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- Member of Brotherhood of death
Member of the Brotherhood of Death, whose duty it was to accompany those sentenced to death - Mediæval Dance
In the illustration, of early fourteenth-century date, the scene of the dance is not indicated; the minstrels themselves appear to be joining in the saltitation which they inspire. - Medieval Surgical instruments
Surgical instruments of Guy de Chauliac, nos. 1, 2, 3, and 4 (fourteenth century); and surgical apparatus of Hans von Gerssdorff, nos. 5, 6 and 7 (fifteenth century) After plates in Gurlt’s “Geschichte der Chirurgie” 1. Trepan 2. Balista used for extraction of arrows 3. Cauterizing shears with cannula for cauterization of the uvula 4. Bistoury 5. Extension arrangement for reducing upper arm dislocations, called “The Fool” 6. Screwpiece for extending a knee contracture 7. Extension apparatus in the form of armour-arm and armour-leg plates (“harness instruments”) for contractures of the elbow and knee joints - Mechanics wife
-Costumes of a Mechanic's Wife and a rich Bourgeois in the latter part of the Fifteenth Century.--From Windows in the Cathedral of Moulins (Bourbonnais). - Measuring salt
Fac-simile of a Woodcut of the "Ordonnances de la Prevosté des Marchands de Paris," in folio: 1500. - Measurers of Corn
The towns of Rouen and Caen were especially manufacturing cities, and were very rich. This was the case with Rouen particularly, which was situated on the Seine, and was at that time an extensive depôt for provisions and other merchandise which was sent down the river for export, or was imported for future internal consumption. Already Paris, the abode of kings, and the metropolis of government, began to foreshadow the immense development which it was destined to undergo, by becoming the centre of commercial affairs, and by daily adding to its labouring and mercantile population - Mary of Burgundy
Costume of Mary of Burgundy, Daughter of Charles the Bold, Wife of Maximilian of Austria (end of the Fifteenth Century). From an old Engraving in the Collection of the Imperial Library, Paris. - Marchands en Gros, Fifteenth Century
The last cut is taken from the painted glass at Tournay of the fifteenth century, and represents marchands en gros. This illustration of a warehouse with the merchant and his clerk, and the men and the casks and bales, and the great scales, in full tide of business, is curious and interesting. - Manufacture of Cheese
Manufacture of Cheese - Man-at-Arms and Archer of the Fifteenth Century
Man-at-Arms and Archer of the Fifteenth Century - Lydgate’s Pilgrim
Sometimes a little below the lower knob there is a hook, or a staple, to which we occasionally find a water-bottle or a small bundle attached. The hook is seen on the staff of Lydgate’s pilgrim. - Lubeck
View of Lubeck and its Harbour (Sixteenth Century).--From a Copper-plate in the Work of P. Bertius, "Commentaria Rerum Germanicarum," in 4to: Amsterdam, 1616. - Louis XVI
Louis XVI, Marie Antoinette, and the Dauphin - Lord of Graville
Louis de Mallet, Lord of Graville, Admiral of France, 1487, in Costume of War and Tournament, from an Engraving of the Sixteenth Century (National Library of Paris, Cabinet des Estampes). - Long-bow, Arquebus, Cannon, and Greek Fire
We have specially to call attention to the two men who are throwing shells, which are probably charged with Greek fire. This invention, which inspired such terror in the Middle Ages, seems to have been discovered in the east of Europe, and to have been employed as early as the seventh century. We hear much of its use in the Crusades, by the Greeks, who early possessed the secret of its fabrication. They used it either by ejecting it through pipes to set fire to the shipping or military engines, or to annoy and kill the soldiers of the enemy; or they cast it to a distance by means of vessels charged with it affixed to javelins; or they hurled larger vessels by means of the great engines for casting stones; or they threw the fire by hand in a hand-to-hand conflict; or used hollow maces charged with it, which were broken over the person of the enemy, and the liquid fire poured down, finding its way through the crevices of his armour. - Leathern Apron
Blacksmith wearing a leathern apron - Lawyer
Lawyer.--From the "Danse des Morts" of Basle, engraved by Mérian: in 4to, Frankfort, 1596. - Landgrave
The Landgrave of Thuringia and his Wife.--Fac-simile of a Miniature in the Collection of the Minnesinger, Manuscript of the Fourteenth Century. - Laindon Church, Essex
At the west end of Laindon Church, Essex, there is a unique erection of timber, of which we here give a representation. It has been modernised in appearance by the insertion of windows and doors; and there are no architectural details of a character to reveal with certainty its date, but in its mode of construction—the massive timbers being placed close together—and in its general appearance, there is an air of considerable antiquity. It is improbable that a house would be erected in such a situation after the Reformation, and it accords generally with the descriptions of a recluse house. - Lady, Knight, and Squire
The subject represents a scene from some romance, in which the good knight, attended by his squire, is guided by a damsel on some adventure. - Lady of the Court of Catherine de Medicis
