823 on the Via Appia. Here the holmos or mouth-piece, somewhat resembling the reed of our oboe, is distinctly shown. The finger-holes, probably four, are not indicated, although they undoubtedly existed on the instrument.