Costumes of the Ladies and Damsels of the Court of Catherine de Medicis. - Ladies of Nobility
Costumes of the Ladies of the Nobility in the Ninth Century, from a Miniature in the Bible of Charles the Bold (National Library of Paris). - Ladies Hunting hat
Orcagna, Campo Santa, Pisa. - Labouring Colons (Twelfth Century)
At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - Labouring Colon (Twelfth Century)
Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris. At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - Labouring Colon
Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris. At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - La Gaillard
-The Dance called "La Gaillarde."--Fac-simile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588). - Koster
- Knights, Damsel, and Squire
Knights, Damsel, and Squire - Knights Justing
We may say here that it was not unusual for people in fine weather to pitch a tent in the courtyard or garden of the castle, and live there instead of indoors, or to go a-field and pitch a little camp in some pleasant place, and spend the time in justing and feasting, and mirth and minstrelsy. - Knight of the latter part of the Thirteenth Century
The other great invention of this period was that of armorial bearings, properly so called. Devices painted upon the shield were common in classical times. They are found ordinarily on the shields in the Bayeux tapestry, and were habitually used by the Norman knights. In the Bayeux tapestry they seem to be fanciful or merely decorative; later they were symbolical or significant. But it was only towards the close of the twelfth century that each knight assumed a fixed device, which was exclusively appropriated to him, by which he was known, and which became hereditary in his family. - Knight of the Fifteenth Century
Knight of the Fifteenth Century - Knight of the end of the Thirteenth Century
The cut is a spirited little sketch of a mounted knight. The horse, it may be admitted, is very like those which children draw nowadays, but it has more life in it than most of the drawings of that day; and the way in which the knight sits his horse is much more artistic. The picture shows the equipment of the knight very clearly, and it is specially valuable as an early example of horse trappings, and as an authority for the shape of the saddle, with its high pommel and croupe. - Knight arming
- Knight and Men-at-Arms
The accompanying wood-cut represents various peculiarities of the armour in use towards the close of the thirteenth century. - Kitchen
Interior of a Kitchen.--Fac-simile from a Woodcut in the "Calendarium Romanum" of J. Staéffler, folio, Tubingen, 1518. - Kings Huntsman
William Malgeneste, the King's Huntsman, as represented on his Tomb, formerly in the Abbey of Long-Pont. (for Louis IX) - King, &c., in Pavilion before Castle
King, &c., in Pavilion before Castle - King or Chief of Franks armed with the Seramasax, from a Miniature of the Ninth Century
When the Franks took root in Gaul, their dress and institutions were adopted by the Roman society. This had the most disastrous influence in every point of view, and it is easy to prove that civilisation did not emerge from this chaos until by degrees the Teutonic spirit disappeared from the world. As long as this spirit reigned, neither private nor public liberty existed. Individual patriotism only extended as far as the border of a man's family, and the nation became broken up into clans. Gaul soon found itself parcelled off into domains which were almost independent of one another. It was thus that Germanic genius became developed. - King of the Franks
The King of the Franks, in the midst of the Military Chiefs who formed his Treuste, or armed Court, dictates the Salic Law (Code of the Barbaric Laws). The tariff of indemnities or compensations to be paid for each crime formed the basis of the code of laws amongst the principal tribes of Franks, a code essentially barbarian, and called the Salic law, or law of the Salians. Such, however, was the spirit of inequality among the German races, that it became an established principle for justice to be subservient to the `rank` of individuals. The more powerful a man was, the more he was protected by the law; the lower his `rank`, the less the law protected him. - King Louis le Jeune
King Louis le Jeune Miniature of the "Rois de France," by Du Tillet (Sixteenth Century), in the National Library of Paris. - King Clovis
Costume of King Clovis (Sixth Century).--From a Statue on his Tomb, formerly in the Abbey of St. Geneviève. - King Childebert
King Childebert III (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés. - King Charlemagne receiving the Oath of Fidelity
King Charlemagne receiving the Oath of Fidelity and Homage from one of his great Feudatories or High Barons Originally, the possession of a benefice or fief meant no more than the privilege of enjoying the profits derived from the land, a concession which made the holder dependent upon the proprietor. He was in fact his "man," to whom he owed homage, service in case of war, and assistance in any suit the proprietor might have before the King's tribunal. - Junod’s boot applied to a baby in the cradle
Junod’s boot applied to a baby in the cradle. (From Victor Theodore Junod, A Theoretical and Practical Treatise on Maemespasia. London, 1879. - Julius Cæsar crossing the Rubicon
The picture is a mediæval representation of no less a personage than Julius Cæsar crossing the Rubicon. The foremost figure is Cæsar. He is in a complete suit of plate-armour; over his armour he wears a very curious drapery like a short tabard without sleeves; it is of a yellow brown colour, but of what material it is not possible to determine. - Jugglers in public
A troubadour's story of this period shows that the jugglers wandered about the country with their trained animals nearly starved; they were half naked, and were often without anything on their heads, without coats, without shoes, and always without money. The lower orders welcomed them, and continued to admire and idolize them for their clever tricks, but the bourgeois class, following the example of the nobility, turned their backs upon them. Jugglers performing in public.--From a Miniature of the Manuscript of "Guarin de Loherane" (Thirteenth Century).--Library of the Arsenal, Paris. - Jugglers
At first, and down to the thirteenth century, the profession of a juggler was a most lucrative one. There was no public or private feast of any importance without the profession being represented. Their mimicry and acrobatic feats were less thought of than their long poems or lays of wars and adventures, which they recited in doggerel rhyme to the accompaniment of a stringed instrument. The doors of the châteaux were always open to them, and they had a place assigned to them at all feasts. Jugglers exhibiting Monkeys and Bears.--Fac-simile of a Manuscript in the British Museum (Thirteenth Century). - Judge
Judge The Parliament of Paris--or Great French Parliament, as it was called by Philip V. and Charles V., in edicts of the 17th of November, 1318, and of the 8th of October, 1371--was divided into four principal chambers: the Grand Chamber, the Chamber of Inquiry, the Criminal Chamber, and the Chamber of Appeal. It was composed of ordinary councillors, both clerical and lay; of honorary councillors, some of whom were ecclesiastics, and others members of the nobility; of masters of inquiry; and of a considerable number of officers of all ranks - Jousting
Jousting - John of Eltham
Illustration the sepulchral effigy in Westminster Abbey of John of Eltham, the second son of King Edward II., who died in 1334. Here we see first and lowest the hacqueton; then the hauberk of chain mail, slightly pointed in front, which was one of the fashions of the time - John Gutenberg
Tthorwalden's statue of John Gutenberg - John Fortey
John Fortey - John Ball, Priest
We give another representation from the picture of John Ball, the priest who was concerned in Wat Tyler’s rebellion, taken from a MS. of Froissart’s Chronicle, in the Bibliothèque Impériale at Paris. The whole picture is interesting; the background is a church, in whose churchyard are three tall crosses. Ball is preaching from the pulpit of his saddle to the crowd of insurgents who occupy the left side of the picture. - Johanna de Warn
The picture represents Johanna de Warn, who also gave what is described as a well-built house, with a louvre, in St. Alban’s town. This house, again, is of timber, with traceried windows, an arched doorway with ornamental hinges to the door, and an unusually large and handsome louvre. This louvre was doubtless in the roof of the hall, and probably over a fire-hearth in the middle of the hall, such as that which still exists in the fourteenth-century hall at Pevensey, Kent. The lady’s face is strong corroboration of the theory that these are portraits. - Joan of Navarre
Queen of Henry IV - Jews burnt alive
The Jews of Cologne burnt alive From a Woodcut in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493. In 1370, the people of Brussels were startled in consequence of the statements of a Jewess, who accused her co-religionists of having made her carry a pyx full of stolen hosts to the Jews of Cologne, for the purpose of submitting them to the most horrible profanations. The woman added, that the Jews having pierced these hosts with sticks and knives, such a quantity of blood poured from them that the culprits were struck with terror, and concealed themselves in their quarter. The Jews were all imprisoned, tortured, and burnt alive. In order to perpetuate the memory of the miracle of the bleeding hosts, an annual procession took place, which was the origin of the great kermesse, or annual fair. - Jewish Ceremony before the Ark
Jewish Ceremony before the Ark Fac-simile of a woodcut printed at Troyes. - Jerusalem
View and Plan of Jerusalem. Fac-simile of a Woodcut in the "Liber Chronicarum Mundi" large folio, Nuremberg, 1493. - Jeanne de Bourbon
Jeanne de Bourbon, Wife of Charles V From a Statue formerly in the Church of the Célestins, Paris. A fact worthy of remark is, that whilst male attire, through a depravity of taste, had extended to the utmost limit of extravagance, women's dress, on the contrary, owing to a strenuous effort towards a dignified and elegant simplicity, became of such a character that it combined all the most approved fashions of female costume which had been in use in former periods. The statue of Queen Jeanne de Bourbon, wife of Charles V., formerly placed with that of her husband in the Church of the Célestins at Paris, gives the most faithful representation of this charming costume, to which our artists continually have recourse when they wish to depict any poetical scenes of the French Middle Ages